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Strauss: Salome CD

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Price: £17.44 & FREE Delivery in the UK on orders over £20. Details
Includes FREE MP3 version of this album.
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£17.44 & FREE Delivery in the UK on orders over £20. Details Only 5 left in stock (more on the way). Dispatched from and sold by Amazon. Gift-wrap available.

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Product details

  • Audio CD (11 Sept. 1991)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Format: CD
  • Label: Deutsche Grammophon
  • ASIN: B000001GFE
  • Other Editions: MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 30,179 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         


Disc 1:

Samples
Song TitleArtist Time Price
  1. R. Strauss: Salome, Op.54 / Scene 1 - "Wie schön ist die Prinzessin Salome heute Nacht!"Bengt Rundgren and Clemens Bieber and Giuseppe Sinopoli and Marianne Rorholm and Orchester der Deutschen Oper Berlin and William Murray 2:42£0.99  Buy MP3 
  2. R. Strauss: Salome, Op.54 / Scene 1 - "Nach mir wird Einer kommen"Bengt Rundgren and Bryn Terfel and Clemens Bieber and Giuseppe Sinopoli and Klaus Lang and Marianne Rorholm and Orchester der Deutschen Oper Berlin and William Murray 2:27£0.99  Buy MP3 
  3. R. Strauss: Salome, Op.54 / Scene 2 - "Ich will nicht bleiben"Cheryl Studer and Giuseppe Sinopoli and Marianne Rorholm and Orchester der Deutschen Oper Berlin 1:41£0.99  Buy MP3 
  4. R. Strauss: Salome, Op.54 / Scene 2 - "Siehe, der Herr ist gekommen"Aimée Willis and Bengt Rundgren and Bryn Terfel and Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Marianne Rorholm and Orchester der Deutschen Oper Berlin and William Murray 1:36£0.99  Buy MP3 
  5. R. Strauss: Salome, Op.54 / Scene 2 - "Jauchze nicht, du Land Palästina"Bengt Rundgren and Bryn Terfel and Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Marianne Rorholm and Orchester der Deutschen Oper Berlin and William Murray 4:13£0.99  Buy MP3 
  6. R. Strauss: Salome, Op.54 / Scene 2 - Laßt den Propheten herauskommenCheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:18£0.99  Buy MP3 
  7. R. Strauss: Salome, Op.54 / Scene 3 - "Wo ist er, dessen Sündenbecher jetzt voll ist?"Bryn Terfel and Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 4:24£0.99  Buy MP3 
  8. R. Strauss: Salome, Op.54 / Scene 3 - "Er ist schrecklich"Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:02£0.99  Buy MP3 
  9. R. Strauss: Salome, Op.54 / Scene 3 - "Wer ist dies Weib, das mich ansieht?"Bryn Terfel and Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:33£0.99  Buy MP3 
10. R. Strauss: Salome, Op.54 / Scene 3 - "Zurück, Tochter Sodoms!"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:17£0.99  Buy MP3 
11. R. Strauss: Salome, Op.54 / Scene 3 - Dein Leib ist grauenvollBryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:27£0.99  Buy MP3 
12. R. Strauss: Salome, Op.54 / Scene 3 - "Zurück, Tochter Sodoms!"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:43£0.99  Buy MP3 
13. R. Strauss: Salome, Op.54 / Scene 3 - "Niemals, Tochter Babylons,Tochter Sodoms,...Niemals "NBryn Terfel and Cheryl Studer and Clemens Bieber and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 1:11£0.99  Buy MP3 
14. R. Strauss: Salome, Op.54 / Scene 3 - "Wird dir nicht bange, Tochter der Herodias?"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:57£0.99  Buy MP3 
15. R. Strauss: Salome, Op.54 / Scene 3 - "Lass mich deinen Mund küssen, Jochanaan!"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin0:59£0.39  Buy MP3 
16. R. Strauss: Salome, Op.54 / Scene 3 - "Du bist verflucht"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 5:08£0.99  Buy MP3 
17. R. Strauss: Salome, Op.54 / Scene 4 - "Wo ist Salome?"Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin and William Murray 3:28£0.99  Buy MP3 
18. R. Strauss: Salome, Op.54 / Scene 4 - "Salome, komm, trink Wein mit mir"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 2:44£0.99  Buy MP3 
19. R. Strauss: Salome, Op.54 / Scene 4 - "Siehe, die Zeit ist gekommen"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin0:52£0.39  Buy MP3 
20. R. Strauss: Salome, Op.54 / Scene 4 - "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben!"Cheryl Studer and Friedrich Molsberger and Giuseppe Sinopoli and Horst Hiestermann and Karl-Ernst Mercker and Leonie Rysanek and Manfred Röhrl and Orchester der Deutschen Oper Berlin and Peter Maus an 2:32£0.99  Buy MP3 
21. R. Strauss: Salome, Op.54 / Scene 4 - "Siehe, der Tah ist nahe"Bryn Terfel and Friedrich Molsberger and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin and Ralf Lukas and Uwe Peper 2:36£0.99  Buy MP3 
22. R. Strauss: Salome, Op.54 / Scene 4 - O über dieses geile Weib, die Tochter BabylonsBryn Terfel and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 2:27£0.99  Buy MP3 


