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Suicide Double CD, Live


Price: £8.73 & FREE Delivery in the UK on orders over £20. Details
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Frequently Bought Together

Suicide + The Second Album Plus The First Rehearsal Tapes + Silver Apples / Contact
Price For All Three: £24.00

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Product details

  • Audio CD (1 Mar. 1998)
  • Number of Discs: 2
  • Format: Double CD, Live
  • Label: Mute
  • ASIN: B00000APLI
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Bestsellers Rank: 6,255 in Music (See Top 100 in Music)

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Ghost Rider 2:34£0.99  Buy MP3 
Listen  2. Rocket Usa 4:16£0.99  Buy MP3 
Listen  3. Cheree 3:42£0.99  Buy MP3 
Listen  4. Johnny 2:10£0.99  Buy MP3 
Listen  5. Girl 4:05£0.99  Buy MP3 
Listen  6. Frankie Teardrop10:26£0.99  Buy MP3 
Listen  7. Che 4:52£0.99  Buy MP3 
Listen  8. Cheree (Remix) 3:47£0.99  Buy MP3 
Listen  9. I Remember 3:11£0.99  Buy MP3 
Listen10. Keep Your Dreams 4:49£0.99  Buy MP3 
Listen11. Mr Ray (Live At Cbgb's) 6:29£0.99  Buy MP3 
Listen12. Las Vegas Man (Live At Cbgb's) 4:23£0.99  Buy MP3 
Listen13. 96 Tears (Live At Cbgb's) 3:48£0.99  Buy MP3 
Listen14. Keep Your Dreams (Live At Cbgb's) 3:19£0.99  Buy MP3 
Listen15. I Remember (Live At Cbgb's) 5:11£0.99  Buy MP3 
Listen16. Harlem (Live At Cbgb's) 4:05£0.99  Buy MP3 
Listen17. 23 Minutes Over Brussels22:56£0.99  Buy MP3 

Product Description

Amazon.co.uk

This remarkable self-titled debut album, released a full seven years after the group had formed, was still way ahead of its time back in 1978. Suicide--Alan Vega on vocals and Martin Rev on keyboards and drum machine--are one of the most original acts in the history of popular music. They're often called the first synthpop act; synth-punk is closer to the truth--their music was far more edgy and menacing than that of any of their followers.

Suicide drew on the right protopunk influence (Velvets, Stooges) and came out of the same scene that bred the New York Dolls. Their guitar-bass-and-"real"-drummer-deprived setup outraged audiences; on the superb bonus disc you can hear a European crowd rioting in the background while their apocalyptic nursery rhymes sound away. Tough guy Vega croons like an evil Elvis bred on garage rock and performance art; the stoic Rev lays churning, repetitive and oddly melodic lines down on his beat-up Farfisa, and the ancient drum machine--it actually sounds steam-driven--propels the music toward a ratty, Blade Runner future. "Dream Baby Dream", "Che", "Ghost Rider"--these eerie, sturdy, steam-punk anthems rank among the most visionary, melodic experiments the rock realm has yet produced. This reissue is bright and clear-sounding, and with the full disc of live performances (a 1977 CBGB's soundboard tape plus the legendary "23 Minutes Over Brussels" performance) this is an essential purchase. --Mike McGonigal

Customer Reviews

4.8 out of 5 stars
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful By Peter Uys HALL OF FAMETOP 1000 REVIEWER on 19 Dec. 2008
Format: Audio CD
Whereas Kraftwerk navigated the Autobahn at a fairly moderate pace, Alan Vega & Martin Rev often break all speed limits. Controlled, even disembodied vocals characterize the German band's music while Suicide's is pierced by whoops, hollers & gasps. Most of these songs are so beautiful and tuneful that they would have been chart material had they been toned down to the level of say, OMD or Eurythmics. With the exception of the 10 harrowing minutes of Frankie Teardrop, a real piece of "psychobilly," the melodies & hooks are irresistible.

The pulsating Ghost Rider with its ominous drone is quite anthemic, more minimalist than Alan Vega's later solo version. Although still appealing, Rocket USA is eerie & doom-laden while Cheree is a mid-tempo ballad with an enchanting chiming melody unfolding behind the drone. There are lighter, more accessible and highly catchy tracks like Johnny and Girl, another slow number with a hypnotic arrangement & richly textured sounds. The remix of Cheree sounds more soulful & romantic than the original. Its chugging rhythms & yearning vocals give I Remember a melancholic air. Then follows Keep Your Dreams, an addictive ditty with a lilting flow.

