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What makes the film work is inevitably Kevin Spacey's savage performance as Buddy, a bully and a toady who had a heart once but gave it up to his career producing schlock; though Buddy rants and raves and delivers killer one-liners, much of the strength of the performance is in subtle work with his eyes. Frank Whaley is almost equally fine as Guy in all the two-hander scenes; while Michelle Forbes is convincing as the woman director who forms a tentative alliance with Guy. George Huang's direction is perfectly competent: it never gets in the way of his fine script and the extraordinary performances.
On the DVD: Swimming with Sharks comes to DVD in its original widescreen aspect ratio of 1.85:1. There's an extensive commentary by George Huang in which he talks us through his years of misery in a junior studio job and is entertaining about all the horrid bosses whose bad behaviour--abuse, exploitation, pretending to praise him to a dead phone--he has combined into Buddy. He is also charmingly modest about the major if abrasive contribution Kevin Spacey made to the film, not only as actor but also as someone who would always tell a director if he did something less than brilliant. --Roz Kaveney
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Swimming with Sharks is a film designed to bite the hand that fed it. It attacks the vicious system that enables, indeed encourages studio executives to behave like spoiled children in tyrannical control of their own private fiefdoms, much as Altman's The Player did in the 80s (no surprise to see Spacey's film studio VP launch into a seething attack on Altman, then!), and rewards them for using and abusing those poor wretches over who they clambered to the top. "This is not like running a business," says Rex (Benicio del Toro), the previous incumbent of assistant to the Senior Executive Vice President of Keystone Pictures, "this is showbusiness."
"I paid my dues," says the VP, Buddy Ackerman, to Guy, the unfortunate assistant turning the tables on his torturer, as if that suddenly justifies the vicious treatment meted out to all and sundry, just as senior doctors resent any change to the system to prevent junior doctors having to work 120 hour weeks on the grounds that they had to do it and it didn't do them any harm, did it?
But does Guy change the world when he has the power to do so? The best part of this film is the ending, which avoids the happy cliches and goes for a darkly pessimistic view of the world - that people are ultimately selfish and out for all they can get. Bet Hollywood felt uncomfortable with that; either that, or the current rash of Exec VPs feel so secure in their power base that it can afford some noirish irony at their expense without feeling they need to wash more of their dirty linen in public (Michael Eisner and Disney have done plenty of that!)
Perhaps it's true after all that Americans don't understand irony, but this is a powerful but watchable film that deserves your attention.
smug...
smug... spacey steals scene after scene in this piss-poor attempt to examine man. and film. and the boss. and spacey's smug face.
note. Read more
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