Elia Kazan's screen adaptation of Tennessee Williams' successful Broadway play. Blanche DuBois (Vivien Leigh) travels to New Orleans to visit her pregnant sister, Stella (Kim Hunter). Stella's husband, Stanley (Marlon Brando), resents Blanche's presence, and is unhappy when she begins seeing his friend, Mitch (Karl Malden). The tension between Blanche and Stanley builds, reaching its climax when Stella is taken into hospital and the pair are left alone together. The film won four Academy Awards, including Best Actress, Supporting Actress and Supporting Actor.
UltraViolet Expiry Date: January 27, 2015.Extra Content
• Commentary by Karl Malden, Rudy Behlmer and Jeff Young
• "Elia Kazan: A Director's Journey" [1995 First Run documentary]
• "A Streetcar on Broadway"
• "A Streetcar in Hollywood"
• "Censorship and Desire"
• "North and the Music of the South"
• "An Actor Named Brando"
• Marlon Brando Screen Test
• Audio Outtakes
• Warner Bros. (1951)
• 20th Century Fox (1958 Reissue)
• United Artists (1970 Reissue)
Looking for a benchmark in movie acting? Breakthrough performances don't come much more electrifying than Marlon Brando's animalistic turn as Stanley Kowalski in A Streetcar Named Desire
. Sweaty, brutish, mumbling, yet with the balanced grace of a prize-fighter, Brando storms through the role--a role he had originated in the Broadway production of Tennessee Williams's celebrated play. Stanley and his wife, Stella (as in Brando's oft-mimicked line, "Hey, Stellaaaaaa!"), are the earthy couple in New Orleans's French Quarter whose lives are upended by the arrival of Stella's sister, Blanche DuBois (Vivien Leigh). Blanche, a disturbed, lyrical, faded Southern belle, is immediately drawn into a battle of wills with Stanley, beautifully captured in the differing styles of the two actors. This extraordinarily fine adaptation won acting Oscars for Leigh, Kim Hunter (as Stella) and Karl Malden (as Blanche's clueless suitor), but not for Brando. Although it had already been considerably cleaned up from the daringly adult stage play, director Elia Kazan was forced to trim a few of the franker scenes he had shot. In 1993, Streetcar
was re-released in a "director's cut" that restored these moments, deepening a film that had already secured its place as an essential American work. --Robert Horton
--This text refers to an out of print or unavailable edition of this title.