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Take The Crown [Roar Edition, Limited Edition Artwork]

327 customer reviews

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Biography

With a staggering 57 million album sales and 11 million singles sold, Robbie Williams has been breaking records over the course of his whole career.

Nine No.1 UK albums meant he is easily the biggest selling solo artist in UK history, a fact reinforced by his 2010 Brit Award for Outstanding Contribution To Music. With a tally of 16 BRIT awards he has scooped more than any other artist ... Read more in Amazon's Robbie Williams Store

Visit Amazon's Robbie Williams Store
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Product details

  • Audio CD (5 Nov. 2012)
  • Number of Discs: 1
  • Label: Island
  • ASIN: B0093LFGL0
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (327 customer reviews)
  • Amazon Bestsellers Rank: 34,023 in Music (See Top 100 in Music)

1. Be A Boy
2. Gospel
3. Candy
4. Different
5. Shit On The Radio
6. All That I Want
7. Hunting For You
8. Into The Silence
9. Hey Wow Yeah Yeah
10. Not Like The Others
11. Losers (feat. Lissie)

Product Description

Product Description

Ninth studio album by the BRIT Award winning singer-songwriter. Debuting at #1 in the Official UK Albums Chart, the album features the hit single 'Candy' as well as new tracks 'Gospel', 'All That I Want' and 'Into the Silence'. This limited edition features the alternative 'Roar' album cover.

BBC Review

It could be argued that Robbie Williams’ star had waned before his reunion with Take That; making the appropriation of his Rudebox template for the boys-to-men-band’s successful return with Progress somewhat ironic.

But Take the Crown, Robbie’s first solo set since 2009’s Reality Killed the Video Star, aims to reclaim his position as one of pop’s foremost solo artists.

This ninth album opens with saxophone, revisiting the reflective tone of Robbie’s Take That stint; and, indeed, much of his previous solo material. Accompanied by stabbing synths and nostalgic lyrics, Be a Boy is an effortlessly victorious beginning.

Gospel also mines the past for inspiration: “I used to be so excited on my own,” he sings. Few people have blurred the line between self-therapy and pop success quite like Robbie, and Gospel is typically bombastic; although an unnecessary “go f*** yourself” torpedoes the track’s warm sentiments.

The presence of producer Jacknife Lee (R.E.M., Editors, Snow Patrol) demonstrates that Robbie’s search to replace Guy Chambers and Steve Power has grown less urgent and more interesting; he’d previously roped in Stephen Duffy and Mark Ronson.

Lead single Candy Girl is catchier than Velcro, although it’s unclear why anyone needs to own it – after the second listen it owns you. It’s eager to please, certainly.

Different is aimed at fans missing Angels, but it isn’t that interesting. The album comes to life, though, with All That I Want and the hypnotic Hunting for You, while Into the Silence is evocative of Joshua Tree-period U2.

Things close with a group-hug of a duet with American singer Lissie, a cover of Belle Brigade’s song Losers. But its “I don’t care about being a winner” lyric is seemingly at odds with the spirit of the album.

Despite these highlights, Take the Crown finds Robbie sounding rather too serious, rather too often. It’s safe, something of a retreat from past endeavours to a sound more suited to commercial returns in the present. Those with a penchant for slightly unhinged pop might do well to listen instead to a certain band called Take That.

--Tom Hocknell

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Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

9 of 9 people found the following review helpful By Jennifer Wells on 5 Nov. 2012
Format: MP3 Download
Most of the tracks on this album have a trendy quality but the album as a whole is not superficial. Many of the tracks are very moving. The songs have a distinct vibrancy. Even the more introspective ballads are alive and energetic. My favorite tracks are "Be a Boy", "Candy" which is very catchy, "Hunting for You", and probably the most passionate song "Different". One song that I thought was over-produced was "Hey Wow Yeah Yeah". The song "Losers" doesn't quite fit in with the other tracks, it has more of an indie, singer/songwriter sound. Over all, "Take the Crown" is a very good album.

