- Hardcover: 352 pages
- Publisher: Princeton University Press (29 Oct 2001)
- Language English
- ISBN-10: 0691090645
- ISBN-13: 978-0691090641
- Product Dimensions: 28.5 x 25.3 x 3.1 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 1,448,805 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Amazon.co.uk Review
Surrealism: Desire Unbound is not only a wonderfully produced catalogue to accompany the Tate Modern's excellent surrealism exhibition but also a compelling addition to surrealist studies in its own right. As lavishly illustrated as you could hope for (no less than 300 colour illustrations) the strength of the book really lies in the quality of the essays that make up the catalogue's text, which come from some of the best art historians around. Professor Dawn Ades, the consultant editor, contributes "Surrealism, male-female" which builds on themes of sexuality, and the notion of the fluidity of the category of gender so important to the surrealists, that she (and others, see particularly Surrealism and Women and The Surrealist Look) previously addressed elsewhere (her book on Marcel Duchamp, a constant reference point for so much modern art, is particularly good); Hal Foster (well known for his argument that the 1990s saw the return to bodies and spaces in art in his thought-provoking The Return of the Real) adds a superb essay on the objectification and fetishisation of women within surrealist photography; David Lomas walks us through the influence of Freud (arguably the first theorist of desire) on surrealism; and Annie Le Brun rounds off the book with a look at the invention of desire by surrealism and its adoption by modernity. Desire, as a category and as an impetus, compelled much of the art and thinking of the surrealists and this excellent volume does much to explore and problematise the issues surrounding sex, gender and identity (the sub-heading of the essential Women in Dada which should certainly be consulted when broaching these issues) that obsessed these important artists and their often iconic art. For a beautifully documented study of previous exhibitions it's well worth checking out Displaying the Marvelous. Surrealism: Desire Unbound is a big, beautiful and bold book that does the surrealists proud. --Mark Thwaite
--This text refers to an out of print or unavailable edition of this title.
Review
The lavishly illustrated catalogue . . . provides additional lenses through which to view the often hypnotic artworks and the affiliated groups of artists that produced them. Eleven essayists dissect desire in all its romantic, sexual, psychoanalytic, literary, and political manifestations. -- Robert Askins, ArtNews
[A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker, San Francisco Chronicle
This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome. . . . A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. -- "Choice
The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal, Times Literary Supplement
With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto, The Nation
[A] gripping album of Surrealist works in all media, from the movement's origins in interwar Europe to its legacy in contemporary art, with special attention to erotic content. Thematic essays offer as much historical sweep and critical penetration as any single book on the subject. -- Kenneth Baker, San Francisco Chronicle
This well-crafted book comprises a rich lode of 300 illustrations, many not published previously, and 12 essays (by as many contributors) devoted to the many aspects of surrealist desire. Since the notion of desire is central to surrealism, this volume is overdue and most welcome. . . . A variety of presentations and explanations of events, artists works, and particular manifestations of surrealism provide useful background and detail, thus usefully complementing the annotated essays. -- "Choice
The theme of the exhibition is considerably enhanced and refined by its well orchestrated catalogue. -- Roger Cardinal, Times Literary Supplement
With qualifications, everything in the show possesses surreality--or convulsive beauty--providing we understand how to unlock it. The most helpful thing to understand is that aesthetics was never a central Surrealist preoccupation, so looking for an aesthetic experience here will not get you to first base. -- Arthur C. Danto, The Nation
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Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Paperback
This stylish catalogue to the exhibition at Tate Modern in London contains new essays by some of the best scholars around. The theme, as the title states, is that of desire and its liberation - pretty much the central tenet of the surrealist movement. Jennifer Mundy provides an overview of the subject, while David Lomas imparts his characteristic clarity of thought and exposition to the vexed question of surrealism and psychoanalysis. Julia Kelly makes an impressive debut on 'The touch in surrealism', while Neil Cox showcases his new work on the surrealists and the Marquis de Sade, with reference to Freud, Georges Bataille and Michel Leiris. Hans Bellmer's and André Masson's extraordinary illustrations to Sade and Bataille's 'Histoire de l'Oeil' are included; Carolyn J. Dean contextualises these and other sexually explicit surrealist images in terms of the history of pronography. French expert Vincent Gilles further discusses surrealist books and their erotic illustrations, as well as the tangled love affairs of the group, while the 'Grande Dame' of British surrealist studies, Dawn Ades, engages the issue of surrealism and gender. Another big name, Hal Foster, extends with his usual verve the debate on surrealist photography and fetishism begun by Rosalind Krauss's seminal 'L'Amour Fou' (1985). The book is profusely and lusciously illustrated not only with classic masterworks (such as Marcel Duchamp's moustachioed Mona Lisa, 'L.H.O.O.Q.'; Meret Oppenheim's furry teacup and saucer, 'Object (Le Dejeuner en fourrure)'; Bellmer's sadistic 'Poupées'; plus works by De Chirico, Ernst, Masson, Man Ray, Miro, Picasso, Giacometti, Dali, Kahlo, Tanning et al.), but also with less well-known objects and pictures: Claude Cahun's gender-bending photographic self-portraits, Joseph Cornell's obsessional boxes, and personal relics from the collections of André Breton and Robert Desnos stand out. Eileen Boxer's excellent layout blends the catalogue seamlessly with the essays, and images are often accompanied by pertinent commentary-boxes. All in all, a most desirable volume, for specialist and interested amateur alike.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
3 reviews
10 of 12 people found the following review helpful
Love, Sex, Art: It's All in the Mind
29 May 2003
Format:Hardcover
This book gives you an idea of how incestuous the Surrealist movement was. It gives an insight into what went on in the artistic circles of the era. It is thoughtful and extraordinarily interesting. The various authors and their different viewpoints help to show the complexity of the movement and the artists without being too much in awe of artists like Man Ray or Hans Bellmer. It is also a beautiful book with a pretty pink and gold embossed cover (under the dust jacket). Full of stunning reproductions and personal photographs. Excellent read and aesthically pleasing.
10 of 13 people found the following review helpful
Surrealism Exposed
9 Feb 2002
Format:Hardcover
I find this book to be historically acurate, informative, and most comprehensive. In my humble opinion, a great study of one of the most thought provoking, imaginative, and subjective styles of art of all of our existence.
3 of 7 people found the following review helpful
Genious Unbound
26 Nov 2002
Format:Hardcover
Supremely thorough and wonderful. A winner. Beautiful, a spectacular book. It's what I want for xmas! lol
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