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Sunset Boulevard [VHS] [1950]
 
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Sunset Boulevard [VHS] [1950]

VHS ~ William Holden
4.9 out of 5 stars See all reviews (23 customer reviews)

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Product Description

Amazon.co.uk Review
More than half a century after its release in 1950, Sunset Boulevard is still the most pungently unflattering portrait of Hollywood ever committed to celluloid. Billy Wilder, unequalled at combining a literate, sulphurous script with taut direction, hits his target relentlessly. The humour--and the film is rich in this, Wilder's most abundant commodity--is black indeed. Sunset Boulevard is viciously and endlessly clever. William Holden's opportunistic scriptwriter Joe Gillis, whose sellout proves fatal, is from the top drawer of film noir. Gloria Swanson's monstrously deluded Norma Desmond, the benchmark for washed-up divas, transcends parody. And her literal descent down the staircase to madness is one of the all-time great silver-screen moments.

Sunset Boulevard isn't without pathos, most notably in Erich von Stroheim's protective butler who wants only to shield his mistress from the stark truths that are massing against her. But its view of human beings at work in a ruthlessly cannibalistic industry is bleak indeed. Nobody, not even Nancy Olson's sparkily ambitious writer Betty Schaefer, is untainted. And neither are we, "those wonderful people out there in the dark". Norma might be ready for her close-up, but it's really Hollywood that's in the frame. No wonder Wilder incurred the charge of treachery from his peers. It's cinematic perfection.

On the DVD: Sunset Boulevard lends itself effortlessly to a collector's edition of this quality. The film itself is presented in full-frame aspect ratio from an excellent print and the quality of the mono soundtrack is faultless: the silver screen comes to life in your living room. The extras are superb, including a commentary from film historian Ed Sikov and a making-of documentary which includes the memories of Nancy Olson. Interactive features such as the Hollywood location map add to the fun. --Piers Ford

Synopsis
An ageing silent-film queen refuses to accept the demise of her career and hires a young screenwriter to help her make a comeback. Winner of three Academy Awards.


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Customer Reviews

23 Reviews
5 star:
 (21)
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4.9 out of 5 stars (23 customer reviews)
 
 
 
 
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17 of 18 people found the following review helpful:
5.0 out of 5 stars "I'm ready for my close-up.....", 16 Feb 2008
By David Rush "Fasten your seatbelts, its going ... (Glasgow, Scotland) - See all my reviews
(TOP 1000 REVIEWER)      
She's ready, but are you ready for her? In this magnificent film, Billy Wilder bites the hands that feeds him. Gloria Swanson dazzles as desperate, faded silent movie star Norma Desmond, who is trying to claw her way back to the top after years of seclusion in her Hollywood mansion on Sunset Boulvard. However, her time has been and gone, and at fifty years old, this seems impossible. When Joe Gillis (Holden), an equally desperate screenwriter, happens upon her mansion while fleeing some debt collectors, he finds the perfect way to make some money by using Norma. However, will he be able to escape her wrath when she discovers the truth? After all, in the immortal words of Desmond, "No-one ever leaves a star, that's what makes one a star....."
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27 of 31 people found the following review helpful:
5.0 out of 5 stars "Back at that pool again. The one I always wanted", 8 Sep 2006
By Bel Alcat "bel_78" (Buenos Aires, Argentina) - See all my reviews
(TOP 50 REVIEWER)   
I watched "Sunset Boulevard" (1950) for the first time a few days ago, after a friend lent it to me. I am very grateful to him because otherwise I probably wouldn't have rented it, or at least not anytime soon. And truth to be told, this is the kind of movie that you simply should watch as soon as possible. From my point of view, "Sunset Boulevard" is, like "Casablanca" and "The Maltese falcon", a classic.

This film is directed by Billy Wilder, and narrated by a dead man that appears in one of the first scenes floating in a swimming pool. It sounds strange, doesn't it? Despite that, it is very effective! The opening sequence is strong, but things get better and better as the story goes on. Despite that, a word of caution is in order: if you don't like black humour, don't watch "Sunset Boulevard", because this satire of the perverse side of Hollywood has it in spades.

