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Hitchcock Newsreel footage
Language is Mono: Side A - English, French, Italian. Side B - English
Subtitles: English, French, Italian, Dutch, Arabic, Spanish, Portuguese, German, Romanian, Bulgarian, English for the hearing impaired, Italian for the hearing impaired.
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Most Helpful Customer Reviews
19 of 20 people found the following review helpful:
5.0 out of 5 stars
A Strange and Wonderful Accomplishment,
This review is from: Strangers On A Train (1951) [DVD] (DVD)
This film is absolute Hitchcock. The suspense, the tension, the whole atmosphere is mouth watering. The dialogue is utterly stunning and the cinematography is quite brilliant. I am running out of superlatives to describe this film but one more superb aspect must be mentioned; the performance by Robert Walker. As the slightly deranged, yet extremely intelligent, young man Walker is absolutely spectacular. His mannerism is so incredibly convincing it is shocking and without him my rating of this film would be completely different.The essential plot behind the film is that of two strangers meeting on a train (one being the slightly insane Walker) with one of the two unwittingly landing himself in a difficult situation, where he finds he is an accessory to murder with nowhere to hide. As with all Hitchcock films it is the suspense that makes the film an absolute masterpiece of cinema. However, with this film many other elements (mainly Walker) push the bar even higher giving an indescribably good product. The only minor let down in this film was Farley Granger's part which I found to be lacking slightly. This, however, cannot detract from its 5 star rating and this is still a must buy film, especially if you are a fan of the classics.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Exciting and clever thriller.,
By
This review is from: Strangers On A Train - Special Edition (2 Discs) [1951] [DVD] (DVD)
'Strangers On A Train' is one the greatest Hitchcock Movies.Staring Robert Walker (who for some reason makes talking of murder sound 'sexy') plays 'Bruno Anthony' - a rather 'unbalanced' man to say the least, and who has an equally 'dotty' mother played by the marvellous Marion Lorne (remember the 'dotty' aunt in 'Bewitched'?) He meets a famous Tennis Player, 'Guy Haines' on a train and speaks of 'switching' murders - the disposing of two different people each of them could do without, but 'Haines' does not take him seriously - bigger fool him! This also stars Patricia Hitchcock (daughter of Alfred) who, though has a somewhat smaller role, nevertheless makes a lasting impression. There are quite a few dramatic scenes in this, and one of the most exciting ever has to be the 'Merry-Go-Round' finale! This is a movie one can watch over and over again and never tire. Bonus material includes a silent Newsreel featuring Hitchcock. NOTE: Surprisingly, this has not been re-mastered. TRIVIA: Robert Walker who took the lead was to die the same year this movie was made.
14 of 15 people found the following review helpful:
4.0 out of 5 stars
Robert Walker goes off the rails in Hitchcock thriller.,
By A Customer
This review is from: Strangers on a Train [VHS] (1951) (VHS Tape)
A chance meeting in a train carriage brings Robert Walker's deceptively amiable Bruno into conversation with smart society tennis player (Farley Granger). Both men hypothesise on the nature of killing, and Bruno suggests that they exchange a verbal contract of murder, Granger's wife for Walker's father, much to the sportsman's amusement. But when his wife turns up strangled days later and a brief phone call reminds Granger of his obligation he understands, with chilling realisation, the contract was all too real. The premise of the film fits neatly as a parable of a pact with the devil. Walker is a psychopath with his eye on family money, his father the sole remaining obstacle to his inheritance, whilst Granger is in a stale marriage with his eye on another woman. Murder would suit both very well, but conscience pulls Granger back from the brink, his mind unable to cope with the enormity of murder. He is, however, in a battle of wits with a man in every sense his intellectual equal and unrestrained by the need to play to rules. Hitchcock's playground: the human conscience and the merry dance it can lead us, is given good airing here as the metaphorical noose slips tighter around Granger's neck. Both men give good value in their respective roles but you sense that it is Walker, with beguiling charm and understated menace, who is close in spirit to his psychotic character than Granger is to his perplexed nemisis.
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