Super 8 [Blu-ray] [2011] [US Import]

There are so many differing reviews here, covering everything from awful to excellent, it's going to be difficult writing anything new. So, I'll not try and just say what I thought:

I quite liked the idea of a group of kids making zombie movies and the comradeship that brings and we see them getting along for a common purpose. Some of the scenes between young Joel Courtney's and Elle Fanning's are touching, believable and very well acted, whilst the others offered a ragbag of youngsters that are typical of a traditional Spielberg.

The military/scifi elements might not be totally new and unique, but to my middle-aged mind were put together well enough to seem fresh. The SFX were good enough for what was needed, though not exactly state of the art.

Enough went on and mostly suspenseful enough to keep me interested and ultimately, I enjoyed it for what it was. My rented DVD won't be replaced with a copy of my own, though and I give 7/10.

Adults weaned on '80s-era Steven Spielberg classics will no doubt experience a sharp tinge of nostalgia while watching Super 8, and the younger viewers will get an exciting version of those films to call their own thanks to writer/director J.J. Abrams, who stays faithful to both the style and tone of movies such as E.T while slyly infusing them with his own contemporary style. And in an age where children are needlessly shielded from realities of the world, even in fiction, it's undeniably refreshing to see a new fantasy adventure that both refuses to sugar-coat the childhood experience and possesses an actual air of danger.

Not only do the kids in Super 8 swear, but they also have a gun pointed at them by a teacher, run for their lives from a massive train wreck, and make a treacherous dash through a suburban war zone amidst a deafening barrage of military firepower. Yes, parents, this is definitely one instance where you'll have to judge for yourself as to whether this film is suitable for the younger kids.

Long before the Internet, some films actually possessed an aura of mystery in the run-up to opening day. We were never quite sure what we were going to get it was really nice to relive that feeling once again when I finally got round to watching this film. With Super 8, Abrams and company have successfully managed the unique feat of re-creating that experience by crafting an intriguing teaser trailer and ensuring that precious few details of their film were leaked before the release date.

Super 8 is so effective in capturing a very specific moment in time, including the look and tone of the movies released then, that aside from Abrams' trademark lens flares and advanced special effects, it's nearly indistinguishable from the real deal. The youngsters in Super 8 look like real kids instead of glossy imitations; the sense of community harks back to a time before people withdrew into their homes to play video games and surf the Net; and sensitive issues like the death of a parent are handled with a refreshing honesty that doesn't discount intelligence. A conversation between the main character and his father shows Abrams' talent for revealing telling details about his characters through more than simple dialogue, and a confrontation between two friends over a girl later in the film displays the writer's keen understanding of the complex dynamics of adolescent friendships.

As the young lead, Joel Courtney does a commendable job of balancing his character's devastating loss with his devotion to friends and growing feelings for Alice, who is played to perfection by Elle Fanning. It's easy to get cynical about favouritism when it starts to seem like every movie star's relative wants a chance to shine, too, but it's obvious from Elle Fanning's performance here that she would have likely succeeded even without her famous sister, she is just wonderful.

Our bad guy is played by, Noah Emmerich and he achieves Spielbergian villain perfection; early in the film we're told just how far he will go in order to keep his secret safe, and after seeing how he handles his enemies, we have little doubt he has the capacity for true ruthlessness.

And while the effective score may never soar to the majestic heights of John Williams' iconic work in films like E.T. and Raiders of the Lost Ark, it still manages to capture that same distinctive tone in a manner that echoes those great works without straining to re-create them.

If there's any major fault to be found in Super 8, perhaps it's the fact that it traces the structure of Spielberg's own E.T. just a little too closely for comfort. Still, there are enough key differences to make Abrams' take on the material a completely original story in its own right, and anytime a filmmaker chooses to tell his or her own story rather than working from existing material, movie fans have something to be thankful for.

Which leads to one of the last, and perhaps best, ways that Super 8 calls back to the era before every movie was a potential franchise in the making: in the end, we're left not with a cliff-hanger or a sudden sting that indicates the entire story has yet to be told, but with a sense of wonder and amazement as both the emotional and fantastical story arcs draw to a tidy, satisfying close. It's funny how such a simple concept like creating a self-contained story can seem so bold; then again, it pays to remember that Abrams is taking his cues from an experienced master, rather than an eager upstart seeking to ensure career stability for years to come.

A real gem in a sea of mundane if you haven't watched this yet then you should, because until you do, we might not be able to be friends anymore.

Super 8 is filled with nostalgia and is an old school event movie which will delight children and adults alike. Its a fun, incident packed story with likable characters and some exciting action set pieces.

The story starts with a group of kids intent on completing a film they are making. They decide to take a trip to an old railway at midnight one night to wrap up filming when a huge train rattles past. As the train passes through, a truck drives onto the line and slams into the train head first. The ensuing crash sequence is spectacular to say the least and is the stand out moment of the film.

Once the kids recover from the shock and escape back to the town, the film shifts into a semi-invasion movie with mysterious goings on happening around the town. Car engines start to vanish, local dogs flee to neighbouring towns and then the military roll into town with no explanation!

The story is simple yet effective, although there is the odd plot hole along the way. All the kids are a joy to watch and fit together perfectly. Each of their story arc's are well handled and no-one feels left out.

The film harks back to the old blockbuster days of ET, Indiana Jones and Jurassic Park which should be of no surprise seeing as Spielberg had a hand in its production. The story is well rounded and moves at a swift pace. The only disappointment being the creature itself. When it is finally revealed it doesnt look particularly convincing. This does not detract from the overall feeling of the film which will win you over and is a minor negative in what is and old fashioned blockbuster film.