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Customer Reviews
Most Helpful Customer Reviews
6 of 6 people found the following review helpful
Format:Audio CD
Jill Scott has, thus far, been consistent in producing music that was interesting in being able to combine music with a narrative which could often be meaningful and soulful, and of a far superior standard to many of her contemporaries. Her material has always sought to achieve a balance between music, 'the groove' and a lyrical content that would reward during repeated listening. And so here we have her fifth 'album' release (featuring 15 new tracks) and as you might imagine, expectations were high.
And, overall, the album is disappointing. Jill's voice is on great form as you would expect, with its ability to veer between seductive hushed tones, fiery syllable bouncing bombast and soaring jazz tinged purity ('Celibacy Blues' allows the voice the space it needs to really shine), but on this album the voice itself is not enough to maintain interest in the recorded material - the voice appears to be constrained, limited by the generally poor (and often surprisingly cheap sounding) production (for example the opening minutes of 'Come See Me') and the metronomic nature of the tracks.
Coupled with this lack of musical vitality is the striking familiarity of the themes explored within the songs, many of which have been visited before on previous albums - for example the track 'Crown Royal' is an obvious re-working and re-phrasing of the conceit found in the track 'Exclusivity' (on 'Who Is Jill Scott? Words & Sounds Volume 1') -'Raheem? Right?'.
Perhaps this a reflection of deeper issues. Scott has always been open about the way her material draws upon her observations and experiences of life around her, amplified and developed as deemed appropriate. This has led to her music containing a semblance of authenticity and relevance which is not often found in her contemporaries music - who too often engage in self-engaged stylistic bombast. Perhaps the sense of familiarity which permeates this release is a reflection of her particular current relationship with her art and life?
And so we are left with an artist who clearly has an immense talent but who appears to have reached a creative plateau. Perhaps Scott is feeling the constraint of working within specific musical parameters, when her voice simply demands and deserves a far greater musical canvas.
Alternatively this album might be the result of her having to fulfil a contractual obligation - which (if the case) would undermine the musical integrity with which Scott has always been associated.
Sadly, despite this, the album will superficially sound more developed and nuanced than a great proportion of the music being released within the same genre, and will sell extremely well and will garner numerous accolades. A cynic might, however, wonder if the existance of the 'Special Edition with bonus CD' indicates that the record company recognised this wasn't quite what they had expected qualitatively.
In conclusion this is an album that will probably remain of interest for committed fans, and is unlikely to enjoy the wider appeal of her earlier albums.
And, overall, the album is disappointing. Jill's voice is on great form as you would expect, with its ability to veer between seductive hushed tones, fiery syllable bouncing bombast and soaring jazz tinged purity ('Celibacy Blues' allows the voice the space it needs to really shine), but on this album the voice itself is not enough to maintain interest in the recorded material - the voice appears to be constrained, limited by the generally poor (and often surprisingly cheap sounding) production (for example the opening minutes of 'Come See Me') and the metronomic nature of the tracks.
Coupled with this lack of musical vitality is the striking familiarity of the themes explored within the songs, many of which have been visited before on previous albums - for example the track 'Crown Royal' is an obvious re-working and re-phrasing of the conceit found in the track 'Exclusivity' (on 'Who Is Jill Scott? Words & Sounds Volume 1') -'Raheem? Right?'.
Perhaps this a reflection of deeper issues. Scott has always been open about the way her material draws upon her observations and experiences of life around her, amplified and developed as deemed appropriate. This has led to her music containing a semblance of authenticity and relevance which is not often found in her contemporaries music - who too often engage in self-engaged stylistic bombast. Perhaps the sense of familiarity which permeates this release is a reflection of her particular current relationship with her art and life?
And so we are left with an artist who clearly has an immense talent but who appears to have reached a creative plateau. Perhaps Scott is feeling the constraint of working within specific musical parameters, when her voice simply demands and deserves a far greater musical canvas.
Alternatively this album might be the result of her having to fulfil a contractual obligation - which (if the case) would undermine the musical integrity with which Scott has always been associated.
