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The permutations of the story are familiar, but too many elements are missing. Most of Phillippe's performance seems to have ended up on the cutting-room floor (although his chiselled torso gets maximum exposure), Campbell's role is basically a glorified cameo and Breckin Meyer and Salma Hayek, as Phillippe's only true pals, are wasted. The one true gem of the film, though, is Mike Myers' take on the late Steve Rubell, an inspired high-wire performance that balances humour and tragedy without ever giving in to camp or pathos--his drunken proposition of Philippe is a minor treasure. The soundtrack does feature some unknown chestnuts and a few new remixes, including an inspired disco version of--believe it or not--Gordon Lightfoot's "If You Could Read My Mind". --Mark Englehart
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