Previous reviewers on Amazon.uk are uniformly positive about this disc. There are far more reviews on Amazon.com but they include some ridiculously harsh and derogatory judgements about the sound, the interpretation and the playing. Too many people on Amazon get their kicks by being superior and snooty about first-rate artists, so let's dispense with their criticisms first. OK; the tam-tam is momentarily lost and out of time right at the beginning of the "Dance of the Earth" and just occasionally the horns are underlit by the engineer, but these tiny flaws pale into insignificance beside the raw energy, commitment and passion of this performance. What so many dolts call "mistakes" are the results of Gergiev's interpretation; he is no slave to the score but uses it as a springboard to deliver a thrilling, newly thought-out version of this seminal work. Thus the cross-rhythms are played with, unwritten pauses are introduced (as before the final chord) and tempi subtly distorted to create specific effects: that's what a conductor is supposed to do, I thought, as long as it is artistically justified - and here it certainly is. I ask you, is it really likely that a conductor of Gergiev's eminence, directing his own orchestra, who have played this difficult piece countless times, would mess up so badly given three days to record less than an hour's music? The sound is an engineering triumph; so much is intense and startling, and so much detail emerges within a dynamic spectrum that ranges from a true ppp to a real fff that this is an audio-buff's dream. The clarity of the sound allows us to hear that Gergiev is at times a bit vocal, as is his wont, but he's hardly the first conductor to supply a few ostinato grunts. To cap it off, we have spectacular performance of Scriabin's post-Wagnerian/Debussyian indulgence "The Poem of Ecstasy": a lush, dreamy account which flowers into a magnificent climax.
Ignore the carpers; this is a superb disc.