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Stravinsky: The Flood [Import]

Oliver Knussen Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)
Price: £29.99
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Product details

  • Performer: Peter Hall, David Wilson-Johnson, Stephen Richardson, Michael Berkeley
  • Orchestra: London Sinfonietta, New London Chamber Choir
  • Conductor: Oliver Knussen
  • Composer: Igor Stravinsky, Charles Wuorinen
  • Audio CD (14 Nov 1995)
  • Number of Discs: 1
  • Format: Import
  • Label: DG
  • ASIN: B000001GPK
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 22,900 in Music (See Top 100 in Music)

1. The Flood: Prelude: 'Te Deum laudamus'
2. The Flood: Melodrama: 'In A Worm's Likeness Will He Wend'
3. The Flood: The Building Of The Ark (Choreography)
4. The Flood: The Catalogue Of The Animals: 'The Lord Bade That I Should Bring'
5. The Flood: The Comedy (Noah And His Wife): 'Wife, Come In!'
6. The Flood: The Flood (Choreography)
7. The Covenant Of The Rainbow: 'A Covenant, Noah, With Thee I Make'
8. Abraham And Isaac - A Sacred Ballad: 'Vay'hi ahar hadvarim ha'eleh v'ha'Elohim' ('After These Things God Tested Abraham')
9. Abraham And Isaac - A Sacred Ballad: 'Vayikakh Avraham et atze ha'olah' ('And Abraham Took The Wood Of The Burnt Offering')
10. Abraham And Isaac - A Sacred Ballad: 'Vayi sa Avraham et enav vayat v'hineh' ('And Abraham Lifted Up His Eyes And Looked')
11. Variations - Aldous Huxley In Memoriam
12. Requiem Canticles: Prelude
13. Requiem Canticles: Exaudi
14. Requiem Canticles: Dies irae
15. Requiem Canticles: Tuba mirum
16. Requiem Canticles: Interlude
17. Requiem Canticles: Rex tremendae
18. Requiem Canticles: Lacrimosa
19. Requiem Canticles: Libera me
20. Requiem Canticles: Postlude
See all 26 tracks on this disc

Product Description

Amazon.co.uk

Stravinsky's post-1951 music rarely used to get a good press. An old man's valiant attempt to reinvent his musical language for a new era, or a sell-out to fashion? Recent recordings have proved the former, this supremely well-prepared disc above all. Serialism in late Stravinsky isn't so much of a wrench as you might think: the composer had his own ideas about the method (remember--it's not a system!) and the results could never be by anyone else. The Flood (1962) is a stage cantata telling the usual story in graphic terms. Forget the unwieldy narrative and focus on the sheer range of sound and imagery that Stravinsky conjures up. Fascinating if flawed, but the remaining works are masterpieces. Abraham and Isaac (1963) is a brooding setting of more Genesis, in music of grave beauty. The Huxley Variations (1964) combine rhythmic agility with, in the interludes, a new sound world timeless and modern. Requiem Canticles (1966) is Stravinsky's last major work, with all his vitality or intensity and, in the closing chant, an inevitable sense of moving on. With Charles Wuorinen's gripping Reliquary as an apt addition, this is a revelatory disc. --Richard Whitehouse

Customer Reviews

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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
5.0 out of 5 stars Late Stravinsky is Excellent! 13 Feb 2007
Format:Audio CD
Many of the works composed by Igor Stravinksy, late in his life, are EXCELLENT, yet largely overlooked. I really recommend the CD entitled "The Flood" very highly indeed. This DG disk also offers several other late works, including Abraham and Isaac, with Hebrew text. This makes the work utterly non European (rather than it might have been with a Latin or Greek text). The Requiem Canticles were the last major work, composed when Stravinsky was already in his mid 80s. Listen to them - the strident trumpet, haunting tubular bells, and flutter tonguing flute sounds. All of his late works were influenced by Schoenberg's Serial or 12 note technique, though adapted by the master. If you like the Mass or Symphony of Psalms, then you will aso appreciate the Requienm Canticles. How many othe great Composers could still offer such a masterpiece when aged in their mid 80s?

I personally think Stravinsky was the greatest 20th Century composer, and one of the greatest ever. Yet increasingly, Concert programmes seem to concentrate only upon the early Ballets - The Rite of Spring, and so forth, written for Diaghilev. Some commentators downplay the inter-war works, describing the Symphony in C as a neoclassical "aspidistra". Yet the 1930s also saw the haunting Symphony of Psalms. Later, Stravinsky's use of Serial technique has sometimes been written off as yet another borrowing, akin to a cuckoo. This is also unfair: the medival qualities of the Canticum Sacrum, for instance, the energy of Agon, or the Requiem Canticles. Stravinsky really is a composer who was highly innovative, prolific, and accomplished in a range of styles and formats.

