- Paperback: 314 pages
- Publisher: Soho Crime; Reprint edition (30 Aug 2011)
- Language English
- ISBN-10: 1569479895
- ISBN-13: 978-1569479896
- Product Dimensions: 12.7 x 2.1 x 19 cm
- Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 615,161 in Books (See Top 100 in Books)
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Product Description
Product Description
Provence, 1926. Scotland Yard detective Joe Sandilands is on leave, driving his way south to the Riviera while dropping off his niece at an ancient chateau.
A troubling crime committed at the chateau just before their arrival leaves a clear message that more violence is to come. To allay panic, Joe agrees to stay on and root out the guilty person. But, despite Joe's vigilance, a child goes missing and an artist's beautiful young model is murdered in circumstances eerily recreating a six hundred-year-old crime of passion.
Helped and hindered by a rising star of the French Police Judiciaire, Joe must delve into a horror story from the castle's past before he can tear the mask from the diseased soul responsible for these contemporary crimes.
A troubling crime committed at the chateau just before their arrival leaves a clear message that more violence is to come. To allay panic, Joe agrees to stay on and root out the guilty person. But, despite Joe's vigilance, a child goes missing and an artist's beautiful young model is murdered in circumstances eerily recreating a six hundred-year-old crime of passion.
Helped and hindered by a rising star of the French Police Judiciaire, Joe must delve into a horror story from the castle's past before he can tear the mask from the diseased soul responsible for these contemporary crimes.
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Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
This is the eighth book in the Joe Sandilands series and Part 2 of the sixth book in the series, Tug of War, published in 2006. Barbara Cleverly has not written the Joe Sandilands books in strict chronological order (Book 9, The Blood Royal, for example, is set in 1922, four years before this story) so it is not usually necessary to read them in sequence. This novel, however, follows so closely the action of Tug of War, that, I think the reader will be missing out if they haven't read that book first. In fact, I am glad that, although I had read it when it first came out, I re-read it before starting to read Strange Images of Death. A lot of the relationships make much better sense if you have read Tug of War and the characters have greater depth.
Joe Sandilands is a Commander at Scotland Yard. He is youngish, handsome, clever and competent, but above all, good-tempered. He is driving down to the South of France for a holiday, giving a lift to Dorcas who is the teenage daughter of a friend who has been staying with his sister. She is going to an artists' commune where the rest of her family are spending the summer. The commune is based in a medieval, fortified chateau where, the night before their arrival, a medieval tomb has been vandalised. Joe is asked to stay on and investigate as the commune feel threatened and afraid. Then a beautiful young artist's model is murdered and a child vanishes. Joe joins forces with an officer of the Parisian Police Judiciaire who is also visiting in the district to solve the mystery.
The author manages to combine humour in the one-upmanship and sparring between the French and English policeman, with the wretchedness and real tragedy caused by the murder and disappearance of the child. Death, in Barbara Cleverly's books is not a plot device, but a real event with real emotional fallout. The characters concerned will continue to be affected long after the story has ended.
This is a worthy addition to the Joe Sandilands series, but I wish it had been published in one volume with Tug of War.
Joe Sandilands is a Commander at Scotland Yard. He is youngish, handsome, clever and competent, but above all, good-tempered. He is driving down to the South of France for a holiday, giving a lift to Dorcas who is the teenage daughter of a friend who has been staying with his sister. She is going to an artists' commune where the rest of her family are spending the summer. The commune is based in a medieval, fortified chateau where, the night before their arrival, a medieval tomb has been vandalised. Joe is asked to stay on and investigate as the commune feel threatened and afraid. Then a beautiful young artist's model is murdered and a child vanishes. Joe joins forces with an officer of the Parisian Police Judiciaire who is also visiting in the district to solve the mystery.
The author manages to combine humour in the one-upmanship and sparring between the French and English policeman, with the wretchedness and real tragedy caused by the murder and disappearance of the child. Death, in Barbara Cleverly's books is not a plot device, but a real event with real emotional fallout. The characters concerned will continue to be affected long after the story has ended.
This is a worthy addition to the Joe Sandilands series, but I wish it had been published in one volume with Tug of War.
2 of 3 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
An enjoyable read as one would expect from this excellent author.
I had a sense of the events in the story unfolding before me without really fully engaging with it. Joe Sandilands is an affable character to take you through the book but most of the characters within are fairly two dimensional. When one is killed I felt no regret or disappointment but accepted that this death was just a plot devise.
In Dorcas, Joe Sandilands' "niece" however, Barbara Cleverly has created a character that she cares about and makes you do too. I look forward to when the books are just about her.
