Have one to sell? Sell yours here
Sorry, this item is not available in
Image not available for
Colour:
Image not available

 

Strike [1924] [DVD]

Grigori Aleksandrov , Maksim Shtraukh , Sergei M. Eisenstein    Parental Guidance   DVD
4.3 out of 5 stars  See all reviews (3 customer reviews)

Available from these sellers.


Learn about LOVEFiLM
Amazon’s film and TV subscription service with unlimited access to thousands of titles to watch instantly, many in HD at no extra cost. Go to LOVEFiLM for title availability. Enjoy a 30-day free trial and watch across many devices including the Kindle Fire. Learn more at LOVEFiLM.com

What Other Items Do Customers Buy After Viewing This Item?


Product details

  • Actors: Grigori Aleksandrov, Maksim Shtraukh, Mikhail Gomorov, I. Ivanov, Ivan Klyukvin
  • Directors: Sergei M. Eisenstein
  • Writers: Grigori Aleksandrov, Sergei M. Eisenstein, Ilya Kravchunovsky, Valerian Pletnev
  • Producers: Boris Mikhin
  • Format: PAL
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: PG
  • Studio: Eureka
  • DVD Release Date: 31 Mar 2003
  • Run Time: 82 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • ASIN: B00004TXJ6
  • Amazon Bestsellers Rank: 106,862 in Film & TV (See Top 100 in Film & TV)

Reviews

From Amazon.co.uk

Sergei Eisenstein's debut film is more than a landmark of Soviet cinema; it's easily one of the most thrilling and inventive films to emerge from the silent era of Russian film making. Eisenstein was a theatre director and stage designer with some very specific ideas about the cinema, and he put them into practice telling the story of a worker's strike in pre-Revolution Russia, portraying the struggle not of leader against leader, but of the proletariat against the factory owners, enlivened by a conspiratorial subplot involving a quartet of insidious spies sent to infiltrate the ranks of the workers. The subject matter is at times didactic and the acting often hammy and overwrought, but the technique is vibrant and the images striking. Eisenstein's compositions reflect the graphic boldness of contemporary poster art, mixing poetic realism with grotesque expressionism in a gripping style, and his famous montage editing style (to be perfected in his next film, Battleship Potemkin) is raw, experimental and energetic. Eisenstein's later films are more consistent and elegant, but none of them have the sheer cinematic invention and energy of this first film. The new score, composed and performed by the idiosyncratic Alloy Orchestra, combines a mix of martial and mood music on synthesiser with the driving percussion of drums, wood blocks, bells and wrecking yard of clanging metal objects--a dynamic soundtrack to one of the most auspicious directoral debuts ever. --Sean Axmaker

Product Description

A strike on the part of the factory workers in 1912 Russia is brutally suppressed by the authorities. Visual montage, caricature and disturbing slaughterhouse sequences highlight the brutality of the police, in Sergei Eisenstein's allegoric first feature film.


Customer Reviews

3 star
0
2 star
0
1 star
0
4.3 out of 5 stars
4.3 out of 5 stars
Most Helpful Customer Reviews
16 of 17 people found the following review helpful
5.0 out of 5 stars A Film of Striking Genius 22 July 2000
Format:DVD
Strike is a film from highly-influential director Sergei Eisenstein, who was part of the early Soviet Cinema movement. Starring the Proletkult Workers theatre it's about a worker who is wrongfully accused of stealing a micrometer and therefore commits suicide out of humiliation. The workers organise a strike and a committee is set up to organise the strike, which sadly leads to deadly consequences. The story is set in 1912 under the Czarist dictatorship.

One of Eisensteins ideas he put to film was to abolish art because of it's uselessness and based his other ideas for film towards socialist ideas which he succeeded.

The film soundtrack makes the film all the more powerful combining class struggle with a classical score and the final scenes of chapter's 5 & 6 become more disturbing and frought the more you watch them. The film ends with the armed calvalry firing indiscriminatly at the striking workers and ends with "never forget....workers".

