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Tchaikovsky/Sibelius: Violin Concertos (DECCA The Originals) [Original recording remastered]

Kyung Wha Chung , Tchaikovsky , Sibelius , Andre Previn , London Symphony Orchestra Audio CD
4.7 out of 5 stars  See all reviews (6 customer reviews)
Price: £9.00 & FREE Delivery in the UK on orders over £10. Details
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 : Includes FREE MP3 version of this album.
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Frequently Bought Together

Tchaikovsky/Sibelius: Violin Concertos  (DECCA The Originals) + Mendelssohn & Bruch: Violin Concertos. Scottish Fantasia
Price For Both: £18.39

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Product details

  • Orchestra: London Symphony Orchestra
  • Conductor: Andre Previn
  • Composer: Tchaikovsky, Sibelius
  • Audio CD (11 Sep 2006)
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Decca
  • ASIN: B000GUJZV4
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 22,487 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. Peter Ilyich Tchaikovsky: Violin Concerto in D, Op.35 - 1. Allegro moderato18:49Album Only
Listen  2. Peter Ilyich Tchaikovsky: Violin Concerto in D, Op.35 - 2. Canzonetta (Andante) 6:24£0.79  Buy MP3 
Listen  3. Peter Ilyich Tchaikovsky: Violin Concerto in D, Op.35 - 3. Finale (Allegro vivacissimo) 9:28£0.79  Buy MP3 
Listen  4. Jean Sibelius: Violin Concerto in D minor, Op.47 - 1. Allegro moderato15:23Album Only
Listen  5. Jean Sibelius: Violin Concerto in D minor, Op.47 - 2. Adagio di molto 8:04£0.79  Buy MP3 
Listen  6. Jean Sibelius: Violin Concerto in D minor, Op.47 - 3. Allegro, ma non tanto 7:22£0.79  Buy MP3 

Product Description

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Customer Reviews

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4.7 out of 5 stars
4.7 out of 5 stars
Most Helpful Customer Reviews
41 of 43 people found the following review helpful
Format:Audio CD
Kyung-Wha Chung's artistry stands at the cusp of the middle and end of the 20th century. She produces a magnificent sound, plays with fantastic accuracy, and produces the modern expected perfection of tone and interpretation, yet also conveys admirable personal character in her playing. In her outstanding rendition of Sibelius, she captures that unique Sibelian magic of "Fire without warmth", the "Frozen passion", which pervades so much of his music. The Adagio di molto moves me to tears even now, and I first heard her performance when it was released on vinyl around the time I was doing my O-Level Music. I have many recordings of this piece, but Chung (and of course Heifetz) are my champions. The Tchaikovsky is simply brilliant, unbridled passion and commitment. Previn and Chung have a special magic together on this excellent remastering of a top drawer analogue recording. Buy this and enjoy a sensational must-have recording.
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31 of 33 people found the following review helpful
5.0 out of 5 stars THE classic recording 8 May 2009
Format:Audio CD
I bought this recording on vinyl when it was first released in 1970 and it has been in my collection without a break ever since then in various formats. This newly remastered mid-price reissue of a classic recording is very welcome.

At the time of laying down these two readings Chung was a precocious 22 years old, who had just secured her first Stradivarius. Previn was also full of youthful vigour and only recently appointed the LSO's Chief Conductor

I cannot think of a single decision, tempo, dynamic, phrasing, with which I disagree in either of these two concertos. This reading of the Tchaikovsky remains for me the standard by which I judge all other recordings. It is beautifully worked between the soloist and orchestra with tempi as close to perfect as makes no difference. The closing allegro vivacissimo is performed with amazing elan, and Chung's touch, even in the difficult pizzicati and spiccati is wonderfully sure-footed without ever tipping over into the breathless.

The measured Sibelius performance is a remarkable contrast to the incandescence of the Tchaikovsky. It dates from a quarter of a century after its companion on this recording (1903 against 1878) and comes from a country that had then (and still has) a noticeable aversion to its Russian neighbour. Chung and Previn imbue this with what I can only describe as an Arctic glitter compared to their blazing reading of the Tchaikovsky. Again, the tempi and phrasing are close to perfection.

Put them together, the fire of the Tchaikovsky and the ice of the Sibelius and we have a gem of a combined performance that even after nearly 40 years still has the power to keep me riveted.

This is a staggering recording, the standard by which I judge all other performances of these two works. A relatively infrequent coupling (the Tchaikovsky is more often coupled with the Mendelssohn concerto in E minor), but a welcome contrast between two remarkable works.
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10 of 11 people found the following review helpful
5.0 out of 5 stars "That sunny dome, those caves of ice!" 24 Oct 2011
By Lady Fancifull TOP 500 REVIEWER
Format:Audio CD|Verified Purchase
This is, as other reviewers have noted, a gorgeous pairing, the Tchaikovsky gloriously swooping, gleeful and brilliant, the Sibelius full of sombre grandeur, a painting of a majestic landscape, indifferent to petty human concerns. It's a match of Spring and Autumn. Kyung-Wha Chung's playful, ecstatic violin line in the Tchaikovsky is full of exuberance, leading the orchestra to follow her high spirits, dancing across the musical landscape.

The mood darkens with the Sibelius, and from the swoops, soars, turns and balletic virtuoso leaps and glides in the Russian piece, we move to an intensely lyrical sustained series of smooth phrases, a cold, clean, austere world full of soul and introspective depths, still reflections in dark water, cracking ice. It's a piece which musically echoes Wordsworth:

"For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue."

It is a tone-poem to the land, and Kyung-Wha Chung plays this with poise and a real spaciousness, those sustained legato lines rolling out to a limitless horizon
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