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Sun (Amazon Exclusive Version)
 
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Sun (Amazon Exclusive Version)

3 Sept. 2012 | Format: MP3

£7.49 (VAT included if applicable)
Song Title
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30
1
4:45
30
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3:19
30
3
4:33
30
4
4:00
30
5
2:23
30
6
2:37
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3:28
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5:16
30
9
4:00
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10:55
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11
3:37
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12
7:09
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Product details

  • Original Release Date: 3 Sept. 2012
  • Release Date: 3 Sept. 2012
  • Label: Matador
  • Copyright: 2012 Matador Records Limited
  • Total Length: 56:02
  • Genres:
  • ASIN: B009088N34
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Bestsellers Rank: 18,261 in Albums (See Top 100 in Albums)

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews

1 of 1 people found the following review helpful By fadli zapran on 20 Aug. 2013
Format: Vinyl Verified Purchase
C.M did it again and it is the best creation for her entire career in music. such a great album
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1 of 1 people found the following review helpful By Mr. K. Hubbard on 19 April 2013
Format: Audio CD Verified Purchase
After "The Greatest", this is a welcome return to form ... can't fault it, hauntingly beautiful. Didn't get off on "Jukebox", apart from a couple of excellent songs, but on this one she is back to her best.
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8 of 10 people found the following review helpful By Caitlin R. Kight on 3 Sept. 2012
Format: MP3 Download Verified Purchase
I read a couple of negative reviews about this album, so I wasn't sure what to expect. This is much closer to the rich, multilayered sound of The Greatest and Jukebox than, say, Moon Pix, but in this case the instruments you'll notice most are drums and synthesizer. Apparently (according to comments Cat Power made in an interview), she wanted to push herself musically and do something she hadn't done before, which is why she deliberately tossed the stuff she'd written on guitar, and sat down with a synthesizer to play around with some new sounds. Thanks to their presence, this IS a different-sounding album. At the same time, though, there is still a darkness to even the most up-tempo songs, so the music is very reminiscent of the "southern gothic" sound of Powers' previous albums. I thought several songs sounded futuristic--like something you might hear in a movie while looking at a dark, rainy, Blade Runner-esque landscape, or perhaps as the soundtrack while someone walks into a dark nightclub.

I have eclectic tastes and so I was quite pleased with the purchase; as soon as I finished listening to the album the first time around, I put it on again. I never thought I'd hear Cat Power playing around with auto tune, but that and all the other electronic bells and whistles work. She's got a great hear for music and, of course, a great voice, which is a combo that is hard to beat.
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By beth on 7 May 2014
Format: Vinyl Verified Purchase
was a bit late but it still came and the vinyl was in perfect condition, still in its packaging. sounds great
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By Mette Johnsen on 8 May 2013
Format: Audio CD Verified Purchase
This is all about personal preference, and I think it's a brilliant album. A bit of a departure for Cat Power music wise perhaps, so listen before buying.
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By Riley on 7 Oct. 2014
Format: Audio CD
The track 'Human Being' was used in an episode of CSI and brought Cat Power to my attention but sadly I didn't connect with the rest of this album. I far preferred 'The Greatest' which was bought as an afterthought at the same time and I'm very glad I did.
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6 of 9 people found the following review helpful By Kenneth on 3 Sept. 2012
Format: Audio CD
When Cat Power named her 2006 album The Greatest, I got the feeling she was being ironically self-deprecating, that's not because it wasn't a brilliant album, it was In fact one of the standouts of that year and even won her the Shortlist Music Prize. It's just that Chan marshall's not particularly well known for being a self-assured or conceited individual, so I'd just figured she was having an inside joke with her devout listeners who'd have no problem spotting the tongue firmly in her cheek.

With the completion of Cat Power's latest album Sun, coinciding with her split from boyfriend Giovanni Ribisi, I anticipated a brutal and bitter break up record here and once again saw the title as another demonstration of Chan's wryness. There's no misdirection going on though, Sun sounds precisely how you'd think an album would sound with that title; vibrant, positive and above all wonderfully accessible.

The Instruments on Sun are what make it sound so virile and energetic, bright Synthesizers and trip hop beats are often laced with lovely piano motifs and lightly distorted guitar. This doesn't turn the album into a saccharin love-in though, Chan's soulful alto hasn't disappeared (even if it is modulated at times) and her lyrics can still be dark and brooding on here too. The albums actually begins with lyrics about Death and resigned disappointment on opener "Cherokee" but Cat Power sounds so defiant and invigorated when she's singing them, especially when the danceable electronic beat comes in a third of the way through to accompany her.

"3,6,9" is really where her new direction becomes most apparent, the use of autotune and the boom bap beats will perhaps intially alarm a few diehards who thinks she's diluted her forlorn essence in favour of gimmicky pop dalliances.
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5 of 8 people found the following review helpful By Gannon on 10 Sept. 2012
Format: Audio CD
Given Sun is Chan Marshall's first proper album for six years and comes off the back of a breakup with her long-term partner, we perhaps might have expected an awkward album out of time and place. A hybrid of sultry electronics and determined rock, Sun however is having none of it and Marshall is back it would seem to put contemporaries such as Joan As Police Woman and St. Vincent in their place.

All the same, there will undoubtedly be some that bemoan Marshall's evolution from sparse singer-songwriting into today's svelte song-craft, but those same people may find some solace here in "Human Being" in which Marshall puts that smoky folk whisper of hers to good use, but quite what these people will make of the track's juxtaposition of echoing acoustic strumming and fizzy synth bass pulses in anyone's guess. And there are more challenges for the reticent too. For example, the title track is but dark casing for a panning spotlight of synth, Marshall even experimenting with a spatter of auto-tune towards its close, though it must be said more in line with the tasteful application of Poliça than its more usual chart usage.

Although there's a few unremarkable mid-order moments and, earlier, the stepping dither of "3,6,9" overdoes its heavy repeats, Sun does house some real highlights. Politicised single "Ruin" twins a dancing piano line with infectious bass bounce, superlative guitar chatter and some strong melodies. The dreamy drum machine pitter-patter and slo-mo piano footfall of "Manhattan" is all very dignified too, and the solid "Cherokee" is a busy template full of drum machine clicks, woozy synth and stirring piano loops that combine for a great outro framed by militaristic drum rolls.

It's the tail end of Sun's running order that really steals the show however.
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