This is easily my favorite Taverner mass, and easily my favorite performance by The Sixteen. To my ear, the English Renaissance masses such as Taverner's are more suited to choral performance than the Franco-Flemish or Italian works, which always sound clearer and more dramatic sung one-on-a-part (or two-on-a-part if the twos are truly skilled!). The interspersed instrumental "moments" supplied by Fretwork (viol consort) are beautifully played and appropriate. This is spacious, joyful music. I love it!