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Dave Fridmann's trademark production will no doubt leave some fans wondering if this is the same band they've loved, but they needn't worry- as always, the rough/ smooth combination of Alan Sparhawk and Mimi Parker's vocals provide the focus of the band, sounding as warm and lush as anything on the chorus of the single "California", and totally heartbreaking on the poignant high point of "When I Go Deaf" and "Broadway"- a perfect counterpoint to the music that in lesser hand would sound overwrought. Although there are epic moments for those who prefer Low's soundscape past, an added dash of Flaming Lips style-magic on every song will be welcomed by nearly all. An essential purchase for everyone. Thom Allott
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But
This album is on fire. It sandblasts you with noise, moves you with melody, heals you with harmony, thrills you with ripped-out guitar, pulls your heart out. Blimey: rock doesn't rock like this often these days. Low have made a classic.
So, i'm there late at night last summer listening to 'sunflower' and 'dinosaur act' from 2001 things we lost in the fire thinking that it would be great if low did an album full of these huge sounding tracks - just for a change, a one off, just to see, you know, what happens.
Here it is, and it's like low on steroids. I'm sure some fans will feel ostracized slightly, not quite sure what the hell is going on after an hour of this epic. They really shouldn't, ok it's louder, but the trademarks are there and to me it sounds like a natural next step after their last, 'trust'. In the sometimes bitter noise the perfect (really!) harmonies linger again and again. by low's standards the production is adventurous at times but won't offend anyone as it stays uncomplicated and to the point ensuring that the great destroyer sounds focused and real. Theres quiet moments too, quite a few scattered among the 13 tracks keeping everyone happy.
A one off or the shape of things to come? i think i'm happy either way
If you don't own this record, click Buy Now immediately and look forward to hearing some of the best, most life-affirming music you are likely to hear in this or any other year. Or decade. Or century.
I'm frustrated with this album. I like it, but frustrated nonetheless. Read more
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