- Paperback: 256 pages
- Publisher: Orbit (4 Jan 2001)
- Language English
- ISBN-10: 1841490431
- ISBN-13: 978-1841490434
- Product Dimensions: 19.2 x 12.6 x 2 cm
- Average Customer Review: 4.7 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 659,867 in Books (See Top 100 in Books)
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Review
'Brian Aldiss is one of the most influential - and one of the best - SF writers Britain has ever produced' - Iain Banks
Product Description
The title story, Supertoys Last All Summer Long, soon to be a major film directed by Steven Spielberg, tells of a young boy who, whatever he does, cannot please his mother. He is puzzled by this, not realising that he is an android, a cunning construct of artificial intelligence - as is his one ally, his teddy bear. It was a story that hugely affected Stanley Kubrick (director of 2001) and Steven Spielberg (who perhaps saw in his forthcoming movie AI (Artificial Intelligence) a complement to his ET!). The other stories in the collection, whether SF, utopian fantasy or dark fable show a master writer at the peak of his considerable powers.
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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
4.0 out of 5 stars
A fascinating but somewhat cold collection of stories,
By A. Whitehead "Werthead" (Colchester, Essex United Kingdom) - See all my reviews (VINE VOICE) (TOP 500 REVIEWER) (REAL NAME)
This review is from: Supertoys Last All Summer Long: And Other Stories of Future Time (Paperback)
Way back in the mid-1970s director Stanley Kubrick was looking for a new project and ran across Brian Aldiss' short story, 'Supertoys Last All Summer Long', in which a childless couple create their own android son, who tries to understand if he is real or not. Kubrick was moved by the story and started trying to mould it into a film with Aldiss' help. Their work on the project went on for more than a decade (including the full gestation periods for Kubrick's movies The Shining and Full Metal Jacket) before Aldiss eventually left, exhausted by Kubrick's demanding work schedule and his insistence on drawing parallels to Pinocchio that Aldiss had never intended. Kubrick died in 1999 and Stephen Spielberg picked up the project, released it as the moderately successful A.I. in 2001. Aldiss sold several additional ideas to Spielberg which made it into the movie, and expanded these ideas into two sequels to the original short story.
The short story collection Supertoys Last All Summer Long and Other Tales of Future Time was released in 2001 to tie in with the film's release. As well as the original 1969 short story, it features the two sequels: 'Supertoys When Winter Comes' and 'Supertoys in Other Seasons'. These very short stories (each is 2,000 words or less) depict the story of David, an android who is created for a childless couple, but whose quest for self-identity proves problematic and he eventually leaves to wander the city. These stories are masterfully economical, transmitting much of the same story and concepts as the movie with Spielberg's sugar-coated schmaltz and Kubrick's worrying Blue Fairy fixation removed in a very small number of pages. You can read all three in considerably less than a single lunch break, as compared to the movie's sometimes bum-numbing two-hour running time. Obviously, 6,000 words do not make a full collection, so an additional sixteen stories are included. They are united by the themes of dislocation and loneliness, which are approached from different angles. Many of the stories are ambiguous and few have any solid resolution. Aldiss' goal here is to raise issues and questions and see what the reader makes of them, not provide pat answers. Interestingly many of the stories are prototypes or condensed versions of other stories he has written: the lengthy seasonal cycle of 'Apogee Again' feels like Aldiss' epic Helliconia Trilogy on extreme fast-forward, whilst 'A Whiter Mars' is a direct tie-in to his stand-alone SF novel, White Mars. Some of the stories are obvious - 'III' is a simple commentary on humanity's fixation of exploiting natural resources, whilst 'Dark Society's twist ending will likely be spotted by experienced genre readers but remains haunting nonetheless - but others are more inventive, such as the Lord of Light-esque 'Becoming the Full Butterfly' and the judgmental 'Galaxy Zee'. This is a fine collection of stories reflecting Aldiss' impressive writing range. There is a feeling of distance and coldness in many of the works - possibly an attraction for the likewise non-sentimental Kubrick (Blue Fairy obsession aside) - which may be offputting for some, but overall this is an intelligent and thought-provoking book and well worth seeking out. Supertoys Last All Summer Long (***½) is published in the UK by Orbit (out of print but copies seem available on Amazon) and by St. Martin's Griffin in the USA.
12 of 13 people found the following review helpful:
5.0 out of 5 stars
Brilliant,
By A Customer
This review is from: Supertoys Last All Summer Long: And Other Stories of Future Time (Paperback)
This is an absolutely brilliant collection and shows Aldiss at the top of his form. The title story is of course, the 1969 classic, that inspired Kubrick's un-finished project AI, but taken up by Stephen Speilberg. The story, has a young buy, who despite all his efforts can't get his "mummy" to love him. The boy doesn't know that he is a machine, an android. But even when he does, he feels, so he pleads that he is human. This story and the next Supertoy story reduced me to tears and moved me in very profound ways. I read it over and over. One of the 5 best stories I have ever read anywhere, anytime. The rest of the stories in this collection are all above average. Add this to your collection.
7 of 8 people found the following review helpful:
5.0 out of 5 stars
Understanding the limitations of a machine through love,
By A Customer
This review is from: Supertoys Last All Summer Long: And Other Stories of Future Time (Paperback)
A fascinating tale of a machine trying to come in terms with its being by understanding the uniqueness of humans.A smart young boy is puzzled by the fact that his mother doesn't love him; no matter how hard he tries he cannot get any affection back. This young boy is a machine, not a human, yet he doesn't know but has to find out, the hard way. The complete trilogy of short chapters, that after a long time (starting with Kubrick) has made the big screen as a Spielberg production called A.I.
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