Apologies by the way if you have seen a previous review I posted, I was under the impression that I was giving feedback to the book retailer. Doh!
I had a sense of the events in the story unfolding before me without really fully engaging with it. Joe Sandilands is an affable character to take you through the book but most of the characters within are fairly two dimensional. When one is killed I felt no regret or disappointment but accepted that this death was just a plot devise.
In Dorcas, Joe Sandilands' "niece" however, Barbara Cleverly has created a character that she cares about and makes you do too. I look forward to when the books are just about her.
Apologies by the way if you have seen a previous review I posted, I was under the impression that I was giving feedback to the book retailer. Doh!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
8 reviews
13 of 13 people found the following review helpful
"There's something ancient and wicked here."
16 May 2010
Format:Hardcover
A killer is on the loose in Provence, France, in the latest Joe Sandilands novel, "Strange Images of Death," by Barbara Cleverly. The story opens with an unsettling scene of wanton destruction committed by an unidentified and clearly mad individual. Cleverly then segues to Joe Sandilands who is driving his "niece," fourteen-year-old Dorcas, to visit her father, the charming but impractical Orlando Joliffe, a self-indulgent bohemian who is charming but not overly paternal.
Although Joe and Dorcas are unrelated, the bachelor has an easy camaraderie with this bright, sensitive, and sometimes sarcastic young lady. Joe, a Commander at London's Scotland Yard, hopes to drop Dorcas off and proceed as soon as possible to Antibes on the Riviera to enjoy his vacation. Alas, the detective's plans for a period of rest and relaxation are thwarted. One reason is that Dorcas, who was nurtured lovingly by Joe's kindhearted sister, Lydia, asks him to track down her birth mother, whom she never knew. When Joe and Dorcas arrive at their destination, the grand and ancient Chateau de Silmont, they find Orlando with a lively group of male and female companions. They are spending the summer squabbling, drinking, painting, modeling, sculpting, dancing, writing poetry, taking photographs, having affairs, and letting their children run wild. Cleverly evokes the free and creative spirit of the time (1926), when daring artists such as Picasso and Matisse experimented with form, line, and color. Surrealism was just coming into vogue. Although Joe agrees to stay with Dorcas for a day or so, he remains far longer. First, he agrees to look into the aforementioned act of vandalism and, later, the untimely and unnatural death of one of the guests. Although he is working only in an unofficial capacity, the experienced Sandilands puts his finely-honed powers of observation and deduction to good use.
"Strange Images of Death" is literate and intelligently written, although Cleverly's heavy-handed use of British period slang, laced with too many exclamation points, can be a bit irritating. Still, the author's wit, keen eye for detail, and feel for history and art make this an entertaining and appealing mystery. Joe, who speaks fluent French, joins forces with Commissaire Jacquemin of Paris and Lieutenant Martinueau of Marseilles to assemble the pieces of a complex and baffling puzzle. Although this investigation is time-consuming, Joe keeps his promise to Dorcas, making inquiries that will lead to surprising information about her parentage. Cleverly's style may not be to everyone's taste, but patient and thoughtful readers will be amply rewarded not only by the involving whodunit, but also by allusions to the "inhuman acts of destruction" that took place during the first World War, leaving many soldiers dead or scarred for life; the disturbing portrayal of decadent individuals who live for the moment; and the astute analysis of the ways in which dysfunctional people inflict irrevocable harm on themselves and others.
Although Joe and Dorcas are unrelated, the bachelor has an easy camaraderie with this bright, sensitive, and sometimes sarcastic young lady. Joe, a Commander at London's Scotland Yard, hopes to drop Dorcas off and proceed as soon as possible to Antibes on the Riviera to enjoy his vacation. Alas, the detective's plans for a period of rest and relaxation are thwarted. One reason is that Dorcas, who was nurtured lovingly by Joe's kindhearted sister, Lydia, asks him to track down her birth mother, whom she never knew. When Joe and Dorcas arrive at their destination, the grand and ancient Chateau de Silmont, they find Orlando with a lively group of male and female companions. They are spending the summer squabbling, drinking, painting, modeling, sculpting, dancing, writing poetry, taking photographs, having affairs, and letting their children run wild. Cleverly evokes the free and creative spirit of the time (1926), when daring artists such as Picasso and Matisse experimented with form, line, and color. Surrealism was just coming into vogue. Although Joe agrees to stay with Dorcas for a day or so, he remains far longer. First, he agrees to look into the aforementioned act of vandalism and, later, the untimely and unnatural death of one of the guests. Although he is working only in an unofficial capacity, the experienced Sandilands puts his finely-honed powers of observation and deduction to good use.
