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The book is easy to read and presents Hughes as a fascinating individual, a talented poet and a real person.
Of course, this story should be an important one in any biography of this great poet, and there is certainly room for fair documentation of Hughes' dignity in this matter - especially considering his reputation as a 'murderer' in some circles (particularly '70s feminist America). But there is little here for the reader who is actually interested in Hughes and his poetry, and not just his relationship with Sylvia Plath.
It would have been good to read a more in-depth analysis of his life in terms of his poems and his influences (which, of course includes Plath before and after her death). The only book of Hughes' really covered in this way is the beautiful Birthday Letters, which of course is addressed to Plath. This, for me, was the most revealing part of the biography and sent me back to re-read those poems with fresh insight - what a shame that didn't happen elsewhere. Once we get to the '70s, Feinstein seems to race to the end of the book in a flurry of extra-marital affairs, with little more than a cursory look at the work Hughes produced in this time.
The problem seems to be that this is basically an attempt to set the record straight regarding Hughes' involvement with Plath. While there is nothing wrong with that (except, maybe, that nobody could do it better than Hughes himself in 'Birthday Letters'), it seems innacurate to subtitle such a book 'The Life of a Poet'.
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