Suk: Ripening (symphonic poem), Op. 34 / Praga (symphonic poem), Op. 26Suk: Asrael Symphony / Fairy Tale / Serenade StringsSuk: Summer Tale / Fantastic Scherzo - Charles Mackerras / Czech PhilharmonicSuk: Symphony in E major; Dvorák: In Nature's Realm; Carnival The composer Josef Suk has often been called the "Czech Mahler," but this moniker is only apt because his greatest scores are deeply personal and emotional expressions arising from grief, healing, and the journey of the soul towards enlightenment. Stylistically, his music bears little of the nostalgia and histrionics of the beloved German composer. After a period of Dvorakian development, Suk seemed to have a more obvious kinship with the Expressionists; you can hear glimmers of Scriabin, Szymanowski, Schreker, Richard Strauss and Zemlinsky in "Asrael" and the tone poems. This recording of "Ripening" easily supersedes all previous, including the first-rate version by Pesek with the Czech Philharmonic (Virgin). This hybrid CD is lush and expansive. Belohlavek (who gave us a monumental "Asrael" on Chandos) breathes new fire and urgency into his interpretation; Pesek is slightly more meditative and sensuous (both are valid approaches). It is a pity that the late Sir Charles Mackerras didn't record this work (if you don't have Mackerras' "A Summer Tale" on Decca, you must seek it out before it disappears), bringing his own special insight. As for the Symphony No. 1, no other recording comes close to this Chandos. The 2008 Supraphon recording with Tomas Netopil conducting the Prague Symphony is bland and uninvolving; much finer is the old 1982 Supraphon conducted by Vaclav Neumann (OOP), which has spirit and ardor in decent sound. The pastoral thrust of Dvorak, especially in the 6th and 7th Symphonies, inspire a passionate performance by Belohlavek, and Suk's early work can now be evaluated as seminal to his growth as a composer. Easily one of the finest recordings of the year.