- Audio CD (5 Nov 2001)
- SPARS Code: DDD
- Number of Discs: 1
- Format: CD
- Label: Naxos Historical
- ASIN: B00005RT4W
- Amazon Bestsellers Rank: 417,316 in Music (See Top 100 in Music)
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Product Description
CD Composer: Strauss,Richard
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4.5 out of 5 stars
2 reviews
12 of 13 people found the following review helpful
5.0 out of 5 stars
Great Strauss Conducting
21 Feb 2002
By Ralph J. Steinberg
- Published on Amazon.com
This issue of the 1941 "Heldenleben" is far superior in sound to the Teldec issue, which is overly filtered and muddy in sound. Still, there is some harshness and stridency here, as in a number of Naxos historical issues; I would love to hear a Pearl or Tahra transfer of this material.
I used to favor the Philharmonic performance from 1928 (superbly transferred by pearl). Now, after hearing this generally good issue, I'm not so sure. It seems as though Mengelberg had become more thoughtful and reflective in this latter performance, eschewing virtuosity in favor of lyricism and poetry. The final section is especially moving in the 1941 performance, and the playing of the Concertgebouw is more subtle and refined than that of the Philharmonic. Personally, I wouldn't want to be without either of the Mengelberg recordings.
"Tod und Verklaerung" is a completely different story. I first heard this performance over FM back in 1961, from terribly worn 78's. That hearing did not prepare me for this harrowing account of the score. From the opening drum beats, the grim power of this work is faithfully reproduced by Mengelberg, and the concluding transfiguration music is blinding in its intensity and nobility. I have never heard a performance in this class before, and I nominate it as the essential "Tod und Verklaerung." Who needs Szell when you've got Mengelberg?
I used to favor the Philharmonic performance from 1928 (superbly transferred by pearl). Now, after hearing this generally good issue, I'm not so sure. It seems as though Mengelberg had become more thoughtful and reflective in this latter performance, eschewing virtuosity in favor of lyricism and poetry. The final section is especially moving in the 1941 performance, and the playing of the Concertgebouw is more subtle and refined than that of the Philharmonic. Personally, I wouldn't want to be without either of the Mengelberg recordings.
"Tod und Verklaerung" is a completely different story. I first heard this performance over FM back in 1961, from terribly worn 78's. That hearing did not prepare me for this harrowing account of the score. From the opening drum beats, the grim power of this work is faithfully reproduced by Mengelberg, and the concluding transfiguration music is blinding in its intensity and nobility. I have never heard a performance in this class before, and I nominate it as the essential "Tod und Verklaerung." Who needs Szell when you've got Mengelberg?
5 of 6 people found the following review helpful
4.0 out of 5 stars
Great performances, so-so sound
26 Jan 2005
By madamemusico
- Published on Amazon.com
I first heard this "Heldenleben" in 1989; I purchased it because the famous 1928 NY Phil recording was NOT then available on CD. But in the long run I prefer it: Mengelberg's performance here is more emotionally intense, more moving to me.
The "Tod uns Verklarung" is also excellent; I would put it on par with the little-known Toscanini-La Scala Orchestra account of 1946 in its gripping drama. The only problem with both performances is the sound quality, a little shallow when compared to other contemporary recordings. But the performances are superb, and to me this will always remain *THE* Heldenleben.
The "Tod uns Verklarung" is also excellent; I would put it on par with the little-known Toscanini-La Scala Orchestra account of 1946 in its gripping drama. The only problem with both performances is the sound quality, a little shallow when compared to other contemporary recordings. But the performances are superb, and to me this will always remain *THE* Heldenleben.
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4.5 out of 5 stars
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