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Talking Art: Interviews with Artists Since 1976
 
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Talking Art: Interviews with Artists Since 1976 [Paperback]

Iwona Blazwick , Patricia Bickers , Andrew Wilson
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Talking Art: Interviews with Artists Since 1976. Volume 1 Talking Art: Interviews with Artists Since 1976. Volume 1
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Product details

  • Paperback: 608 pages
  • Publisher: Ridinghouse (1 Oct 2007)
  • Language English
  • ISBN-10: 1905464045
  • ISBN-13: 978-1905464043
  • Product Dimensions: 24.4 x 16.6 x 4.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 530,284 in Books (See Top 100 in Books)

Product Description

Synopsis

Since it was founded in 1976, "Art Monthly" has consistently published interviews with leading contemporary artists. The interviews collected in "Talking Art" offer unique insights into the thought processes and working practices of artists. From Russian Constuctivists of the 1920s to Turner Prize winners, this collection of interviews constitutes an entertaining and alternative history of 20th century art written in the first person. It is an essential reading.

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3 of 3 people found the following review helpful
Format:Paperback
73 interviews unearthed from the Art Monthly archive by some big names in the art world - the Carl Andre from 1976 and the Clement Greenberg from the early 80s are particularly impressive, other goodies include John Baldessari, Sophie Calle, Gilbert & George, Lucy Lippard, Dan Graham, Mark Wallinger, Mike Nelson, Jeff Wall, Gustav Metzger, Liam Gillick and many more....
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2 of 2 people found the following review helpful
Format:Paperback
The interviews in this collection reveal the individual character behind the facade of the artists, and acknowledge the way that personal background and social stance affect the art works. The interviews are arranged chronologically from 1976, presenting the scope of the artistic development through the years.
Each interview acts as a personal biographical story, and reading through the book the reader can observe a thread going through the interviews - a sense of a gap or incompleteness that artists describe. It seems that this sense urges the artists to fill it by exploring realms of unknown creative feelings that reside within them. This book is an overflow of emotions, told through the historical and social events of the times in which the artists worked.
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