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Talking Picture [DVD] [Region 1] [US Import] [NTSC]
 
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Talking Picture [DVD] [Region 1] [US Import] [NTSC]

Leonor Silveira , Filipa de Almeida , Manoel de Oliveira    DVD
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Actors: Leonor Silveira, Filipa de Almeida, John Malkovich, Catherine Deneuve, Stefania Sandrelli
  • Directors: Manoel de Oliveira
  • Writers: Manoel de Oliveira
  • Producers: Diloy Gülün, Paulo Branco
  • Format: Closed-captioned, Colour, DVD-Video, Letterboxed, Subtitled, Widescreen, NTSC
  • Language English, French, Greek, Italian, Portuguese
  • Subtitles: English
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Kino Video
  • DVD Release Date: 5 April 2005
  • Run Time: 96 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B0007LFPT8
  • Amazon Bestsellers Rank: 82,292 in Film & TV (See Top 100 in Film & TV)

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Most Helpful Customer Reviews
By technoguy TOP 1000 REVIEWER VINE™ VOICE
Format:DVD|Amazon Verified Purchase
This film,"A Talking Picture",is literally that,a film-travelogue of a Portuguese Professor and her daughter ,who engage in a history lesson while the two travel around the Mediterranean,the cradle of the civilization that Europe emerged from,while they visit its major landmarks on a Mediterranean cruise.The mother explains to her daughter the meanings of `myth', 'civilization', 'nature','mosque' etc. the tour stops off at Pompeii, the Acropolis, and the Pyramids. Throughout, little Maria Joana acts as blank, baffled slate, soaking in the contradictions of history. Poised to the point of stiltedness, the parent-child exchanges are strictly informational: the inquisitive girl asks leading questions ("Which Middle Ages are we in now?"), and her impassive mother disgorges reams of encyclopedic dialogue.Jean Luc Godard drew heavily on this in his latest film,Film Socialisme. This is a straightforward riff on a Mediterranean cruise as history.I could not take the mother and daughter relationship as anything but symbolical,a hook to put the film's clothing on.No mother however clever talks to her daughter in this way.Similarly later on in the film when the Captain of the ship (Malkovitch),talks with the 3 famous women at his table and they all speak in their own tongues-Greek,Italian,English and French-I did not feel any discrepancy, merely poetic license,as they all seemed to understand each other.Love,women,politics and language are the topics presided over by the effete sea-captain.Europe used to have people who spoke more than one language.There is a sense of nostalgic innocence about a timeless beauty that no longer exists.A fable.A millennial crossroads of Western Civilization explodes into a contemporary newsflash.

But it is not only the shock of the film's ending that exposes the deficiency of any such notions, the false sense of security that we, as viewers, share with the film's protagonists. All along the way, as Maria Joana and her mother, Rosa Maria (Leonor Silveira), disembark at successive stops on their odyssey, we begin to discern - in the film's dispassionate loquaciousness, in the director's deliberately static camerawork, in the subtle and not-so-subtle ironies that colour the intellectual colloquy between mother and child as they navigate A Talking Picture`s otherwise childless world - a subversive undercurrent that gradually turns the rich pageant into a full-blown jeremiad, a bittersweet goodbye to the West and its legacy.The little girl's journey is given primacy,before the ship's arrival at Aden,in the Arab world.The West seems old and childless:the elderly fisherman,the Orthodox priest,the actor in Egypt,the 3 distinguished ladies,the captain.Maria Joanna is burdened with an awesome responsibility as the single vessel capable of preserving the legacy of the past for the future.Like the small dog who becomes the anchor of the boat,her daunting destiny leaves us close to the edge.In her hands the future is fragile.Her serious mien seems freighted with preconscious knowledge of the task's enormity.Stories of heroes, protectors and goddesses are presented,receding mistily into the realms of ruin,myth and legend:mermaids,muses,the myth of the statue of Athena inside the Parthenon that inspired the wisdom of philosophers,playwrights, musicians. Who protects Greece now?With the face of the broken Sphinx in Egypt,we sense a civilization that no longer believes in its own protective myths.The camera lingers on the monuments when people are gone,mute,abandoned by history. Globalised English,not the original Greek dominate,marginalizing culture by commerce.

The closer exchange between East and West e.g. the Suez Canal,has put them on a collision course.Reversing Ulysses journey home westward away from war,the mother and her daughter travel eastwards towards the absent father, towards war,the spectre of September 11th in front of them.In this Homeric reversal speech becomes a decadent luxury devoid of action.Words have become descriptive,as Helen says at dinner,"No Civilization lasts forever".
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Amazon.com:  24 reviews
9 of 10 people found the following review helpful
A Feast for the Eye and the Mind 10 May 2005
By Grady Harp - Published on Amazon.com
Format:DVD
Portuguese director Manoel de Oliveira at age 96 concocted this strange little film that suggests and artist/philosopher glance over his shoulder about all of civilization and the development of culture and language and then a rather ominous look toward the future. Part travelogue and part captured conversations this film may not be for the movie going public as much as for those who yearn to expand their cultural horizons. It may wander around and lose focus, but it is such an elegant little journey that it bears watching repeatedly.

