Surface Detail [Hardcover]

Real people - real cultures - are never simple, and are not likeable all the time. Having created the Culture: one of the most blissfully competent and (possibly) altruistic interstellar societies in science fiction, Banks has worked hard in his books to present many different aspects of it, always interpreted through its interaction with the lesser, equal or more advanced races that it inevitably rubs up against in his vividly-imagined galactic community. We have had the Culture as combatant, as meddler, maker of lives and destroyer of dreams. It has acted as a god and also like a technically-obsessed and frighteningly uninhibited auntie. Now, in Surface Detail, he gives us yet another view of the Culture, and this time it's not a particularly comfortable one. We are shown an underlying harshness that Banks has always hinted at, and he reveals the Culture's self-interest and cynicism much more clearly than ever before. Those communist aliens seem particularly like us this time round and things don't appear to be so - well, so effortless for them. There is no Kabe Ischloer here to shake his head indulgently over the endearingly strange ways of Culture citizens. There are no self-aware chuckles from its apologists about how splendidly crazy its people are.

There is, however, a lot of blood, violence and a central, screaming vision of virtual reality turned to horrific purpose that should make us all stop and think. It certainly gave me the shivers.

The book is, for me, a great return to first class science fiction writing by Banks, although I was starting to worry a little at the beginning. The strong, driven women (tick), the strangely thick yet cunning and powerful evil overlord (tick), castles, plains and mesas (tick all three), lots of parallel storylines that you can't imagine will ever converge (tick)... so I had some doubts until about a third of the way into it, and then one of the most hilariously unpleasant yet fascinating characters he has ever created stepped in and transformed the entire tone of the novel in just a few pages. Imagine Malcolm Tucker coming to a galaxy near you, but with plasma chambers attached.

From then on, the story accelerates. The writing - already appreciably sharper and more purposeful than in Matter - grips you by the scruff of the neck and you are back in classic Banks territory, but with much more of a wry twist than usual.

The pacing of this long book is excellent and the ending much better handled than it was in Matter. The welcome lack of sentimentality and the refreshing absence of extended, self-referential musings reminded me more of Consider Phlebas and his other, earlier SF work. Some of those trademark discourses-within-sentences still worm their way into the narrative, but they work here, counter-balancing much crisper technical detail and some truly funny moments. The book had me laughing and wincing in all the right places and I personally loved some of the final ship-to-ship exchanges: snappy, witty, clever and better than anything Banks has done since Excession.

I would definitely recommend it.

It is perhaps appropriate for a book that centres around the battle for the afterlife to begin this review with a confession: this was my first encounter with Iain M Banks' Culture series of science fiction novels. At first, I worried that this put me at a significant disadvantage as for the first 100 or so pages, I spend most of the time being completely confused about what was going on. However, as the strands started to come together, it became apparent that this is partly Banks' style and indeed it's one he uses in his non-science fiction books too. Keep going, it does come together.

As in his non-sci fi works, Banks juggles stories and characters with dazzling effect. He takes a number of characters whose stories may or may not ultimately come together and switches between their stories. And just when you think one line of story is not going anywhere in particular, he twists it round and it all makes perfect sense. The confusion is compounded by the fact that he is covering both the `Real' and `virtual' worlds, and particularly in the virtual worlds, characters may take on different roles and identities. Sound confusing? Well, it is at first but it's also highly entertaining, not to mention clever.

To the uninitiated, the Culture is a fictional interstellar enlightened, socialist, and utopian society operating amongst other, less benevolent and lesser civilized civilizations. This is at least the eighth book to feature the Culture, which first started with Consider Phlebas (The Culture) featuring the Culture's religious war against the Idiran Empire. We are told that the events of Surface Detail occur a millennium and a half after this war.

Surface Detail begins when Lededje Y'breq, a tattooed slave (surface detail, you see?) is attempting to escape from her evil owner, the rich and powerful Veppers who has made his family fortune in virtual war games. He's like an evil cross between Bill Gates, Peter Stringfellow and Hugh Heffner.

Meanwhile, in another part of the galaxy, a war rages over the right for Hell to exist. At first the Culture is not directly involved in this war being fought out in a virtual environment with the antagonists agreeing to abide by the outcome in the Real, which strikes me as a very good way of settling disputes. But that will change as the virtual war spills over into the Real.

This is terrifically bad news for the galaxy, but great news for the reader as it brings into play the Culture war ship "Falling Outside The Normal Moral Constraints" and it's avatar Demeisen introducing that classic sci fi fall back of entertaining computers communicating with humans. It maybe a well-used trick, but it affords great opportunity for humour. And if you think that ship's title is good, how about the "Sense Amidst Madness, Wit Amidst Folly". I know that in the current economic climate cuts are likely in Defence spending here on Earth, but surely we can put something aside to re-name some of our Navy with these names!

There's double-crossing aplenty, action, revenge, love stories, virtual and real action, tech and humour and some terrific characters. But what sets this book apart is the quality of the writing and the depth of the author's imagination. Amongst all the mayhem, Banks raises some interesting questions about identity, death and the whole point of Hell.

Fans of the Culture series will need no encouragement to grab this latest installment. Sure, it can be confusing at times and Banks does rather leave some stories hanging (although he presents a little potted outcome of the characters at the end) but it's a wonderful trip and I for one will be eagerly diving into the earlier books.

This is a great addition to the Culture series of books - was very much looking forward to it, and enjoyed it an awful lot. I won't go into the detail of plot, characters etc. any more than saying that it was great, they were interesting, etc.

As a book, it deserves five stars. The hardcover version would have got this from me.

However, I read the Kindle version, and the Kindle version has been lazily put together, I'm guessing from an earlier manuscript version. It has missing or half completed paragraphs. Very frustrating.

It flows quite often from one sub-chapter to the next without a line break to let you know - you're reading the dialogue from one perspective, get confused after a few lines and a paragraph later realise that you've got to go back as it's actually another character's dialogue.

There are spelling / word usage mistakes - not hundreds, but definitely 30+, which sometimes you can skim past but a few had me furrowing my brow trying to think what Banks actually meant/wrote.

In short, I still enjoyed it, but am putting in a complaint to Amazon about their shoddy work.