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John Leland, Femaledetective.com
Mr J. L. B. Matekoni, proprietor of Tlokweng Road Speedy Motors, found it difficult to believe that Mma Ramotswe, the accomplished founder of the No. 1 Ladies' Detective Agency, had agreed to marry him. Read the first page
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So, while Precious is asked by an American woman to find out what happened to her son, who disappeared from a commune ten years previously, she must also negotiate the pitfalls of setting up house with Mr. Matekoni, the acquisition of an engagement ring, and the dastardly schemes of Mr. Matekoni's nasty housekeeper, and the unexpected addition of two foster children to her household. All of which she does with her keen sense of human nature and wisdom. Her secretary/typist is also given increased attention, allowed to take on the case of a cheating wife all by herself.
Built into the stories are ruminations of the tensions between modernity and traditional values. There are a number of passages that attempt to capture the essence of Africa, and how that noble vision is under constant assault by greed, corruption, and power. The adventures of Precious and her cohort are a warm antidote to the often depressing news that dominates coverage of Africa in the West. Smith writes in a delightfully fluid and simple prose with pacing that makes the book quite difficult to put down. The series thankfully continues with Morality for Beautiful Girls and The Kalahari Typing School For Men, with further volumes to follow, one hopes.
Tears of the Giraffe isn't so much a sequel as a continuation of the events in The No. 1 Ladies' Detective Agency. As that book ended, Mma Ramatswe accepted the proposal of Mr J.L.B. Matekoni. In Tears of the Giraffe, the couple decides in which of their houses they will live, picks out a ring and decides about having children. Each event has its unexpected twists . . . including an attempt by Mr Matekoni's maid to derail the marriage.
There is less happening at the detective agency than in the prior story. This book involves solving only two mysteries, a wandering wife and a missing son. Mma Ramatswe learns that her able secretary wants to become a detective, and the savvy head of the agency tries out Mma Makutsi's talents with encouraging results.
Both story lines focus on questions of right and wrong. As a prospective spouse, what are the right reactions to one's fiancé or fiancée? As a detective, how much may one do wrong to avoid greater wrongs? To one's community, what is owed? To one's employees, what opportunities should be opened? In each case, the suggestion is that all responsibilities must be borne . . . and borne bravely . . . but in a way that is tempered with love for one's fellow people.
As with The No. 1 Ladies' Detective Agency, Africa itself plays a role stronger than any single character in defining what is thought and done. The strong and distinct atmosphere makes the book more enchanting to those who do not know Africa.
The story is strengthened by alternating narrators among many different characters and using lots of dialogue so that each part of the novel is vivid and varied. It's as though six or seven almost unconnected short stories were woven together into a seamless novel. It's an impressive accomplishment.
As I finished the book, I wondered how much better off we all would be if we each took a strong responsibility for all those we meet and touch.
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