Jennifer K. Lafferty
Author of "Offbeat Love Stories and More"
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5 of 5 people found the following review helpful By Amazon Customer on 5 Nov. 2012
Format: MP3 Download Verified Purchase
The Ego Has Re-Landed :)

On the whole, a good selection of new material. Only one song in my mind lets it down (S*** On The Radio, too repetitive on the line s*** on the radio makesit a spoiler) but the remainder are very good indeed. Purchased from the MP3 store on the day of release and have listened to it 3 times that day already !
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1 of 1 people found the following review helpful By Vicki Lou on 14 Nov. 2012
Format: MP3 Download
I've had this album since the day of release, and I'm writing a review as I can't believe there are only 2 reviews!!

As a massive Robbie fan I'm always hopeful of a great selection of songs, and usually he doesn't let me down, and hasn't on 'Take The Crown'

The very catchy 'Candy' is not a reflection of the rest of the album, which doesn't mean the other material isn't catchy, but it's not in the same style. Lots of tracks that wouldn't be out of place on 'Life Thru a Lens' or 'Escapology'. My own favourite on here is 'Not Like The Others' but there are other stand out tracks too, especially 'Different', 'Hunting For You' and 'Be A Boy'. I have the deluxe version which has two extra tracks (including 'Eight Letters' which Robbie sings here without the TT boys) and a great little DVD extra thrown in, showing the making of the 'Candy' video and some other footage of Robbie making the album.

It's obvious the Robster is in a good place at the moment, and his confidence in this record reflects that. Long may it continue. Can't wait for the tour!
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1 of 1 people found the following review helpful By NickB on 18 Nov. 2012
Format: MP3 Download Verified Purchase
Hit play, sit back, and get taken on a journey through classic Robbie Williams back to his absolute best. Yes, 'Candy' may come across with a 'novelty' feel to it but it's a fine line between 'novelty' and 'catchy' and this track is ultimately catchy. No such potential confusion with the rest of the album however where the winning Roobie formula of great lyrics and anthemic tunes keep you listening over and over again. 'Different', 'Hunting for You', 'Into the Silence' are all crackers with the feel of early Robbie and it's great to hear an alubm where the second half stands up to the first. Brilliant stuff - gutted that I didn't manage to get tickets to see the man live!
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6 of 7 people found the following review helpful By Y. Stewart on 26 Nov. 2012
Format: Audio CD
Robbie will always court controversy, he's a 'Marmite' sort of chap. To me he's all about entertainment,and maybe his charisma doesn't always translate to his music. All his albums have had the stand out tracks, the 'silly' tracks, and the duff stuff. I love Robbie, and he never fails to surprise. None of his albums are the same, they're all different, that's what I like. Talking of which, 'Different' is quite possibly the best song he's made to date (imo). I love this album, it's grown on me, even 'Losers' (my least favourite) has merit. I would say 'welcome back Rob', but he's never been away!
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Format: Audio CD
It's taken me a while to review this album. I usually find myself loving a new Robbie Williams album in the first few weeks of release, however after a while some songs begin to lose appeal while others come to the fore later on. And I believe this is applicable to all his albums.

Some of the quieter more introspective tracks on Life Thru A Lens only shone through after the `singles' had outstayed their welcome. After Angels finally broke, everywhere you went, Let Me Entertain You would be blaring from the speakers.
I've Been Expecting You had quite an eclectic mix of songs including the fantastic Grace and Win Some Lose Some but again was overwhelmed by the `big' singles.

This has been the case throughout his solo career. Many claim Escapology as a masterpiece however apart from Feel, Come Undone and perhaps Hot Fudge, it seemed the inspiration behind his lyrics which at times could be quite vindictive had evaporated into blandness and predictability.

Rudebox was a welcome breath of fresh air yet is completely ignored....even by Robbie. Yet this was the brand `RW' which he promised upon leaving Take That in the mid 90's. An obnoxious, lovable bloke who likes to sing a bit, likes to dance a bit and isn't afraid to say a few naughty words! Everyone hated him for it and so he released another Escapology called Reality Killed The Video Star.

Whilst that was not a BAD album, it wasn't the album Robbie should have made a comeback with in 2009. Luckily (and whatever your thoughts on RW returning to TT need not be discussed here), he was a major part of Progress and being honest, Gary, Jason, Mark & Howard hadn't shown any kind of impression prior to Progress that they were going to go the electro-retro route that Progress became.
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