Tarnsman of Gor [Paperback]

Gor is also known as Counter-Earth because it is on the far side of the sun always blocked from view. Gor is slightly smaller than Earth, which works in Tarl Cabot's favor when he accedes to a cryptic message from the father he has not seen for decades and enters a space ship in the woods of New England, bringing with him a handful of earth. After all, Cabot is a college professor (like John Lange, the professor of philosophy who wrote these novels under the John Norman name), and has not been living the life of a warrior. But on Gor he is trained to be a Tarnsman, a rider of the great war birds. His mission is to capture the Home Stone of Ar, the great city-state that is the "Rome" of the Gorean world. The effort is an attempt to end the power of Marlenus, who had been given the power of "Ubar" (essentially the war chief) to handle an emergency, but who refused to give up power afterwards and is building an empire.

This 1966 novel is relative short, a little over 200 pages long, but it becomes an important prologue to the rest of the series. In the first half of the book the reader, like Tarl Cabot, is introduced to many key concepts that are developed in the future novels, from the practice of slavery and the joys of paga to caste-bound Gorean society and the technological restrictions imposed on the people of Gor by the mysterious Priest-Kings. When you go back and reread "Tarnsman of Gor," after you have gotten deeper into the series (i.e., "Slave Girl of Gor"), you will recognize the embryonic form of the Gorean philosophy as well: the concept of honor, the independence of men, the respect for the environment, the dangers of technology, and the great "truth" of female slavery." However, at first glance, the sword and sorcery elements are what hook the reader into this opening novel. The parallels between Marlenus of Ar and Julius Caesar of Rome are obvious, but Gor is a much more barbaric world than that of the Roman Empire and one of the fun aspects of reading these books is recognizing the bits and pieces of different warrior cultures Norman has brought to his creation.

"Tarnsman of Gor" ends in the same manner as "A Princess of Mars," which means the series effectively offers a second beginning in the next novel, "Outlaw of Gor," which is the first novel in what I think of as the Priest-Kings trilogy. I think that the fifth novel, "Assassins of Gor," is the high point of the series, after which it starts transforming itself into something significantly different. But those first five novels are certainly worth reading for those who like the Burroughs school of grand adventure and Norman improves greatly as a writer, creating memorable supporting characters and unique actions scenes.

Gor is also known as Counter-Earth because it is on the far side of the sun always blocked from view. Gor is slightly smaller than Earth, which works in Tarl Cabot's favor when he accedes to a cryptic message from the father he has not seen for decades and enters a space ship in the woods of New England, bringing with him a handful of earth. After all, Cabot is a college professor (like John Lange, the professor of philosophy who wrote these novels under the John Norman name), and has not been living the life of a warrior. But on Gor he is trained to be a Tarnsman, a rider of the great war birds. His mission is to capture the Home Stone of Ar, the great city-state that is the "Rome" of the Gorean world. The effort is an attempt to end the power of Marlenus, who had been given the power of "Ubar" (essentially the war chief) to handle an emergency, but who refused to give up power afterwards and is building an empire.

This 1966 novel is relative short, a little over 200 pages long, but it becomes an important prologue to the rest of the series. In the first half of the book the reader, like Tarl Cabot, is introduced to many key concepts that are developed in the future novels, from the practice of slavery and the joys of paga to caste-bound Gorean society and the technological restrictions imposed on the people of Gor by the mysterious Priest-Kings. When you go back and reread "Tarnsman of Gor," after you have gotten deeper into the series (i.e., "Slave Girl of Gor"), you will recognize the embryonic form of the Gorean philosophy as well: the concept of honor, the independence of men, the respect for the environment, the dangers of technology, and the great "truth" of female slavery." However, at first glance, the sword and sorcery elements are what hook the reader into this opening novel. The parallels between Marlenus of Ar and Julius Caesar of Rome are obvious, but Gor is a much more barbaric world than that of the Roman Empire and one of the fun aspects of reading these books is recognizing the bits and pieces of different warrior cultures Norman has brought to his creation.

"Tarnsman of Gor" ends in the same manner as "A Princess of Mars," which means the series effectively offers a second beginning in the next novel, "Outlaw of Gor," which is the first novel in what I think of as the Priest-Kings trilogy. I think that the fifth novel, "Assassins of Gor," is the high point of the series, after which it starts transforming itself into something significantly different. But those first five novels are certainly worth reading for those who like the Burroughs school of grand adventure and Norman improves greatly as a writer, creating memorable supporting characters and unique actions scenes.