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Tender is the Night: A Romance (Penguin Modern Classics) Paperback – 28 Jun 2001


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Tender is the Night: A Romance (Penguin Modern Classics) + The Beautiful and Damned (Collins Classics) + This Side of Paradise (Dover Thrift Editions)
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Product details

  • Paperback: 400 pages
  • Publisher: Penguin Classics; New Ed edition (28 Jun 2001)
  • Language: English
  • ISBN-10: 0141183594
  • ISBN-13: 978-0141183596
  • Product Dimensions: 12.9 x 1.7 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (110 customer reviews)
  • Amazon Bestsellers Rank: 219,786 in Books (See Top 100 in Books)

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Review

"A tragedy backlist by beauty." "-- Daily Express""For Fitzgerald desolation is a precondition of the lyrical. Hence the most distinctive impression of Tender: A beautiful novel about failure." "-- Independent""It is one of those books that you read and feel a shift... the story is told so poetically and eloquently. It is one of those books that you read and think: if I could only remember that sentence -- it is so beautiful." "--" Sam Taylor-Wood --This text refers to an alternate Paperback edition.

Book Description

A heartbreaking American masterpiece of the 'Roaring Twenties' by the author of The Great Gatsby --This text refers to an alternate Paperback edition.

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Customer Reviews

4.0 out of 5 stars

Most Helpful Customer Reviews

Format: Paperback
Penguin make much of the fact that there were seventeen versions of Tender is the Night; this is to justify the fact which they don't tell you- this green-jacketed version is completely different to the 1934 version. That was told in flashbacks; this version was re-ordered chronologically after Fitzgerald's death by friend and critic Malcolm Cowley.

Do not read this if you are looking for the standard edition; this is an obscure, discredited version which was assumed to have been out of print since the 1970s. It is of scholarly value, but is NOT the 'proper' version.
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27 of 28 people found the following review helpful By nicjaytee on 8 Jan 2004
Format: Paperback
Thought provoking and brilliantly written “Tender is the Night” etches itself into your brain: once read, never forgotten. Longer, looser but more complex and much darker in its subject matter than “The Great Gatsby”, Scott Fitzgerald similarly transcends time & place to leave you with quite unforgettable images. For example, describing an open-air dinner party on the Cote d’Azur he writes: “There were fireflies riding on the dark air and a dog baying on some low and far-away ledge of the cliff. The table seemed to have risen a little toward the sky like a mechanical dancing platform, giving the people around it a sense of being alone with each other in the dark universe, nourished by its only food, warmed by its only lights.” And, thirty years after first reading that wonderfully evocative description, it’s still there: burned-in as a reference-point that follows me around all open-air late night parties… just waiting for that distant bark.

Replete with similar passages, “Tender is the Night” juxtaposes romantic idylls with the personal tragedies surrounding most of its characters, and, in so doing, triumphs in exploring the differences between perception and reality, superficiality versus excess, strength of character versus fear & weakness, and uncontrollable madness versus self-induced self-destruction. Drawing you into a hedonistic world that you would sincerely wish to be part of and then exploding its deficiencies in front of you, it leaves you realising that not all is what it seems.
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8 of 8 people found the following review helpful By William Burn VINE VOICE on 4 Jun 2007
Format: Paperback Verified Purchase
This review is intentionally very short, as other reviews consider the novel in more detail. It is worth noting that this novel demonstrates Fitzgerald's skill as a writer to the full, and is a pleasure to read.

The purpose of this review is to clarify a point raised in another review, which asks about why this Popular Classics edition appears to present a corrupt, or at least unauthorised text. The reason for this is that it follows the structure of the novel as set out in the 1951 revision, edited by Malcolm Cowley, based on notes and corrections made by Fitzgerald himself. This revision of the original 1934 text rearranges the novel into chronological order, and divides the text into a different number of sections. This is why the Spark Notes referred to by another reviewer are confusing: they describe the 1934 text. It should be noted that, according to the Penguin Modern Classics edition at least, current critical thinking prefers the 1934 edition, as Cowley's interventions in the later edition make it unclear the extent to which Fitzgerald's intentions were followed.

Of course, no exam board would ever bother to be clear as to which text is to be studied: that would be far too easy for us all, wouldn't it?
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83 of 88 people found the following review helpful By nicjaytee on 8 Jan 2004
Format: Paperback
Thought provoking and brilliantly written “Tender is the Night” etches itself into your brain: once read, never forgotten. Longer, looser but more complex and much darker in its subject matter than “The Great Gatsby”, Scott Fitzgerald similarly transcends time & place to leave you with quite unforgettable images. For example, describing an open-air dinner party on the Cote d’Azur he writes: “There were fireflies riding on the dark air and a dog baying on some low and far-away ledge of the cliff. The table seemed to have risen a little toward the sky like a mechanical dancing platform, giving the people around it a sense of being alone with each other in the dark universe, nourished by its only food, warmed by its only lights.” And, thirty years after first reading that wonderfully evocative description, it’s still there: burned-in as a reference-point that follows me around all open-air late night parties… just waiting for that distant bark.

Replete with similar passages, “Tender is the Night” juxtaposes romantic idylls with the personal tragedies surrounding most of its characters, and, in so doing, triumphs in exploring the differences between perception and reality, superficiality versus excess, strength of character versus fear & weakness, and uncontrollable madness versus self-induced self-destruction. Drawing you into a hedonistic world that you would sincerely wish to be part of and then exploding its deficiencies in front of you, it leaves you realising that not all is what it seems.
Read more ›
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