"Strange Images of Death" is literate and intelligently written, although Cleverly's heavy-handed use of British period slang, laced with too many exclamation points, can be a bit irritating. Still, the author's wit, keen eye for detail, and feel for history and art make this an entertaining and appealing mystery. Joe, who speaks fluent French, joins forces with Commissaire Jacquemin of Paris and Lieutenant Martinueau of Marseilles to assemble the pieces of a complex and baffling puzzle. Although this investigation is time-consuming, Joe keeps his promise to Dorcas, making inquiries that will lead to surprising information about her parentage. Cleverly's style may not be to everyone's taste, but patient and thoughtful readers will be amply rewarded not only by the involving whodunit, but also by allusions to the "inhuman acts of destruction" that took place during the first World War, leaving many soldiers dead or scarred for life; the disturbing portrayal of decadent individuals who live for the moment; and the astute analysis of the ways in which dysfunctional people inflict irrevocable harm on themselves and others.
6 of 6 people found the following review helpful
Mad happenings in a French château
24 April 2010
Format:Hardcover|Amazon Verified Purchase
Commander Joe Sandilands of Scotland Yard is once again embroiled in a very strange case. He never seems to encounter a garden-variety crime.
This case arises outside his jurisdiction, in a French château in Provence. It's 1926, and Joe is off to the Riviera for a holiday. On the way he's delivering his niece to her artist father. At the invitation of the lord de Stilmont, some twenty artistic types have gathered at the château for a summer of painting, sculpting and photography.
The locals call it the Château du Diable because of certain dark crimes in its past. But Joe finds a modern crime awaiting him in the ancient fortress. Someone has smashed a priceless medieval tomb sculpture of the wantonly beautiful Aliénore de Stilmont. Very quickly the violence escalates to human murder, preventing Joe from leaving as planned.
Eccentric characters abound: the half-mad lord and his suspiciously good looking cousin, Joe's precocious fourteen-year-old niece, a lascivious ballet impresario, Joe's laid-back artist friend with four kids by four different mothers, the beautiful young artist's model doomed by her resemblance to Aliénore - and a self-important French Commissaire whom Joe must tame.
One side of Joe's face is scarred by shrapnel; the other side is quite handsome. In keeping with his two faces, Joe vacillates between showing compassion and talking like an "unfeeling bugger," to quote one of the characters. I must confess I find the satirical Joe a bit jarring.
Nonetheless the plot is clever and steeped in tantalizing themes of infidelity and questionable parentage. Followers of Joe Sandilands should enjoy this book. But I'd encourage new readers to start at the beginning of the series, with The Last Kashmiri Rose.
This case arises outside his jurisdiction, in a French château in Provence. It's 1926, and Joe is off to the Riviera for a holiday. On the way he's delivering his niece to her artist father. At the invitation of the lord de Stilmont, some twenty artistic types have gathered at the château for a summer of painting, sculpting and photography.
The locals call it the Château du Diable because of certain dark crimes in its past. But Joe finds a modern crime awaiting him in the ancient fortress. Someone has smashed a priceless medieval tomb sculpture of the wantonly beautiful Aliénore de Stilmont. Very quickly the violence escalates to human murder, preventing Joe from leaving as planned.
Eccentric characters abound: the half-mad lord and his suspiciously good looking cousin, Joe's precocious fourteen-year-old niece, a lascivious ballet impresario, Joe's laid-back artist friend with four kids by four different mothers, the beautiful young artist's model doomed by her resemblance to Aliénore - and a self-important French Commissaire whom Joe must tame.
One side of Joe's face is scarred by shrapnel; the other side is quite handsome. In keeping with his two faces, Joe vacillates between showing compassion and talking like an "unfeeling bugger," to quote one of the characters. I must confess I find the satirical Joe a bit jarring.
Nonetheless the plot is clever and steeped in tantalizing themes of infidelity and questionable parentage. Followers of Joe Sandilands should enjoy this book. But I'd encourage new readers to start at the beginning of the series, with The Last Kashmiri Rose.
3 of 3 people found the following review helpful
CAUGHT UP IN THE MYSTERY
17 Jun 2010
Format:Hardcover|Amazon Verified Purchase
This is another of "can't put it down" novels by Barbara Cleverly. A different theme of an artists' colony in an old castle with children running wild and twisted artistic people. Joe Sandisand comes as a guest and then chaos happens! I collect Barbara's novels and this one is another I "can't put down".
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