Within about 5 minutes of starting to watch Surveillance, you could be forgiven for thinking that you are watching another one of David Lynch's weird dissections of American society. However, when you realise that it is directed by his daughter Jennifer and David himself gets a producer credit, it easy to see his hand in much of the proceedings. Coming back from the deservedly critical disaster that was Boxing Helena was never going to be easy for Jennifer, but with Surveillance she has given us an intriguing film that is offbeat drama and dark thriller.
When federal officers Sam Hallaway (Bill Pullman) and Elizabeth Anderson (Julia Ormond) arrive at a police station outside Santa Fe to interview three witnesses to a series of horrific murders, nothing is as straightforward as it would first appear. A traumatized young girl (Ryan Simpkins), a junkie looking to get high (Pell James), and a strung out cop (Kent Harper) all have very different stories to tell as well as various secrets to hide, but as the agents set up their recording gear and video cameras, and the interviews begin, it quickly becomes apparent that something is not quite right.
It is impossible to say to much more without giving some if not all of the game away, but this is a superior thriller and weird drama that is both very involving and very unnerving at the same time. Many of the characters have that trademark David Lynch quirkiness, in particular Bill Pullman as Sam Hallaway turning in a very good performance as a genuinely "odd" individual, and French Stewart (of Third Rock From The Sun fame) as a police officer and victim of the killers who are stalking these roads who is only seen in a series of flashbacks but still gives a very arresting (no pun intended) performance.
But the real star of this film is the story, and the real fun is to be had in the telling of the tale. As the story unfolds in a series of flashbacks from three different perspectives, small details come into much shaper focus, and a surprising truth emerges. Co-written by Jennifer Lynch and Kent Harper (the same Kent Harper who plays one of the witnesses mentioned above) this is an involving and surprising tale that is very well told, with enough held back to make each little bit of new information that is painstakingly teased from the three witnesses of genuine interest and importance. The sense of wide open spaces where nothing much really happens is brilliantly conveyed through some great cinematography and a tidy script that can be surprisingly funny when it wants to be. Whilst not perfect, with some plot holes left gaping open by the end of the film and most of the characters slightly exaggerated (although this does actually work within the context of the movie), this is still a surprisingly involving movie.