Along with maybe Dire Straits, Spandau Ballet are one of few bands who were really hated during their heyday. However, all of that bad feeling towards this lot (often seen as a less edgy / more boring version of Duran Duran) is pretty misplaced, as this album proves.
The songs are all really good. Gary Kemp shows again that he was a really underrated songwriter and guitarist, and martin Kemp's basslines were like a secret weapon in the band's sound. The token sax solo appears on every track and Tony Hadley's trademark bellow is in full effect, aided by the lyrical content: come on, there's no way that a modern pop band would dare to sing "It's your freedom of choice but you know that lies are the cancer of democracy" - quality stuff! The first half of the record spins through driven by the momentum of "Barricades" and "Cross the Line".
If there's one weak spot on this album, it's Jon Keeble's drumming. The dramatic sweep of the intro track, leading into the riffy "Cross the Line" call for big drums and he's simply not up to it.
"Swept" recalls the "Diamond" days a little bit and "Snakes..." is a well constructed track whose build in the middle is nothing short of classic. The title-track is a classic song and as such still sounds as good now. It was hit single, but one of their last as times and tastes were on the move.
The success of 'True' seemed long distant when this record came out and they were on a downward curve, but this record more than any other shows that they were capable of envisioning and delivering an album full of more than just soul-inflected pop songs. This is end to end classic pop rock.