One of the main characters is Joe Gillis (William Holden), a screenwriter without money that happens to hide from his creditors in an old mansion that seems to be empty. That is unfortunately not the case... The mansion is no less than the home of Norma Desmond (Gloria Swanson), a rich woman that used to be a silent screen star, and that wants to be famous again. That appears to be the reason why she employs Joe to improve a very long script she has written for her comeback, and also the reason why she insists that Joe is to stay at her house in the meantime. Joe isn't fond of the idea of staying in the mansion with the old woman and her creepy butler, Max (Erich von Stroheim), but he has no money, so he has to accept. Joe Gillis is like a fly caught in a spider's web: from the moment he enters Norma's house he is doomed, he just doesn't know it yet.

What will happen? Well, you must watch this film to learn that. I can only promise you that "Sunset Boulevard" is the kind of movie you don't regret watching. It is entertaining, insightful, has great performances and includes some of the best lines I have heard in a movie. Again, a classic. HIGHLY RECOMMENDED!

Belen Alcat

PS: If possible, remember to watch the extra features after seeing this film. One of them, a commentary by Ed Sikov, is specially good, due to the fact that it allows you to learn several interesting facts about the cast and the making of this movie.

PS 2: I wil include here some of my favourite quotes from this movie. I'm sure they will make you want to watch it :)

-Joe Gillis: "You're Norma Desmond. You used to be in silent pictures. You used to be big".
Norma Desmond: "I am big. It's the pictures that got small".

- [Joe is reading Norma's script] Joe Gillis: "Sometimes it's interesting to see just how bad bad writing can be. This promised to go the limit".

- Norma Desmond: "We didn't need dialogue. We had faces!"

- Joe Gillis: "There's nothing tragic about being fifty. Not unless you're trying to be twenty-five".

- Norma Desmond: "All right, Mr. DeMille, I'm ready for my close-up".
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25 of 31 people found the following review helpful:
5.0 out of 5 stars Face down in Hollywood Babylon..., 13 Mar 2003
By Jason Parkes "We're all Frankies'" (Worcester, UK) - See all my reviews
(TOP 10 REVIEWER)   
I think that 'Sunset Boulevard' is easily a contender for one of the greatest films of all time- which is no mean feat coming from Billy Wilder, the director of such classics as Lost Weekend, Double Indemnity, Some Like it Hot & The Apartment. Here it gets a wonderful DVD treatment, with interesting support features, one of which includes the original opening sequence (Joe Gilles recounting his tale in the morgue, the next step on from Fred MacMurry in Double Indemnity).

Sunset Boulevard is one of the most perverse films ever made- it's barbed dialogue dripping with references to Hollywood (such as the one made to Gone With the Wind), a post-modern reference to Mrs Haversham in Great Expectations (Joe being a writer, you see)- which exist on the same level as the cameos from Keaton (as Joe's agent) & De Mille (as himself); Wilder even uses a Von Stroeheim silent starring Gloria Swanson in the scene where Norma & Joe sit & watch her youthful self on screen! Joe was originally meant to have been played by Montgomery Clift- who dropped out due to the fact he was in a similar relationship with an older woman, Libby Holman.

Sunset Boulevard is a masterful work of art, one that fits into a bleak worldview of Hollywood- think of Nathaneal West's novella 'The Day of the Locust' (the central artist is not unlike Joe), or bitter & bleak films with messy characters as seen in Ace in the Hole, The Bad & The Beautiful & In a Lonely Place. I have to disagree with the other review which states SB was 'made at a time when the big Hollywood Star Machine was beginning to grind to a halt'- there were plenty of stars still being created (Marilyn Monroe, Monty Clift ,James Dean, Marlon Brando- anyone???) & stars such as Bogart, Gable & Mitchum still existed- while the 'big Hollywood Star Machine' (?) would emit stars such as Steve McQueen & Clint Eastwood. Perhaps that comment alludes to the fact that many stars of the silent era became anachronisms & leftovers from a decadent era with the introduction of sound & a redefinition of the studio system (see an upbeat version of this in 'Singin in the Rain').

Sunset Boulevard explores the dark side of Hollywood, reminding you of Kenneth Anger's book Hollywood Babylon & its influence cane be found in recent films: the central conceit of a voiceover from a corpse would be borrowed for 'American Beauty', while the character names of 'Gordon Cole' & 'Betty' (Nancy Olson) would find themselves quoted in works by David Lynch: the former the name of Lynch's character in Twin Peaks; the latter the initial name of Naomi Watts in 'Mulholland Drive'- another treatise on the dark side of Hollywood...

