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Review What you don’t tend to hear so much about is his voice: that disdainful purr – part disappointed sneer and part tender encouragement. Whether picking holes in scenesters or detailing a perfect day, it’s a most effective vehicle for delivering a story or two.
These songs comprise the soundtrack to a film called Submarine, directed by Richard Ayoade; it’s a dark comedy, about a 15-year-old boy wanting to lose his virginity and keep his parents together, and Alex’s songs woozily sway between all-out romance and magpie-eyed reality in a manner which suggests he remembers the vertically steep learning curve of those years all too well.
Hiding Tonight, just a gently strummed guitar, some drones and twinkles and a wondrous, wistful lyric about a coconut shy, is effectively a fairground cousin to Richard Hawley’s Coles Corner, only this time the boy gets the girl. Glass in the Park is scarcely any more embellished, maybe a harmony or two, and just as swollen with that same first-love glow.
Meanwhile, It’s Hard to Get Around the Wind’s reproachful, flinty lyric is set to a folky fingerpick, and Stuck on the Puzzle carries itself like an early Lennon song, albeit one which replaces post-Beatles angst with a late-night head-scratch about the state of things. Which just leaves Piledriver Waltz, the most musically complex of the five proper songs here – two time signatures, no less – and the most reproachful.
And that’s it, apart from the brief snatch of ...Puzzle that opens proceedings: five swoony songs, sung beautifully, no duffers, and plenty of knotty lyrics to try and unravel. Another job well done.
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