NB - As is their wont, Amazon have put the reviews for multiple format releases of this title together on the same page. This is a review of the DVD release.
Superman II - The Richard Donner Cut isn't a perfect film by any means, but it's a huge improvement over the Richard Lester theatrical version, which I found almost completely lacking in soul and filled with incredibly awkward shifts in tone - indeed, Lester's determination to abandon the verisimilitude that was Donner's watchword and turn the whole thing into a cheap custard pie comedy showed how little he cared for the material. As with Superman III, where he had more of a free hand, he seemed more interested in an Adam West-style slapstick spoof than anything else.
Although some have compared it to a rough cut, despite Donner only finishing about 70% of the film, the reconstruction is a lot smoother than expected. Aside from the awkward 'Last week on Superman' opening which goes on forever, it doesn't look bad at all - even the screen test used for one key sequence is shot in full costume on a fully dressed set, and is more competently executed than many of Lester's scenes. Using the first film's turning back the Earth plot device yet again is awkward and the effects reintegrating the unused Brando scenes aren't always as smooth as they might be, but it never looks particularly unfinished. If anything I found the editing much more disjointed in Lester's cut, where the additions were painfully noticeable - not just the different film stock or change in tone but the fact that everyone suddenly looked so much older in the reshot footage.
Although the film is now a lot tighter, the first half is still awkward - too much Gene Hackman, too little conquering the Earth (gee but the President rolls over easy: fry a few rednecks and knock over a single Washington monument and he'll give you the keys to the planet). It still has too much of that atrocious audio manipulation of Terence Stamp's voice that makes him sound like a bad drag act as well (and this a decade before he became Priscilla). But once the second half hits its stride, it's a massive improvement. While the early Brando scenes are purely functional, there's some real emotional power in his final scene, and with all the infantile cutaways to badly-executed slapstick comic cutaways to people getting ice creams in the face or the like removed, the battle in Metropolis finally works and even takes on an apocalyptic dimension entirely absent in Lester's isn't-this-childish-rubbish-really? approach to the scene.
The end is a little disappointing, but still perhaps more convincing than the kiss ending in Lester's cut. Most importantly the film finally has the soul that Lester chewed out and threw away. It still would have been a disappointing sequel had Donner been able to finish and tighten it, but compared to the messy hybrid Lester delivered, it's a much more satisfying number. I'm glad to see something finally approaching a decent film.
The 3-disc UK edition is definitely the one to go for if you can find it, though - as well as including Donner's cut and Lester's much longer theatrical version, it also has an excellent array of extras including several of Paramunt's 1940s Superman cartoons. The single-disc US release only contains Donner's cut, which comes with an audio commentary by Richard Donner and Tom Mankiewicz, introduction by Donner, 6 deleted scenes and a featurette on the fim's restoration.