Disc 2:

Samples
Song TitleArtist Time Price
  1. R. Strauss: Salome, Op.54 / Scene 4 - "Tanz für Mich, Salome"Bryn Terfel and Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 4:03£0.99  Buy MP3 
  2. R. Strauss: Salome, Op.54 / Scene 4 - Salome's Dance Of The Seven VeilsGiuseppe Sinopoli and Orchester der Deutschen Oper Berlin 9:27£0.99  Buy MP3 
  3. R. Strauss: Salome, Op.54 / Scene 4 - "Ah! Herrlich! Wundervoll, wundervoll!"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 4:20£0.99  Buy MP3 
  4. R. Strauss: Salome, Op.54 / Scene 4 - "Salome, ich beschwöre dich"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 3:13£0.99  Buy MP3 
  5. R. Strauss: Salome, Op.54 / Scene 4 - "Salome, bedenk, was du tun willst"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 2:48£0.99  Buy MP3 
  6. R. Strauss: Salome, Op.54 / Scene 4 - Gib mir den Kopf des Jochanaan!Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 1:49£0.99  Buy MP3 
  7. R. Strauss: Salome, Op.54 / Scene 4 - "Es ist kein Laut zu vernehmen"Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin 2:21£0.99  Buy MP3 
  8. R. Strauss: Salome, Op.54 / Scene 4 - "Ah! Du wolltest mich nicht deinen Mund"Cheryl Studer and Giuseppe Sinopoli and Orchester der Deutschen Oper Berlin11:19Album Only
  9. R. Strauss: Salome, Op.54 / Scene 4 - "Sie ist ein Ungeheuer, deine Tochter"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Leonie Rysanek and Orchester der Deutschen Oper Berlin 1:17£0.99  Buy MP3 
10. R. Strauss: Salome, Op.54 / Scene 4 - "Ah! Ich habe deinen Mund geküsst, Jochanaan"Cheryl Studer and Giuseppe Sinopoli and Horst Hiestermann and Orchester der Deutschen Oper Berlin 4:36£0.99  Buy MP3 

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Most Helpful Customer Reviews

5 of 6 people found the following review helpful By Ralph Moore TOP 50 REVIEWER on 27 Mar. 2012
Format: Audio CD Verified Purchase
It might seem perverse to start a review by commenting on the supporting and comprimario voices but having listened to a good few different recordings recently, going back to Welitsch's classic live recording at the Met under Reiner in 1952, I am very aware that for all that the lead voices are vital, it also matters that the ensemble should be musically and dramatically convincing in an opera so reliant upon sustaining an eerie and menacing atmosphere - and for the most part, Sinopoli's cast here is inadequate compared with the classic versions. There is a high preponderance of wobbly voices whose inadequacy is thrown into relief by the excellence of the lead singers, Studer and Terfel. The Narraboth is weedy, the basses rocky, Horst Hiestermann's tenor is distinctly irritating with his bleat, beat and hoarse approximations; plenty of tenors of varying voice categories - Gerhard Stolze, Set Svanholm, Richard Lewis - have sung this part convincingly without tiring the ears so comprehensively. Leonie Rysanek - one of the great Salomes for Böhm - has by this stage of her career stepped down to the role of Herodias, and does so very credibly.