The time is July 2001. Rosa Maria (Leonor Silveira) is a history professor in Lisbon and takes her young daughter Maria Joana (Felipe de Almeida) on a Mediterranean cruise to Bombay, India where the two will meet up with her husband. They board a cruise ship and for the first hour of the film mother gives daughter a verbal history of teh ports of call. The ship stops at Marseilles (where the first strange famous lady - Catherine Deneuve - boards) and after a walk through the streets of the port, dining on bouillabaise and learning about the Greek origins of the port as an introduction to the world of Greek civilization, the two return to ship. The next stop is Naples (second strange lady - Stefania Sandrelli - boards) and the two wander Naples and journey to Pompeii to see the ancient ruins, mixing information of history and myth, the warmly rich instruction from the mother shares. Then at Athens (third strange lady - Irene Pappas - boards) and the two visit the Parthenon and the Acropolis aided by the friendly information by a Greek Orthodox priest (Nikos Hatzopoulos) who illuminates the sites as well as the differences between Greek Orthodox and Roman Catholic religions and symbols. The ship's next stop is Egypt where the two view the pyramids and chat with a fellow Portuguese actor (Luís Miguel Cintra). The final stops include Istanbul, where the cross between Muslim and Christian faith is explained using the great mosque as example, and Tangiers where the two shop and ship's Captain Walesa (John Malkovich) secretly buys a doll for Maria Joana.

Finally back aboard ship Captain Walesa invites the three famous women to his table and there is an extended conversation among the four, each speaking her/his native tongue. This plays like a string quartet as the various melodies are in French, Italian, Greek and English, and the conversation surveys languages, the various cultures, and the joys of communication even in this 'Tower of Babel' setting. The Captain invites Rosa Maria and Maria Joana to this illustrious table the next evening and the Captain asks Irene Pappas to sing. During the song the Captain mysteriously leaves the table only to return with the quiet news that while in the last port terrorists placed time bombs on the ship and asks the passengers to prepare to evacuate the ship. The climax of the movie is jolting and to reveal the ending would destroy the joy of the story.

At first this beautifully photographed film (cinematographer Emmanuel Machuel) appears to be just exactly 'A Talking Picture' with all of the history and travelogue atmosphere. It is with the gradual introduction of the 'three Norns' and the American Captain's involvement that the message becomes more poignant and philosophical. Setting this story in the summer months exactly before the terrorist attacks of 9/11 in New York provides the chilling poignancy that makes this film not the simple tale it first appears. It serves as a shocking reminder how no matter how rich the history of our 'civilization' may be, it is fragile and tenuous in times such as these when random acts can destroy so much we hold precious. In Portuguese, French, Greek, Italian, and English with subtitles. Highly recommended. Grady Harp, May 05
5 of 6 people found the following review helpful
Not incredible, not horrible 23 Jan 2006
By nom-de-nick - Published on Amazon.com
Format:DVD
WARNING: If you haven't seen this, be aware some other viewers have damn near spoiled the film by giving away too much. Proceed with caution.

But the film definitely has a message, and takes it's sweet time getting it across. That's OK, though; the pace is, as someone else said, as relaxing as a cruse. Granted, some things don't ring totally true, but that's OK; the film makes it point through its fundamental and total normalcy. I do think it ended a bit abruptly, however, despite the plot.
4 of 5 people found the following review helpful
A great film by a great man... 24 Aug 2006
By Grigory's Girl - Published on Amazon.com
Format:DVD|Amazon Verified Purchase
I am disappointed and quite annoyed that many dislike this film and other works by Manoel de Oliveira. This is a magnficient picture, one of Manoel's best, and it's really a deep, humanistic, and sad film about the current world situation and the world itself. The film is filled with beautiful shots, great dialogue, intelligence, charm, and thought provoking themes and culture, yet, most people (and many critics) intensely dislike this work. Perhaps after 2 decades of smug, aggressively cynical, "ironic", and arrogant attitudes in film and pop culture, people have suppressed their humanistic instincts, and that is the underlying reason that they cannot appreciate a film like this. It shows that people don't really change (a conclusion that this film comes to), and that we ignore history at our peril. We should be grateful that we have Manoel de Oliveira in our midst, a true treasure. He is 99 years old as of this writing (and is still making great films), and the fact that he is sharing his wisdom and sense of art with us should make us priviledged.
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