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Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical [IF] Lens for Canon
 
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Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical [IF] Lens for Canon

by Tamron
4.3 out of 5 stars  See all reviews (29 customer reviews)


Price: £284.78 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Lens Finder
If you're looking for a new lens to fit your Digital SLR or Compact System camera our Lens Finder will point you in the right direction. It lets you search by brand, type, minimum and maximum focal length and more. Alternatively visit our Digital SLR store for more great offers.

Frequently Bought Together

Customers buy this item with Hoya 67mm Haze UV Filter £17.19

Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical [IF] Lens for Canon + Hoya 67mm Haze UV Filter
Price For Both: £301.97

These items are dispatched from and sold by different sellers. Show details

  • This item: Tamron SP AF 17-50mm F/2.8 XR Di II LD Aspherical [IF] Lens for Canon

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • Hoya 67mm Haze UV Filter

    In stock.
    Dispatched from and sold by WorldTech UK.
    Free delivery.



Product Features

  • Product Description: Tamron SP A016 - wide-angle zoom lens - 17 mm - 50 mm
  • Lens System: Wide-angle zoom lens
  • Intended For: 35mm SLR, digital SLR
  • Lens Aperture: F/2.8
  • Focal Length: 17 mm - 50 mm
  • Optical Zoom: 3 x
  • Min Focus Range: 27 cm
  • Focus Adjustment: Automatic, manual
  • Lens Construction: 13 group(s) / 16 element(s)
  • Special Functions: Wide angle, zoom
  • Filter Size: 67 mm
  • Length: 8.2 cm
  • Weight: 434 g

Product details

  • Product Dimensions: 7.4 x 7.4 x 8.2 cm ; 435 g
  • Boxed-product Weight: 907 g
  • Item model number: A16
  • ASIN: B000FZ3FY8
  • Date first available at Amazon.co.uk: 8 Jun 2007
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Bestsellers Rank: 1,909 in Electronics (See Top 100 in Electronics)

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Product Description

Manufacturer's Description

The SP AF17-50mm F/2.8 is a lightweight, compact, fast standard zoom lens designed exclusively for digital SLR cameras, expanding the product concept of the popular SP AF28-75mm F/2.8 zoom lens. In addition, portrait shots are made beautiful with the natural out-of-focus effect characteristic provided by the fast F/2.8 aperture. Additionally, a broader photographic expression through the use of faster shutter speeds as a result of the maximum aperture offers enhanced photographic pleasure. The lens boasts one of the best close-up shooting performances in the class of fast standard zoom lenses designed exclusively for digital cameras and featuring an F/2.8 maximum aperture throughout the entire zoom range, to ensure stress-free photographic shots at all focal lengths and distances.

AF18-200mm F/3.5-6.3 XR Di II
Extraordinary detail at the macro level
AF18-200mm F/3.5-6.3 XR Di II Highlights

Di II
Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.

Extra Refractive Index Glass (XR)
Extra Refractive Index (XR) glass can bend light rays at steeper angles, thereby decreasing the physical length of the lens while enhancing imaging performance by minimizing optical aberrations. This has allowed Tamron to develop a line of shorter, smaller-diameter, lighter lenses without sacrificing lens speed, and actually upgrading image quality compared to older designs. XR glass is costlier than conventional glass but it yields enhanced optical power distribution, making possible many of the outstanding and innovative lens designs that bear the XR designation. XR glass, with its superior light-bending power, makes it possible to design a short-barrel lens with the same light-gathering ability (aperture value) as a long-barrel lens—even with a smaller lens diameter. By using this principle Tamron has been able to shorten the length of the entire optical system and produce lighter, more compact lenses of the same speed, and also to provide greater zoom ranges in lenses that are much more convenient to carry by hand.

Tamron AF18-200mm F/3.5-6.3 XR Di II at Amazon.com
Special glass for better performance and more compact lens designs
Low Dispersion (LD)
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colours to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely low dispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colours. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)

Tamron AF18-200mm F/3.5-6.3 XR Di II Low Disperson example at Amazon.com
Low Dispersion (LD) Glass for Greater Lens Sharpness

Super Performance (SP) for Discriminating Shooters
Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.

Zoom Lock (ZL)
Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap.



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Customer Reviews

Most Helpful Customer Reviews
21 of 21 people found the following review helpful
Excellent value 21 April 2009
Style Name:For Canon
I purchased this lens over 8 months ago, replacing the plastic bodied kit lens that Canon unfortunately decided was adequate to include with a 400D.
The Tamron lens shares a plastic construction in many elements, but has a much more significant weight to it, indicating a much more solid construction overall. This weight also sits very well on small-medium bodied SLR (eg 400D, 40D), balancing well, especially if you're using an external battery grip.
I've had no problems using this lens as my walkaround lens. It focuses consistently and is an extremely sharp lens for what can be purchased under £300 - comparable, apparently, to Canons extremely expensive 17-55mm 2.8 EF-S lens at twice the cost. Its sharp and fast enough that i've used it as my primary lens for weddings with perfectly acceptable results. Full time manual focussing would have got it 5 stars, and with the hood on in a reversed state, you cannot grip the focussing ring as this sits at the front of the lens. Once the hood is in use, its no longer an obstacle.
Yes, it does struggle with low light sometimes and requires a switch to be flicked before you can rectify this with manual focussing.
Zoom and focussing rings are smooth to operate and so far have shown no sign of loosening or even zoom creep (there a nifty lock function as well).
Note that there have been no communication problems with my Canon 400D body, nor my colleagues 450D body which was released some time after the lens was manufactured.