Sadly, despite this, the album will superficially sound more developed and nuanced than a great proportion of the music being released within the same genre, and will sell extremely well and will garner numerous accolades. A cynic might, however, wonder if the existance of the 'Special Edition with bonus CD' indicates that the record company recognised this wasn't quite what they had expected qualitatively.
In conclusion this is an album that will probably remain of interest for committed fans, and is unlikely to enjoy the wider appeal of her earlier albums.
4 of 4 people found the following review helpful
Format:Audio CD
I have had this album for a little while but deliberately refrained from reviewing it immediately. As with all of Ms Scott's albums, this is like a fine wine. Leave it for a bit and after each listen it gets better and better. When I first listened to it I thought this album was a little too mellow, but having divorced her long-time partner that's no surprise really. She IS a tad graphic on songs like 'All I' (one of my favourites... it's perfect for lovers), but she is speaking of the feelings felt when in love and not just about sex. I LOVE Jill Scott. She tell's it like it is and with the ups and downs of life I can't see JS running out of stories to share with the world. Hopefully Ms Scott's recent engagement will give her plenty of good things to sing about. Jill Scott is by far one of the best female vocalists alive. You go girl!
9 of 10 people found the following review helpful
Format:Audio CD
Jill's third studio album and although it's much like the first two albums, those albums were of such a high standard that this is still fantastic. She delivers yet another album of sumptuous vocals and soulful grooves. Not only has Jill Scott one of the most soulful voices i've heard in years but she has integrity and spirit. Her studio work is excellent and Jill Scott live is magical and well worth a try if you like this. Buy this album and enjoy the poetry of her lyrics and feel the soul in her vocals. Not a major departure from her other work, but more great music to savour and enjoy. A truly amazing artist!
Feel free to check out my blog which can be found on my profile page.
Feel free to check out my blog which can be found on my profile page.
Most Recent Customer Reviews
Brilliant.
Jill Scott at her best, or close to. This CD is first class, can't say a bad word against it. Certainly must be added to any R&B collection.
Published 5 months ago by BionicBoogie
Jill Scott's best album yet
Jill Scott's third album "The Real Thing: Word And Sounds Vol.3" is, for me, her best work to date as it sounds confident, experimental, interesting and has a great sound that... Read more
Published 6 months ago by Amillionmiles
This Album Is The Real Thing
This album is perfect, from beginning to finish, but then again Jill Scott is always consistent when it comes to penning the perfect album. Read more
Published on 2 Oct 2009 by lyrical
Too much "man" hate
Don't think there's a bigger fan of Jill Scott than me! Loved her from her first album.....long walk, second album........ Read more
Published on 3 Aug 2008 by S. U. O. Lawal
fa1a2ha
Was quite disappointed in this only like about 3 songs. After the 1st and 2nd album I felt excited but then thought...oh ok is that all?
Published on 1 Feb 2008 by Fa1a2ha
Yet more class from under exposed nu soul genius!!!
Jill Scott's fourth album carries on the brilliance of her previous offerings. I didn't think she'd ever get close to the magic of her first album 'Who is Jill Scott? Read more
Published on 27 Jan 2008 by Clumsey
I'm a believer!
OK. Confession time. Firstly I'm not what you would call a Jill Scott fan. I have none of her previous CDs Who Is Jill Scott? Words and Sounds, Vol. Read more
Published on 2 Jan 2008 by Derrick Johnson
Simply Mindblowing
What I really love about Jill Scott is the way she can create some of the most wonderful harmonious sounds to be recorded. Read more
Published on 21 Dec 2007 by S. Bruno
Mmm-more more more
A lovely album by Jilly from Philly. There's no point comparing with the previous two albums, this is Jill Scott! Read more
Published on 10 Nov 2007 by NakTory
Superior R&B from soul diva and part-time poet
I'm ashamed to say I'd never heard of Jill Scott before I came across this album. R&B really isn't my thing, at least not since the 70s - and although I appreciate a great soul... Read more
Published on 1 Nov 2007 by C. O'Brien
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