Literary, performance, and cultural criticism, as fields, have largely exhausted themselves. This collection offers not only an invigorating new perspective, but a refreshingly rigorous one. In moving from the written to that borderline between the written and oral so vital today, and in returning to the very structures of writing, language, and performance, the editor and authors guide us to think in whole new ways -- not only about literature, performance, and culture, but as to where criticism should be going.