Overall, a great lens for a very reasonable cost, and a perfect replacement to the extremely ordinary kit lens.
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14 of 14 people found the following review helpful
Very good... 25 Feb 2009
Style Name:For Canon
This lens offers a popular "standard" zoom lens range of 17-50mm (which is roughly equivalent to 27-80mm on a full frame camera) and is able to maintain an aperture of f2.8 throughout the full zoom range. This constant f2.8 facility offers the advantage of faster low light shooting and also provides more creative control over depth of field.

The lens comes complete with a hood, but not with a carry case, and may initially appear to be built to a budget but in my opinion it is well made and is durable enough for every day amateur and enthusiast use. Note that this lens is for APS-C digital cameras only and that it will not provide full image coverage on a full frame camera.

There is no image stabilisation or HSM / USM drive and focus drive is through gears so there is no full time manual focus in auto focus mode. A switch mounted on the lens enables selection of either manual or auto focus and in auto focus mode no attempt to manually focus should be made as this could / would damage the focus mechanism. Focus ring movement is quite limited but this is normal for lenses of this type and less travel does mean that in auto focus mode the action appears to be quick.

In use the lens is compact and light and it functions well. Some distortion at the widest zoom settings may be noticed if the subject involves straight lines however the level of distortion is considerably less than can be seen when using other similar zoom lenses such as Canon's own 17-85mm lens.

The Tamron 17-50 f2.8 is capable of capturing detailed and sharp images. I have been surprised by the level of detail and sharpness when taking portrait shots and to be honest they can sometimes look unflattering. A softer focus or wider aperture than normal for portraits may therefore sometimes be more appropriate. The level of detail and sharpness possible will however be very welcome in other situations and for other subjects.

In my opinion this is a very capable lens which makes a very useful general purpose "standard" zoom capable of out performing the camera manufacturers own lenses at a very competitive price. I think that anyone looking for a standard zoom with a constant aperture (for an APS-C DSLR) should seriously consider this lens.
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8 of 8 people found the following review helpful
Superb value 22 Nov 2011
By Dr. M. Cinnirella TOP 1000 REVIEWER VINE™ VOICE
Style Name:For Sony
This is a legendary lens that delivers far better image quality than anything in the same price bracket, though a similar spec Sigma optic is also very highly rated (but more expensive). The lens benefits from a constant f2.8 aperture and in all mounts it is available in has got rave reviews. Why? There is no manufacturer OEM lens that comes close to the amount of bang for your buck you get with this lens. I have found it to be sharp throughout the focal length range - in the centre at all apertures, and at the edges, reasonably sharp wide open and very sharp once stopped down a bit. Some reviews correctly note that field curvature reduces wide end edge sharpness a bit, but not too dramatically, and if you are very keen on edge sharpness wide open, e.g. for landscape work, just stop the lens down to something like f7 or f8 and you get superb sharpness. The lens coatings give a pretty strong degree of contrast that reminds me of Zeiss lenses - very nice ! Mechanically and build wise this is good, but not quite up to pro lens standards like some of the pro Tokina lenses that are built like a tank for example. Overall it's a great package - good focal length range, constant aperture and very sharp optics. Just watch out for some quality control problems as described by other reviwers here on Amazon. There seems to be variation in quality between different copies of this lens - perhaps more so than with some more expensive lenses, so watch out for the occasional decentered lens reducing sharpness and clarity. if you bag a good copy of this lens though, you can't go wrong - this is FAR cheaper than Sony's Zeiss 16-50 lens and as far as I can tell pretty much as good, though obviously not quite as wide - some swear by the Sony CZ lens but from what I have seen, a good copy of this Tamron lens is an equal to it. Tested on a Sony a700 body.
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Most Recent Customer Reviews
Tamron SP AFf17-50 f2.8 Di II
After searching different lenses to replace my kit lens 17-55 I went for the Tamron.The IQ is far superior to what I was expecting,and the added bonus of macro I couldn't go... Read more
Published 4 days ago by PJ
Fantastic upgrade!
What can I say? This lens was purchased as an upgrade to the very disappointing 18-55mm Canon kit lens that came with my 400D. Read more
Published 1 month ago by MDB
Better than the kit lens, but I still don't use it much
I bought this lens mostly for it's wider aperture, but also for its focal range, and image quality.

Image quality wise, it's pretty good, especially for its cost. Read more
Published 1 month ago by Chris
Great low light lens. Excellent guarantee.
I bought this lens as I needed a faster lens for band photography - usually in murky pubs! I was a bit worried about the lack of VC, but as I need to be at 1/90th or more anyway to... Read more
Published 2 months ago by Rojo
A good Beginner Lens
Tamron lens is good at its quality. It is a bit heavier than the VC version one. But this one is cheaper so I chose this one to replace my old canon 18-55mm. Read more
Published 4 months ago by eee
Tamron lens for Pentax KAF fitting
I spent a lot of time reviewing lenses before selecting this product. I wanted a lens to replace the kit lens that I had bought with my Pentax K-5 last year. Read more
Published 6 months ago by Valdos
Cracking lens for a great price
Great lens. Arrived very promptly from Amazon who surpassed themselves this time. Ordered Saturday night with 1st class postage. Arrived Monday morning 9:30am! Read more
Published 9 months ago by Mr. M. Cheung
Great lens for video and photography
I've had this lens since September of last year and I use it primarily for video but for a lot of photography as well. Read more
Published 11 months ago by L. Ramjutton
Good pictures, but a joyless experience to use this lens
UPDATE AUG 2011 ... well it failed. On holiday in hot humid Miami and Bahamas the zoom got stiffer and stiffer then rotated freely, fixed at 17 mm. Read more
Published 12 months ago by Paul C. Bentley
Bad
Not as good as other reviews suggest. Maybe I got a dud one but the manual focusing was extremely hard. Read more
Published 12 months ago by benjaminlangford.co.uk
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