- Paperback: 176 pages
- Publisher: Bloodaxe Books Ltd; First Edition edition (10 May 2009)
- Language English
- ISBN-10: 1852248432
- ISBN-13: 978-1852248437
- Product Dimensions: 23.1 x 15.5 x 1.3 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 494,435 in Books (See Top 100 in Books)
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Review
Adrian Mitchell is no more naïve than Stevie Smith, but like her he has the innocence of his own experience. … real inner freedom and the courage of his own music. Among all the voices of the Court, a voice as welcome as Lear's fool….Humour that can stick deep and stay funny. --Ted Hughes
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Nobody else writes like him. And it is becoming more and more evident that his achievement endures….Nobody has ever departed with such language for such a destination…..Mitchell is a joker, a lyrics writer, a word-spinner, an epigrammist, a man of passion and imagination….Against the present British state he opposes a kind of revolutionary populism, bawdiness, wit and the tenderness sometimes to be found between animals. --John Berger
This is Adrian Mitchell, the British Mayakovsky. --Kenneth Tynan
Product Description
TELL ME LIES is a rampaging last collection by the late and much lamented Shadow Poet Laureate. The title-poem is a 21st-century remix of his celebrated anti-war poem, "To Whom It May Concern (Tell me lies about Vietnam)", first performed at the anti-Vietnam War protest in Trafalgar Square in 1964. Much and nothing has changed since then, and Mitchell's new (now sadly final) poems are just as powerfully relevant 40 years on. Completed just before his death, the book is quintessential Adrian Mitchell...with visions of war and peace, celebrations and elegies, daft adventures, and exuberant outbursts - like his version of Beowulf told from the point of view of Grendel the Swamp Monster. His poetry's simplicity, clarity, passion and humour show Adrian Mitchell's allegiance to a vital, popular tradition embracing William Blake as well as the ballads and the blues. His most nakedly political poems - about war, Vietnam, prisons and racism - became part of the folklore of the Left, sung and recited at demonstrations and mass rallies. His childlike questioning was a constant reminder from the 60s onwards that poetry is first and foremost an assertion of the human spirit. A pacifist prophet who remained true to his heartfelt beliefs, Mitchell reported back for half a century from a world blighted by war, compromise, double-talk and pragmatism without losing his innocence, integrity and impish sense of humor. Angela Carter described him as a 'joyous, acrid and demotic tumbling lyricist Pied Piper determinedly singing us away from catastrophe'.
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
5.0 out of 5 stars
a clear, sane and humorous voice,
By
This review is from: Tell Me Lies: Poems 2005-2008 (Paperback)
Adrian Mitchell was known to me mainly for his Clint Eastwood approved :"He breathed in air, he breathed out light, Charlie Parker was my delight" .I have to say that I was delighted with this selection , as it has the qualities mentioned in the title of this review. Among the most memorable, both personal ( A M was a man who prized friendships) and political ( a couple of blistering verses on the Royal family)- a man worthy of the tributes from the public and from his fellow poets ( such as Ted Hughes)
5.0 out of 5 stars
Adrian Mitchell's Last Collection.,
This review is from: Tell Me Lies: Poems 2005-2008 (Paperback)
Another rumbustious pile of poems from the irrepressible Adrian Mitchell. Piercing, funny, angry, compassionate. Irrepressible certainly and irreplaceable too. So sad its his last collection. This one is counterpointed with wild and appropriately excessive illustrations from the equally unpredictable Ralph Steadman. Altogether a good savage unforgettable bonanza. At an amazing price too.
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