Cast (in credits order)
Teresa Stratas ... Salome
Bernd Weikl ... Jochanaan
Astrid Varnay ... Hérodias
Hans Beirer ... Herod
Wieslaw Ochman ... Narraboth
Hanna Schwarz ... Page of Herodias
Kurt Equiluz ... Third Jew
This is possibly the most musically perfect Salome available but as a performance on screen it is patchy.
Shot in the studio, the singers are lousy lip-synchronisers.
But if any DVD were to change my mind about the importance of this, it would be this one, mostly because of the extraordinary performance of a young, stunningly beautiful Teresa Stratas.
Her gradual decline from wilful petulance into obsessed insanity is remarkably vivid and harrowing; add a voice that's vibrant, clear and passionate and a kind of star-quality and you have what may be the perfect performance of the role.
I don't really understand those critics who found her voice too piercing.
The rest of the cast isn't quite up to Ms. Stratas's standards. Bernd Weikl's supremely wild and creepy Jochanaan is vocally very good if not on a par with Bryn Terfel's interpretation.
But Weikl on screen comes over more manic street preacher than divinely inspired prophet.
Yes, Astrid Varnay is a legendary talent, but I wish she and Hans Beirer weren't directed to be the comic relief in distractingly awful costumes (those dilapidated peacock feathers around Herodias's shoulders for example).
Also, I thought that The Dance of the Seven Veils fell slightly flat, with Stratas looking a little too much like ET under the blanket at the start of it and the introduction of some dancing-girl extras in stupid 70s outfits.
The set looks like a prehistoric temple on Malta rather than anything Judaic and the mish-mash costumes are nothing like Beardsley as some would have you believe - so the whole thing seems to be happening nowhere in particular, rather like the androgynous Page in fact.
I was surprised that the revolutionary director Gotz Fiedrich gave us absolutely no blood with the Baptist's severed head,
a chance to shock us even more being missed there perhaps - but none of this matters besides the impact of the music which under Karl Bohm's leadership couldn't get much better.