I have not always responded to Cheryl Studer's voice but she is here to be heard at her most persuasive in a part very apt for her warm, shimmering, oboe tones; after Welitsch, she comes closest to the sound appropriate to a sixteen-year-old vamp of dubious sanity - a part almost impossible to cast adequately. She is delicate and chilling but also has the penetrating power to suggest passion and ecstasy; her top notes are pure and thrilling and this is the best work I know by her. Bryn Terfel is virile and impassioned as Jochanaan without quite catching the hieratic, visionary quality required for the prophet.
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By Peter lucas on 3 Dec. 2014
Format: Audio CD Verified Purchase
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 19 reviews
10 of 11 people found the following review helpful
Among The Best of Salome Recordings 19 Feb. 2001
By David A. Wend - Published on Amazon.com
Format: Audio CD
I have had this recording for several years and am always impressed at the powerful performance Giuseppe Sinopoli brought off. Every nuance of Strauss's score come through, the drama and foreboding is all here. Cheryl Studer is perfect in the role of Salome. He voice has the sweetness of the teenager she portrays and she has wonderful control, particularly when singing softly. She has flexibility and power that makes her an ideal Salome. Byrn Terfel is great as Jokanaan, providing us with a full-bodied prophet, although his voice from inside the dungeon sounds a bit distant.
Leonie Rysanek is good as Herodias, and Horst Hiestermann presents the neurotic Herodes well enough but his voice has too much vibrato. His voice, at times, positively wobbles! Annoying as this might be, this is an impressive version of the opera.
8 of 9 people found the following review helpful
The best stereo Salome 20 Mar. 2000
By Santa Fe Listener - Published on Amazon.com
Format: Audio CD
Recorded when Studer was in her absolute prime, with very froceful and imaginative conducting by Sinopli. I have owned every Salome since the days of Wellitsch, and this one one balance is the best, neither driven like Solti's nor over-refined like Karajan's. The only forseeable competition is form a live performance with Rysanek that is not yet available, I believe, in the US. The only drawback to this set is th4e edgy DG sonics with particularly harsh upper strings in the loud passages.
18 of 23 people found the following review helpful
It's a shame. 26 Feb. 2000
By Virgil Courthney Moojen - Published on Amazon.com
Format: Audio CD
The greatest marvel of the Sinopoli set is undoubtedly the Salome of Cheryl Studer. Studer is very sensual and at the same time very girlish and therefore very cruel. She is capable of entrapping every male she wants in her web of intrigue and blood. She may not have the iron-like tones of Nilsson (the greatest Salome on record) but her sheer musicality makes her a very attractive Salome indeed. Terfel is a firm-toned Jokanaan. Sinopolis' conducting is not quite as terrifying as Solti's (and I mean that in a good way) but it's firm and powerful. This wood be a fantastic recording if it wasn't for Hiestermanns' Herodes. What were they thinking at Deutsche Grammophon? His contribution spoils half the recording. Hiestermann is absolutely not up to his difficult job of portraying the neurotic Tetrarch. He just hasn't got the vocal abilities. This just shows how important it is to cast a recording well.
3 of 3 people found the following review helpful
Sinopoli Does It Again 17 April 2012
By Robert B. Lamm - Published on Amazon.com
Format: Audio CD
Every time I listen to a recording of a work conducted by Sinopoli, I learn something more about the work. I don't necessarily enjoy it (for example, his recording of Madama Butterfly is, welll, just bad), but I still learn something. One of the less favorable reviews of this recording takes issue with the fact that Sinopoli treats the work as a symphony, not as a work of emotion. Well, I agree that he treats it as a symphony, but I think the operatic (i.e., emotional) aspect of Salome comes through loud and clear and the work is better for it. The symphonic aspects of the work are certainly there, and one of the treats of this recording is that its "orientalism" comes through far more than it does in the grisly (but wonderful) Solti/Nilsson recording. The work comes through as sinuous, sensual, exotic and lush. What's wrong with that?

As for the singing, I don't know much about Cheryl Studer; she didn't sing much at the Met when I used to go there, but she is nearly perfect for the part. She is a spoiled adolescent who is used to getting her way, perverse though it may be, and it's just right for the role. My only quibble is that in the last scene there are times when I wish she would favor the singing a bit more than the characterization. That said, it's still a captivating performance.

Bryn Terfel is magnificent as John the Baptist, and Leonie Rysanek is nearly as good as Herodias. The other roles are not as well cast, but when you have these three and the splendid conducting of Sinopoli, who cares?
8 of 10 people found the following review helpful
Salome as symphony 13 Nov. 2007
By S. Jones - Published on Amazon.com
Format: Audio CD
Several years ago I purchased this recording, in response to many positive reviews. Although Studer was good and Terfel terrific, I was greatly disappointed in the conducting. Revisiting it after about a year's gap, I can now appreciate the masterful symphonic sweep that Sinopoli achieves -- not to mention the vivid sonics. But there's still not a clue that Sinopoli knows that much of the music is supposed to represent actions and emotions; it's just a dramatic symphony with voices. Speaking of voices, Studer is even better than I remembered, and Terfel is indeed terrific. On the other hand, the Herod has what must be the worst voice of anyone pretending to be a classical singer; his vocal acting is very nice, but he literally can't carry a tune. Who hires these people?
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