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An utterly beautiful album, which no doubt the Nashville red necks still refuse to listen to because it isn't twangy enough. More fool them - great music is great music, whatever genre you file it away under. Sit back, turn out the lights, and float away.
The production of 'Stumble into Grace' is much clearer than that of her last few albums, by which I mean that you don't get the very dense wall of sound that is particularly noticable on songs like 'May this be Love' and 'Bang the Drum Slowly,' but the instumentation remains perfect, shifting and bending genres with the light touch that we've come to expect.
'Cup of Kindness,' 'O Evangeline,' 'Plaisir d'Amour' and 'Strong Hand' represent the most traditional tracks, each imbued by Harris' wonderful warm voice and the fantastic musicians that she's attracted to the project with a timeless quality. Then there are very upbeat songs like 'Here I Am,' and 'Jupiter Rising,' which seem to mark out a new stage of confidence in her songwriting. Her friendship with Steve Earle is seen in the demanding protest of 'Time in Babylon.'
She breaks new territory of a different sort in one of my favourite songs: 'Little Bird,' set to a Peruvian folk song, a mesmerising combination of native melody and instrument and Harris' delicate voice hopping above it like a sparrow hopping from note to note. Although in Harris' case perhaps nightingale would be a better allusion!
'I Will Dream,' and 'Can You Hear Me Now,' are perhaps as close as Harris comes to having a signature songwriting style - the kind of wistful, understated personal ballad seen in both 'Red Dirt Girl' and 'Wrecking Ball.' My personal favourite track however is the bleak and beautiful 'Lost Unto the World,' another product of Harris' amazing partnership with Daniel Lanois.
'Stumble into Grace' marks a new stage of confidence for Emmylou Harris in her incarnation as a songwriter. Even the cover art, in which we have clear photos of her face rather than the blurred shots of her last few albums suggests an assurity and pride in her work. The only irony is the title of the album, taken from a line in 'O Evangeline.' Anyone familiar with Emmylou Harris will know that grace isn't something she's stumbled into - it is and always has been an innate quality that has shone through her work.
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