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Suedehead had that effect on me.
Don't get me wrong - there are some great tracks on here. The outstanding 'Boxers' proving that Moz can out-Smith the Smiths, Everyday is Like Sunday, International Playboys etc etc. But somehow it doesn't work as a coherent album. The inclusion of duds like 'That's Entertainment' and 'Interlude' just seem to jar the flow.
Interestingly Bona Drag managed to cobble together a selection of disparate tracks and make them seamless. Not so with the flawed Suedehead, unfortunately.
After the Smiths split, it seemed almost impossible for Moz to return with anything as good as had previously recorded. Although not as consistent as the Smiths, it would be unfair to rubbish the whole collection. There are many excellent bits to this album : the summery opening guitar riff from Suedehead, the wit of Your the One for Me Fatty and the retrospective leaning of Hold onto your friends are just a few.
Obviously, there are some hopeless candidates here (anyone liked Our Frank?) but overall it is a pleasing enough selection.
And obviously any Moz fan would have to buy it for the alluring cover as well.....
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