I must praise Amazon - and its partner Elite Digital - who arranged an import from the USA. Sadly, this DG disk is out of print, though Arkiv has reprinted the disk from 1995. An earlier copy of the disk was mangled by a car CD player, so I am delighted to own a copy once again.

My Doctorate and MBA are in Business Studies, though I do still play music: I recently purchased a top of the range Howarths Oboe and also Cor Anglais. Whereas records were expensive when studying for A level music nearly 40 years ago, CDs and also Internet stores including Amazon have made music much accessible. As a serious amateur, I hope my Review inspires others to purchase.
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Amazon.com: 4.8 out of 5 stars  8 reviews
17 of 17 people found the following review helpful
4.0 out of 5 stars breathtaking musicianship 17 Jan 2000
By Julian Grant - Published on Amazon.com
Format:Audio CD
At last - late Stravinsky played musically by someone who has lived with this style and assimilated it to its very bones! The Requiem Canticles recieve a stunning performance, finely etched and honed, every detail of its magical sound world precisely observed. The bell effects in the Epilogue are breathtaking - you'd rarely get such unanimity of attack and dynamic perfection in a live performance. Strong solo performances too. The recording on the Stravinsky edition (conducted Craft) was always one of the most disappointing with rough choral intonation and a cactus-y recording, so this is doubly welcome.

The revelation on this CD is the recording of 'The Flood', so often regarded as the Cinderella of Stravinsky's dramatic works. Here this strange hybrid casts a spell, the pictorial moments are beautifully etched. The narration is unobtrusive, if a little 'BBC' and redolent of the schoolroom in quality - the Stravinsky recording (which this undoubtedly supercedes)has a starry line up including Laurence Harvey and Elsa Lanchester which is (understandably) superior. Superlative performances of the Variations - and of 'Abraham and Isaac' - a piece I find totally resistable in every way, you may differ. The Wuorinen piece is interesting and well worth hearing, though any composer must suffer in comparison to the trenchancy and individuality of the best of these late works. Buy, and if you are new to these pieces, start with the 'Requiem Canticles'.

14 of 15 people found the following review helpful
5.0 out of 5 stars Terrific Recording! But Dunderheaded DGG Dropped It 24 April 2003
By Karl Henning - Published on Amazon.com
Format:Audio CD
My title ought really to have trumpeted what a great job Knussen has done in preparing and recording this music. As a composer himself, Knussen has an unusually acute affinity for this literature, which he takes great pains to bring off accurately.

The Flood is more than merely accurate, though; it is here realized as a flowing dramatic narrative. James Wood deserves great credit for expertly preparing the New London Chamber Choir both in this, and in the Requiem Canticles.

The notion of having the voice of God represented by more than one voice singing (and not in unison), inspired related treatment in Wuorinen's Genesis.

The crowning lament in DGG's having dropped this disc, is the Wuorinen Reliquary, built from sketches which Stravinsky left at his death (and what a testimony to an active musical mind, that he was sketching fresh works at such an advanced age). Wuorinen's piece is a fine achievement, a setting for these sketches, the setting itself skilfully woven, largely out of gestures from other serial Stravinsky works.

Write to DGG; tell them they made an artistic mistake in deleting this item from their catalogue.

12 of 13 people found the following review helpful
4.0 out of 5 stars More please 29 Jun 2001
By John Bolender - Published on Amazon.com
Format:Audio CD
Despite Stravinsky's reputation as a musical giant of the last century, his later serial compositions often don't get the attention they deserve. So this CD is much appreciated. Without going into the virtues of the CD, which I see other reviewers have amply done, I want to make a different point: It's time we had a new recording of Stravinsky's Threni. Many people say that S's Requiem Canticles is his most successful 12-tone composition. I can't agree. Requiem Can. is too much like a series of independent pieces and not enough like a unified composition. Threni, I want to suggest, is his most successful 12-tone piece. Highly unified, the first chord ultimately ushers in the last. It is a sustained meditation highly focused on a single mood space. Requiem Can. is too much like a compilation of pieces which happen to have some serial links to one another.

My point -- my plea -- is this: If there are any conductors out there listening, please consider recording a new performance of Threni. It's long overdue and would be much appreciated.

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