Rebecca Gilman has always been a social issue writer. From topics such as stalking in 'Boy Gets Girl' to modern racism in 'Spinning Into Butter', Gilman was always searching to tackle issues that face our times.
Gilman moves away from that direction in her newest work, "The Sweetest Swing In Baseball", and while there is a minor issue here about art and what makes it important, that topic is very much on the backburner, not front and center as it is with her other plays.
Gilman's new technique is to just tell a story. While this may not sound problematic, it doesn't quite pan out here. I'm not saying that "The Sweetest Swing In Baseball" doesn't tell a good story, actually it can be quite entertaining and charming at times, it just doesn't have the scope and vision of her previous works. There's not really much of a message behind the words. Much like Kenneth Lonergan's "Lobby Hero", this seems to be a case of a potentially great playwright merely treading water, not swimming forward.
One way that Gilman's play does benefit from this new direction though is in her sparse style. Gilman has always been a sparse writer. Her scenes are short and to the point. Here that actually helps the play as it makes it harder to detect the fact that there isn't really any depth.
Gilman still utilizes her quick wit and there are some cutting lines and scenes. I have always enjoyed her ability to write characters that speak like normal, everyday, real people and not hyperarticulate, dictionary-memorizing creations. That talent is still very much on display in this piece and I am thankful for that.
Although I'd like to see Gilman return to form in her next work, this play is still entertaining and most modern audiences would probably enjoy a production of it.