Following on from “Saga of the Swamp Thing”, the first TBP of Al Moore’s run on this historical DC title, Love and Death is a beautifully illustrated roller-coaster ride through planes both physical and astral, covering locations as diverse as Heaven, Hell, Limbo, the afterlife and, of course, the bayous of Louisiana.
The lengendary Totleben really gets into his stride as penciller-in-chief during this run of the comics (originally published in issues 28-34), greatly aided by Moore’s expansive notes and annotations. The water looks wet, the Spanish moss looks gossamer-like and the assorted host of Hades look suitably terrifying. The psychedelic last story shows an artist at the absolute capstone of his ability.
The remaining loose threads dangling from the original mythos are cut or tidied up, we see the inspiration for (Sandman creator) Gaiman’s take on Cane and Abel in a particularly well written “filler”, and if you ever wondered how far a 350-pound vegetable would go to get it’s girl, then ponder no more.
Moore always wrote this monthly with a streak of horror through its middle, but “Love and Death” manages to transcend this pulp attitude in a way that the later TBPs (The Curse etc) never quite recaptured.