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Tamron SP 70-200mm AF F/2.8 Di LD (IF) Macro for Sony/Minolta

by Tamron
4.7 out of 5 stars  See all reviews (6 customer reviews)


RRP: £800.00
Price: £599.00 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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If you're looking for a new lens to fit your Digital SLR or Compact System camera our Lens Finder will point you in the right direction. It lets you search by brand, type, minimum and maximum focal length and more. Alternatively visit our Digital SLR store for more great offers.


Product details

  • Product Dimensions: 19.4 x 8.9 x 19.4 cm ; 1,150 Kg
  • Boxed-product Weight: 2.3 Kg
  • Item model number: 5543
  • ASIN: B0013DCWUE
  • Date first available at Amazon.co.uk: 26 Sep 2008
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)

Product Description

Product Description

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Cluttered backgrounds rendered well out of focus

Tamron's SP 70-200mm F/2.8 Di LD (IF) Macro lens exemplifies the second of the two zoom focal lengths considered essential by many professionals. At just 7.6 inches long and weighing only 1150g, long days of shooting become easier, and high quality optical design and manufacturing assure the image quality that makes long shoots rewarding. A fast and constant F2.8 maximum aperture renders cluttered backgrounds well out of focus, extends low-light shooting freedom and enables a brighter viewfinder image. The IF (Internal Focus) mechanism maintains a fixed barrel length throughout the focusing range, and optics featuring LD (Low Dispersion) glass assure remarkable image quality.

Di Lenses

Tamron Di lenses are performance optimised for digital SLR cameras and usable with DSLRs featuring sensors commonly referred to as APS-C, measuring approximately 24mm x 16mm, as well as larger full frame (36mm x 24mm) sensors and 35mm film SLRs.

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Low dispersion glass reduces chromatic aberration

Super Performance for Discriminating Shooters (SP)

Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters.

Low Dispersion (LD) Glass for Great Lens Sharpness

Low dispersion (LD) glass elements in a lens help reduce chromatic aberration, i.e. the tendency of light of different colours to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely low dispersion index has less of a tendency to separate (diffract) a ray of light into a rainbow of colours. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the centre of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

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Small minimum focal distance allows for great close shots

Internal Focusing (IF) System

Internal focusing (IF) provides numerous practical benefits to photographers, including a non-rotating front filter ring that facilitates the positioning of polarising and graduated filters, and more predictable handling as the lens length does not change during focusing. Crucially, Tamron’s Internal Focusing (IF) system provides a close minimum focusing distance (MFD) throughout its entire focusing range. Also, IF improves optical performance by minimising illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.


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Customer Reviews

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4.7 out of 5 stars
4.7 out of 5 stars
Most Helpful Customer Reviews
26 of 26 people found the following review helpful
5.0 out of 5 stars A heavy wonder 23 May 2010
Style Name:For Pentax
I have had my Tamron 70-200/2.8 for a few months now, and while I am still learning, I can say, without hesitation, that it is a lens you can easily get attached to! The optics are superb, and while the bulk is at times annoying I can find no fault with this lens at it both is a good macro, and a good zoom tele lens, quite in the same leage as Canon's, or Nikon's, offerings, but at a budget price! Adding a monopod to it increases its usefulness, and improves balance, a lot. I have used it with a hefty Metz AF-1 flash on top, and a Manfrotto monopod, which adds up to a fairly heavy package, but it balances much better with the monopod than without (kind of poor man's steady cam .-)!).

Some doesn't like the focusing, as it is a tad slow, and in weak light it sometimes gets the focus wrong, but everything else is so great. Excellent macro lens, too!

But I heartily recommend a monopod with it!

Avialiable for most makes of SLRs, and independent tests have shown it far better optically than the Sigma 70-200!
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19 of 21 people found the following review helpful
5.0 out of 5 stars Great value 7 Sep 2010
Style Name:For Nikon
I am only a keen amateur so not a perfect reviewer but I am very pleased with this lens. I use it for shooting rugby matches in sunshine, afternoon gloom and under floodlights and it copes very well. When firing off a series of shots as a player runs it does auto focus fast enough even for the quickest wingers and I have captured several great action shots.
It is fairly heavy but not difficult to balance...and I am an older woman not a fit young thing;) I don't bother with a tripod or monopod as I prefer to move around a lot but shooting from a crouch with elbow on knee gives perfect support and no wobble.
I have no idea how it compares to the same Nikon lens but given the price difference this one has to be worth a try and it works for me.
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2 of 2 people found the following review helpful
Style Name:For Sony
Bought this lens back in March (it's now June) and have shot around 1000 frames with it in a variety of conditions (bright sunlight to inside a dark church for a wedding).

The image quality is superb - from what I've seen, the bokeh rivals that of the Canon equivalent. However, I'd stay away from shooting wide open at f2.8, as things get a little fuzzy (stopping down to f3.2 solves this, which I can live with, considering it's only half a stop's difference).

One thing that does let it down, however, is the autofocus in low light. When shooting in dark conditions, it's honestly faster to manually focus. But we're talking seriously dark here (such as ISO6400, 1/80, f3.2) - in anything up to 1/80 ISO1600 f3.2 it's almost as good as in bright sunlight, where it's not slow as all. Not quite as fast as Canon's L glass, but faster than your average kit lens.

Bottom line: if you're going to do a lot of critical low light work, consider something else (like changing systems and going for a Canon, and the bargain £500 Canon 70-200mm f4). But for the occasional low light shoot, mainly working in decent light, this is a great buy on Sony considering the price.
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