So, Dream Theater in 2007; no line-up changes for over 8 years, new record label with enough marketing gusto to get the band over to a whole new set of fans, and another new album; their 4th in a very creatively proficient decade for the band. So where is Dream Theater musically in 2007? The answer seems to be 'bridging the gap', in their reliable progtastic fashion.
Some of the band's fans seem to have made a habit of finding a perceived fatal flaw with each of Dream Theater's albums these days. For instance, 2003's 'Train Of Thought' was 'too heavy' whilst 2005's 'Ocvatarium' wasnt 'heavy enough'. 'Systematic Chaos', the band's first album on Roadrunner Records, finds the band presenting a healthy balance between their heavy, light and traditional musical sides, and could ultimately prove to be a Dream Theater album that might just manage to please almost everyone.
Because there is a great level of variety on this record, make no mistake. Take two of the album's centre pieces; 'The Dark Eternal Night' lumbers about with such a menacing and brutal edge, and could almost be considered the heaviest song of this band's career. It's also here that drummer and main band spokesperson Mike Portnoy shows off his ever impressive skills with some great fast double bass breaks, and guitarist John Petrucci, shows again why he's one of the best electric guitarists alive by pulling of an enviously brilliant solo, one of many on the album. The song that follows, 'Repentance', is a quiet, moody and reflective number, part 4 in Portnoy's AA series, and features some of the bands friends talking about past failures as its outro. The song could also be another Dream Theater milestone, being the quietest song the band have written, and not only does it prove to be a good folly to the brutality it preceeded, it's another great example of the variety of songs this band can write.
Of course, it doesnt stop there. The more traditionally prog-influenced 'Prophets Of War' and following song 'The Ministry Of Lost Souls' are evidence of the bands 'classical progressive' roots. Also 'Constant Motion' almost feels like an outtake from Metallica's '...And Justice For All', with its metallic speed and poise.
What's also interesting with 'Systematic Chaos' is its release on a slightly more 'hip' record label. Roadrunner know how to market bands that stick out, and with Dream Theater continuing to faithfully develop musically at the same time as sounding current, hopefully a younger crop of fans will be turned onto the band.
As a whole, 'Systematic Chaos' finds Dream Theater reliably continuing along a most satisfying career path. Whilst it doesnt quite scale the creative heights of 'Scenes From A Memory', or the two discs of 'Six Degrees Of Inner Turbulence', it never had to. So here we are, with another great album to add to the DT back catalogue, and perhaps, thanks to a new home, a re-energising of a band celebrating its 20th anniversary, but still shockingly not short of ideas.