Disc 2 consists of 6 live performances recorded at CBGB's. Mr Ray is a heavy but surprisingly subdued interpretation of the Velvets'
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6 of 6 people found the following review helpful By michael_m on 18 May 2004
Format: Audio CD
There really is no way that Suicide's music can be described to someone who hasn't heard it, but I'm going to try... Alan Vega's vocals are always compared to Elvis, but it's almost like an Elvis whose sneers are for real with a dark, brooding delivery. In contrast, Martin Rev produces a droning electronic backing that is sometimes distorted guitar-like and sometimes something like a wind-up nursery toy. The drums are very primitive and verging on the cheesy, and there is rarely a snare sound.
Does this sound like something that you could listen to? Probably not, but when you hear it, you can see how hard it is to put your finger on what it is that makes this band great. The comparisons to other bands just aren't relevant. They are far more minimalist than Kraftwerk, and if they influenced synthesizer duos in the 80's, then there is little evidence of it in 80's music. What they are is an absolutely unique act.
Their first outing is a very primitive affair, but with an approach that says "we don't give a shit about conventions - this is the way we want to do it!". The first thing I wanted to do after I heard it for the first time was play it again, first to see if I really heard what I heard, and because you just need to keep listening to it to take it all in.
The second CD is a worthwhile bonus, giving you some idea of why they were both loved and hated live. The CBGB's set shows why they were loved by their audience, and the '23 Minutes Over Brussels' shows you why they were hated by people whose heads were too filled with the conventions set by the music industry.
Just don't play this before you go to sleep!
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7 of 7 people found the following review helpful By Dobester on 18 Sept. 2001
Format: Audio CD
I bought this album after seeing Suicide opening for Elvis Costello and the Attractions in Paris a million years ago. Despite real howls of loathing from the crowd (not yet prepared for Sartrean, or rather Camus-ian nihilism by the Cure and other gothic popsters), Suicide pounded out their hypnotic, psychotic dance music. Suicide had the true punk disdain for all conventions, including those already carved in stone by the punk/new wave nomenklatura. Disturbing and refreshing in equal parts, Suicide, Pere Ubu and Devo all brought an inspired, warped intelligence to bear on the new wave. This album is the forerunner of just about all non-rockist music we listen to today.
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17 of 19 people found the following review helpful By Jason Parkes #1 HALL OF FAME on 19 Jan. 2004
Format: Audio CD
The 1998 reissues of Suicide's first two eponymous albums were both wonderful, coming with great sleevenotes, bonus tracks & a second disc of rarities. 1977 was such a strong year for music- Marquee Moon, Low, Trans Europe Express, I Feel Love, The Idiot, Talking Heads debut etc- but this stands out even amid those classics.
The interview in the sleevenotes portrays the band's genus & origin, examples of that early music can be found on the bonus disc with the second album. Alan Vega (Vocals)and Martin Rev (Instruments) were the original duo later mimicked by Soft Cell, influenced by the approach jazz musicians like Ornette Coleman, Cecil Taylor, John Coltrane & Thelonius Monk took (as well as The Stooges), they ended up in the Project of Living Artists, New York. Living in squalor, the romantic life that recurs in things like Ask the Dust, Martin Eden & Tropic of Cancer, they began to develop- living for nothing but their music. Rev found a bowling-pin style machine and this became the DIY-basis for Suicide's music, which was a minimal approach to electronica- where The Ramones played minimal-length tracks, Suicide played an alien minimal music- which could go on a long-time: witness the epic Frankie Teardrop here...
The album opens with Ghost Rider (covered by Soft Cell, REM & Sisters of Mercy), which is the next step on from The Stooges and has lyrics that fit the era perfectly: "America, America is killing its youth...". Next up is Rocket USA (performed a few years ago by Suicide with Spiritualized; Suicide have also played with members of Can & Sisters of Mercy), which opens and drifts into this pulsing thing, hints of rockabilly lost in the past; Alan Vega is Elvis in space...
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