Someone here mentioned that the glossy airbrushed impersonal cover didn't bode well for the content, and in a small way I agree. For those, like myself, who have been faithful Tori-ites since 1992, the simple days of the girl with a piano and fire in her belly, a whole album's worth of spine-tingling emotional angst, achingly personal songs which felt like the feminine psyche encapsulated and laid bare, however raw, however painful and complex....are gone. And naturally, given that she is no longer a struggling artist, pinning everything on success, in the man-bashing throes of failing relationships, or particularly "young" and idealistic, and has eased into the mellowness,maturity and experimentation one's forties bring, her reference points are going to radically change, and her music accordingly. Little Earthquakes or Boys For Pele isn't going to be emulated again - not across a whole album anyway.
Even Tori admits she is no longer that "angry" woman who, I remember, with clenched fists and an unnerving stare, sang Me & A Gun acappello on stage. Tori's live performances will invariably showcase her immense range, both vocally and as a seasoned and one-of-a-kind unique artist, but her albums ever since The Beekeeper have, in my humble opinion, been too conceptualized, obtuse (lyric-wise) and occasionally just bland (I'm sorry but yes), just storms in teacups, with a few heady flashes of inspiration, rather than a raging storm overhead to shake one up...to really relate to fully as "complete" works.
This album for example, I find more palatable than American Doll Posse: highlights are Flavor (old school Tori...plain good song!), Starling, Curtain Call, Fast Horse, Welcome to England but others (Police Yourself for example) leave me cold. There is no doubt in my mind that Bouncing off Clouds (ADP) is a gem of a song encompassing everything that I love about Tori's songwriting, but, again, this is possibly the only track I ever play from ADP, apart from Big Wheel. So this new album exceeds the last at least in that I could play it (almost) all the way through, and not lose interest. Even a toned down Tori still rocks in my opinion, but having seen her live regularly since her humble beginnings, she doubtless unleashes her old-form ALL when she perfoms "live".