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Product details
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| 1. Too Young to Die |
| 2. I Don't Know How to Love You Anymore |
| 3. Elvis and Me |
| 4. It Won't Bring Her Back |
| 5. Sandy Cove |
| 6. Friends to Burn |
| 7. What Does a Woman See in a Man |
| 8. Postcard from Paris |
| 9. Just Like Always |
| 10. Adios |
| 11. I Will Arise |
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The repertoire is eclectic...ranging from superb "new" songs like the enchanting "Postcards from Paris,"...with its delicious elongated ending, to a mellow and melancholy country feel on the even newer "It Won't Bring Her Back" with Ben Keith on slide guitar. A strong and "ballsy" medium rock opener, "Too Young To Die" chronicles Jimmy's lasting affair with his "Cobra" ..that "sweet old racin' car of mine", and blows out of the water any suggestion that Webb is only about ballads, and Steve Lukather's guitar solo is an adrenaline hit. This track could well have been a single!
Melancholy, though, has been, and always will be, a trademark of this artist, and in "Sandy Cove" Webb gives us the definitive mid-life crisis song as he examines with extraordinary honesty and insight his own failures, and his inability to put them right. I am still unable...several hundred listenings later... to get all the way through this track without choking up.
The poignant "I Don't Know How To Love You Anymore" is another tear-jerker and stunning lyrically... though for this Webbophile, the arrangement does nothing for the song, and I'm left to wonder about the orchestration choice. However, "Elvis and ME" is a charming, picaresque homage to the king...with Jimmy as the fan, a lovely cut.
The weak track on the album is the show tune "What Does a Woma! n See In A Man". It belongs only in the musical theatre..the arena for which it was designed...or as part of a cabaret performance. It's strangely out of kilter with the rest of the album. Having said that, it offers us, amidst the slightly forced humour, and somewhat self-conscious cleverness, several poetic lines worthy of the best Webb has given us.
The last four tracks...Postcards from Paris, Just Like Always, Adios ( Jimmy solo with just the piano), and I Will Arise, are worth the price of the CD alone. The last track, adapted from the traditional Baptist hymn, boasts Jimmy reaching head notes we never suspected he had, and a glorious string arrangement (proving again that Jimmy is a good as it gets as a string arranger when he's "on")...with a "hoedown" feel giving way to sombre cellos for an elongated and almost spiritual finale to what must be...for any follower of Jimmy Webb's, the pinnacle of a somewhat topsy-turvy and patchy recording career.
If you loved 1977's El Mirage...you will want to own "Suspending Disbelief".
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