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Album Savings: £3.13 compared to buying all songs
- Original Release Date: 1 Sep 2007
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: Introduction - | David Parry | 3:11 | £0.59 | ||
| Play | 2. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: How you were! How you are! (Octavian, Marschallin) | David Parry | 5:24 | £0.59 | ||
| Play | 3. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: Ah, there he goes ? (Marschallin) | David Parry | 5:08 | £0.59 | ||
| Play | 4. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: Ah! You are back again? (Octavian, Marschallin) | David Parry | 5:58 | £0.59 | ||
| Play | 5. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: For time is a mysterious thing (Marschallin) | David Parry | 2:23 | £0.59 | ||
| Play | 6. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: My dearest love, why do you torture yourself ? (Octavian, Marschallin) | David Parry | 4:45 | £0.59 | ||
| Play | 7. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act I: I'll go now, go to church, an pray (Marschallin, Octavian) | David Parry | 3:17 | £0.59 | ||
| Play | 8. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: Introduction - A solemn day, a wondrous day (Faninal, Marianne, Major-Domo) | David Parry | 1:59 | £0.59 | ||
| Play | 9. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: In this most wonderful and serious moment (Sophie, Marianne, Footmen) | David Parry | 3:39 | £0.59 | ||
| Play | 10. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: It is an honour, an enchantment (Octavian, Sophie) | David Parry | 7:29 | £0.59 | ||
| Play | 11. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: Here I am (Ochs, Servants, Annina) | David Parry | 7:22 | £0.59 | ||
| Play | 12. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: Here. (Ochs, Annina) | David Parry | 5:49 | £0.59 | ||
| Play | 13. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act II: Leupold, let's go (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots) | David Parry | 2:26 | £0.59 | ||
| Play | 14. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act III: Oh God! The story was a masquerade and no more (Sophie, Octavian, Marschallin) | David Parry | 2:40 | £0.59 | ||
| Play | 15. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act III: Now or tomorrow; if not tomorrow, very soon (Marschallin, Sophie, Octavian) | David Parry | 5:11 | £0.59 | ||
| Play | 16. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act III: Marie Theres, how good you are (Octavian, Marschallin, Sophie) | David Parry | 5:13 | £0.59 | ||
| Play | 17. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act III: Bliss is too deep to understand (Octavian, Sophie, Faninal, Marschallin) | David Parry | 4:18 | £0.59 | ||
| Play | 18. Der Rosenkavalier, Op. 59, TrV 227 (sung in English): Act III: Bliss is too deep to understand (Octavian, Sophie) | David Parry | 3:19 | £0.59 |
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1 review
12 of 12 people found the following review helpful
An English Silver Rose
10 Jun 2000
Format:Audio CD
This "highlights" recording, one of the most recent of the Chandos "Opera in English" series, is a superlative issue that must be heard by all lovers of Richard Strauss and fine singing. Indeed, the singing is truly exceptional; mention must be made immediately of the silken voiced Octavian of Diana Montague - from start to finish she maintains a scrupulous control of legato and beauty of tone (similar to, but in my view surpassing, Susan Graham). Rosemary Joshua's Sophie surpassess most other more famous singers of this taxing role; she is truly a match for the likes of Lucia Popp and Elisabeth Schumann. Listen to the ravishing floated pianissimos in the presentation of the silver rose scene, and the final trio and duet, and I am sure you will agree. Yvonne Kenny is a Marschallin sensitive to the nuances of both text and music; vocally she is not in the class of a Schwarzkopf, Janowitz or Fleming, but this is a moving portrayal. And Tomlinson, the great Wotan and Hans Sachs of our age, is an amusing, cavernous voiced, (slightly too) boorish Ochs. The success of this performance is also due to the excellent musical support given by the London Philharmonic and conductor David Parry. Those concerned by the fact that this recording is given in English translation need not be; the translation is singer friendly (though not all the words are audible), and the standard of performance is such as to almost make no difference. If only the work were given complete - but this is still a "must buy"!
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