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Tchaikovsky: Piano Concertos Nos. 1-3, Concert Fantasy [GEMINI] Original recording remastered


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Frequently Bought Together

Tchaikovsky: Piano Concertos Nos. 1-3, Concert Fantasy [GEMINI] + Rachmaninov: Piano Concertos Nos. 1-4 + Grieg: Piano Concerto in A minor Op. 16; Schumann: Piano Concerto in A minor Op. 54
Price For All Three: £28.39

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Product details

  • Orchestra: Bournemouth Symphony Orchestra
  • Conductor: Rudolf Barshai
  • Audio CD (20 Oct 2003)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: EMI
  • ASIN: B0000CE7G0
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 90,495 in Music (See Top 100 in Music)

Disc: 1
1. I.Quasi rondo (Andante mosso)
2. II.Contrastes (Andante cantabile-Molto vivace-Vivacissimo-Allegro moderato-Vivacissimo-Molto più tranquillo-Vivace)
3. I. Allegro non troppo e molto maestoso
4. II. Andantino semplice - Prestissimo - Tempo primo
5. III. Allegro con fuoco
Disc: 2
1. I. Allegro brillante
2. II. Andante non troppo
3. III. Allegro con fuoco
4. Allegro brillante - Cadenza - Tempo I - Vivacissimo

Product Description

I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.

Customer Reviews

4.1 out of 5 stars
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Most Helpful Customer Reviews

19 of 19 people found the following review helpful By Bookworm on 1 Nov 2009
Format: Audio CD
This is a digital recording laid down in the 1980s. As far as I am aware it was among the first recordings to render Concerto no. 2 complete and uncut, restoring the status quo before Ziloti got his hands on it. By contrast,the earlier Gilels recording follows the savage cuts Ziloti made, which more or less eviscerated the second movement. It's refreshing also to hear the second concerto performed with the violin and cello obbligati played by virtuoso soloists in their own right (Kennedy and Isserlis) rather than the leader and principal cellist of the orchestra. This gives a completely fresh perspective on what Tchaikovsky intended.

Donohoe and Barshai play it a bit safe, a bit conservative. Had they let themselves go a little more, they might well have given us the recording of the (20th) century. Even so, a good buy at bargain price. Its only serious competition if you want to hear the complete 2nd concerto is the super-budget Naxos recording with Bernd Glemser and the Polish National Radio Symphony Orchestra under Antoni Wit, which also includes Tanayev's orchestration of the Andante and Finale Op. 79.

Altogether, a satisfactory reading of a work that is very poorly served in both the concert hall and the recording studio, coupled with the ever popular B flat minor concerto, the single movement third concerto and the Fantasie de Concert. I think, like another reviewer, that I prefer the 2nd to the 1st.
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3 of 3 people found the following review helpful By Salieri on 5 Aug 2012
Format: Audio CD Verified Purchase
My rating of only 3 stars relates to the performance of the B Flat Minor Concerto, which frankly I found under-powered and not entirely satisfactory. I missed much of the drama; even from the outset, after the Orchestra's famous opening bars, the soloist's response was something of a let-down. There were times in this movement where the momentum flagged, and the orchestra's endeavour to smarten things up resulted in an unequal balance between them and the soloist. The 2nd movement was, quite frankly, dull, and although things did improve in the finale, the fireworks were still missing. My use of the word "fireworks" is apposite: this is an exciting Concerto and, because it is so well-known, a performance needs to make us hear it anew, if possible, otherwise we will say "yes it's OK" (which is my rating in this review), but that is not enough.

Lest readers should despair, the rest of the CD is worth a purchase on its own. The 2nd Concerto is still, sadly, not too well-known, and some past recordings do make cuts, not sanctioned by Tchaikovsky, but as a result of those after his death that deplored what is actually a triple concerto in the 2nd movement. With violin and cello soloists of the calibre of Nigel Kennedy and Steven Isserlis, this movement is either going to succeed par excellence, or fail due to - well, too many stars? Fortunately, the former is the case: they blend beautifully and the big central climax in this movement is the best I have heard. Yes, the first movement does ramble at times (by which I mean that actual writing - a considerable amount used to be cut in earlier performances), but Peter Donohoe seems much more at home with it, and the interplay between him and the orchestra is greatly more convincing than in No. 1.
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24 of 26 people found the following review helpful By maximus TOP 500 REVIEWERVINE VOICE on 18 May 2007
Format: Audio CD
In my opinion this set is hard to beat - and the quality vs price ratio is huge! I have seen Donohoe perform live (Rachmaninov 24 preludes in Manchester) so I bought this CD on the back of his concert. It was a revelation because I had only heard Tchaikovsky's no1 up to that point, but I actually found that No2 became my favourite. It's superb! Inclusion of the No3 and the Fantasy are also bonuses not to be missed. A very generous set all-round.
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28 of 32 people found the following review helpful By A. J. Lane on 23 Sep 2006
Format: Audio CD
Peter Donohoe's recordings of Tchaikovksy's music for piano and orchestra is welcome if for no better reason that it provides us with another interpretation of the all too rarely recorded Concert Fantasy and 2nd Piano Concerto, both unfairly neglected in favour of the deservedly popular 1st concerto. The 3rd concerto, also included on these discs, is something of an anomaly, being a single movement of the great composer at his least inspired, but it's worth a hearing if you haven't had the chance.

Donohoe's playing is masterful, if a little on the safe side at times, and it is in this respect that we are left a little underwhelmed by the end. The central solo section of the first movement of the Concert Fantasy is a particular case in point, being taken at so leisurely a pace that it lacks the necessary momentum and drive that marks this piece out as one of the most glittering and exciting in all the piano repertoire. Donohoe's clarity is commendable, but to play Tchaikovksy as you might play Beethoven is to miss the essential Russianness of his music which, I respectfully suggest, demands the degree of risk-taking and adrenaline-fired romanticism that the Pletnev recording, for example, has in abundance. The balance leaves a little to be desired, as well, and some of Donohoe's most brilliant work is lost at times beneath an overly hyped orchestra.

The 2nd Piano Concerto provides the best listening on these discs and it's interesting to hear a perfromance in which the traditional criticisms of this work, namely that the middle movement is in fact a triple concerto, have been awarded a hearty two fingers with the apportioning of the solo violin and cello roles to the stellar personages of Nigel Kennedy and Steven Isserlis.
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