Eisenstein's vision of film also influenced modern day director's like Martin Scorcese and his use of visual effects are quite stunning and revolutionary. He died in 1945 after a row with Stalin.

Strike, along with Battleship Potemkin and October have become cult classics on student campuses, especially when Marxist ideas were gaining popularity during the 1970's (socialist ideas are gaining an interest, especially Karl Marx).

So to sum up, Strike is a film of striking genius, Visually arresting and definetly worth watching. Watch and enjoy.

Was this review helpful to you?
3 of 3 people found the following review helpful
4.0 out of 5 stars A lot of memory but little imagination 8 Mar 2009
Format:DVD|Amazon Verified Purchase
This title is bad. It should be THE strike, but they translated word for word and in Russian they do not have articles. It gives to the title an abstract look or feel that is not at all what the film is about. In fact the film is just the contrary. It is purely concrete, pragmatic, in no way reflexive or trying to analyze and understand that brutality in the repression of a strike that started before even having an objective or a reason. This brutality is in many ways typical of some periods in the history of the industrialization of our countries, Russia, the USA or Western Europe. It stopped or became more limited when the leaders and managers, both politicians and economic bosses, understood that this violence was menacing the establishment in the long run far more than some compromises along the way. What is surprising is how Eisenstein in 1924, at the end of the war communism of the civil war and at the beginning of the New Economic Policy of Lenin who was on the brink of dying, some kind of delayed assassination, painted a world that was cut in two, and nothing else but these two. And far away from Mayakovski or the other poets of that time, all of them militants and committed to the revolution, he depicts a situation in which there is no culture, no mind, no humanism, no nothing, especially not any thinking. All is shown as being primary, physical, at the simple level of instincts and senses, on both sides. The workers go on strike because they feel dissatisfied but they don't know why. It is an urge in them to do it and any reason is good enough to start and then to force everyone, and I insist on this "force", to get into the strike with violence of course and that working class violence is natural, isn't it? On the side of the bosses it is not better, but it is not worse either.... Read more ›
Comment | 
Was this review helpful to you?
1 of 1 people found the following review helpful
4.0 out of 5 stars Difficult 19 Jan 2010
By paulk
Format:DVD|Amazon Verified Purchase
Although it is now something of a cliché, where dave.simpson finishes his review with the words 'watch and enjoy', I believe that one has to be very clear about what one means by 'enjoy', and it must be said that to enjoy Eisenstein's film 'Strike' is an immensely different thing from enjoying, say, 'The Sound of Music'. This is because, for those who do not know, 'Strike' isn't a 'ripping good yarn', but is a historical document which requires understanding both in terms of why it was produced, and the times and the country in which it came into being. The synopsis provided by Amazon is good, but Jacques Coulardeau must be thanked for putting together a very thorough and thoughtful framework of ideas on this. There will be those who think that oppression is oppression the world over: the same for all countries, and all periods in history. Well, whatever Eisenstein's personal feelings about his commission, 'Strike' carries a very large content of propaganda, underpinned by much of the dominant ideology of the time, to an extent reinforcing and perpetuating that ideology: in essence reminding the masses, in a thinly-veiled way, of the injustices surrounding their former lives under the Tsarist regime, and flattering their sense of morality, purpose, and achievement, perhaps with a vague underlying reminder of 'how much better off you are now'.
The disadvantage of silent film as a medium is that, literally, it cannot 'say' enough within its system of subtitles. Whilst there are those who think that imagery, particularly the impressive and imaginative variety of an Eisenstein, can make up for this deficiency, I think they are wrong.
... Read more ›
Comment | 
Was this review helpful to you?
Would you like to see more reviews about this item?
Were these reviews helpful?   Let us know
Search Customer Reviews
Only search this product's reviews

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums


Listmania!


Look for similar items by category


Feedback