Everything about this film is perfect- the dialogue ("You're a fifty year old woman- when are you going to grow up?"), Franz Waxman's music (as great as Bernard Herrmann's), John Seitz's cinematography (a decaying form of Film Noir- from the late era, see Paul Schrader's essay on Film Noir), the structure, the use of voiceover, the scene where Joe and Betty walk along to a backdrop of fake sets, the use of voiceover etc. Sunset Boulevard is an absolutely perfect film, in the same way that I find films such as The Seventh Seal, Cabaret, Citizen Kane, Casablanca, Gone with the Wind, Orphee, The Conformist & Mulholland Drive absolutely perfect.

The acting is of particular note- I had only been familiar with Holden in The Wild Bunch (well that & his sorry demise- it would be days before anyone discovered his body...)& I was bowled over by his charisma & good looks. Gloria Swanson delivers a brilliant performance as Norma Desmond- it's amazing she delivered a performance at all, as the material seems very close to the bone (& when looking at Desmond/Swanson you can see the youthful beauty in the fade of middle age- see the 'impressions' scene: what strikes you about Norma is how old she looks...). Erich Von Stroeheim is equally excellent as Max- who is complicit in Desmond's delusion (having once been her director, her mentor & her husband). I also love Nancy Olson as 'Betty Schaeffer' here- a picture of 50s all American A-line skirt wearing naivety- incapable of saving Joe from his destination facedown in the swimming pool (reminding me a little of Cybill Shepherd's character, Betsy, in Taxi Driver)...

Sunset Boulevard is one of the all time greats, a perfect film on just about every level & one that has become a beacon to the loose genre of films about films: The Player, The State of Things, The King of Comedy (I know that was about TV), Mulholland Drive, Two Weeks in Another Town, Body Double, Stardust Memories, 8 1/2 , Sex Lies & Videotape, La Ricotta etc...

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Most Recent Customer Reviews

5.0 out of 5 stars Simply superb !
I won't repeat all the superlatives that have been written about this movie. I will just say it should be in the collection of any follower of the cinema as an art form. Read more
Published 21 days ago by DoDo Fan

5.0 out of 5 stars The sun shines on Swanson in Wilder's cool drama
Down on his luck, screenwriter Joe Gillis (Holden) reluctantly takes a job writing for once famous actress Norma Desmond (Swanson) who is planning her comeback. Read more
Published 2 months ago by Stampy

5.0 out of 5 stars A chilling masterpiece
This gripping and chilling film noir is visually stunning and superbly made, scripted and acted - particulary from the star of the movie, Gloria Swanson who puts in a terrific... Read more
Published 4 months ago by P. Gates

5.0 out of 5 stars One of the greatest films
Sunset Boulevard is rightly considered by The American Film Institute to be one of the greatest films of all time. Read more
Published 17 months ago by Anna Kouremenos

5.0 out of 5 stars A TIMELESS CLASSIC
Until 1950, American films were strictly entertainment, some deeper than others. Studio executives were very protective of image and star-making. Read more
Published 19 months ago by stuart

5.0 out of 5 stars Love this
Saw for first time on telly as a little boy and it's followed me since. I've seen thousands of films I this is one of them I remember best. A must own for film freaks! Read more
Published on 7 Jul 2007 by Paul Stenbrenden

5.0 out of 5 stars Timeless classic still shocking.
I don't want to spoil the plot for anyone who hasn't seen this film but suffice to say the story is still fascinating and disturbing today, i can only wonder how if was percieved... Read more
Published on 20 Jan 2007 by harmansullivan

5.0 out of 5 stars Hollywood (warts included).
Billy Wilder never disappoints and this is one of his greatest projects.

William Holden plays the young, handsome and very down-at-heel writer with Gloria Swanson his crass and... Read more

Published on 25 Mar 2006 by E. Currie

5.0 out of 5 stars A movie for lover of movies
"Life which can be so minuscule had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Read more
Published on 3 Feb 2006 by bernie

5.0 out of 5 stars A dark and delicious classic gem!!
This is a great and extremely dark look at what happens on when the film cameras aren't rolling. It tells the story, in vivid flash-back, how a down-on-his-luck script writer... Read more
Published on 9 Dec 2005 by film fan

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