Back in the late 'Nineties, when the Spice Girls ruled the airwaves, All Saints were the tougher, cooler, more credible alternative. I was only ever a casual fan, but became more interested when they teamed up with William Orbit (fresh from his sterling work on Madonna's 'Ray Of Light' album) and produced the two terrific singles 'Pure Shores' and 'Black Coffee' (I remember wishing at the time they'd followed Madge's lead and made a whole album with him). However, it was soon after this that the band, who had been dogged by rumours of catfights and grudges within the group since their first album, finally imploded. The individual members went on to have brief (VERY brief in Mel Blatt's case) solo careers but they never matched the success they'd enjoyed together. End of story... or so it seemed.
Six years later and they've suddenly re-emerged with a new album, 'Studio 1'. The intervening years have seen all the girls become mothers, which no doubt helped to mellow them and put things in perspective, and they've overcome their differences and reunited. I really didn't know what to expect, but 'Studio 1' turns out to be an impressive return and perhaps their most consistent work to date.
The single 'Rock Steady', which opens the album, is a fairly good indication of the group's new sound, which has added some reggae influences to their usual blend of pop, soul and r'n'b. It actually sounds not unlike their spiritual successors the Sugababes (which I mean as a compliment), and it's the most obviously chart-friendly track, but after a few listens other quality moments emerge. Despite the overall flavour, there is some surprisingly varied material here. Standouts include the sparky 'Chick Fit', the sweet summer groove of 'In It To Win It', the 'Seventies r'n'b of 'Headlock' which is reminiscent of Sly and the Family Stone, and top funk workout 'Flashback'. Best of all, however, is the haunting, gospel-tinged epic 'Fundamental' which closes the album and definitely deserves to be a future single. Shaznay has once again taken on the main writing duties, but Mel, Nick and Nat all contribute their own tracks. The band seems to be paying tribute to a number of their early influences, which results in a sound that's both retro and bang up to date. There aren't any duds as such, but some of the songs on the first half of the album sound a bit similar and indistinct; the second half is definitely the strongest.
So, a great return. But is it worth getting the limited edition? Well, for the extra few quid you get a DVD which features a twenty-minute interview, the excellent video to 'Rock Steady' and a pretty good bonus audio track, 'Sexy'. If you're a big fan, you'll probably have gone for this version already, but casual listeners probably won't miss the DVD unless they particularly want the 'Rock Steady' video.
I don't know how long the band's current friendly relations will last - they could be scratching each other's eyes out already for all I know - but I hope they can hold off the hostilities for a while because this is a very accomplished and promising return, and I'd love to hear what they do next.