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Storytelling [DVD] [2001]
 
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Storytelling [DVD] [2001]

DVD ~ James Van Der Beek
4.2 out of 5 stars  See all reviews (5 customer reviews)
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Frequently Bought Together

Customers buy this item with Happiness [DVD] [1999] DVD ~ Jane Adams

Storytelling [DVD] [2001] + Happiness [DVD] [1999]
  • This item: Storytelling [DVD] [2001] DVD ~ James Van Der Beek

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions

  • Happiness [DVD] [1999] DVD ~ Jane Adams

    In stock.
    Dispatched from and sold by Amazon.co.uk.
    This item Delivered FREE in the UK with Super Saver Delivery. See details and conditions


What Do Customers Ultimately Buy After Viewing This Item?

Storytelling [DVD] [2001]
76% buy the item featured on this page:
Storytelling [DVD] [2001] 4.2 out of 5 stars (5)
£4.98
Happiness [DVD] [1999]
16% buy
Happiness [DVD] [1999] 4.1 out of 5 stars (22)
£4.98
Requiem For A Dream [DVD] [2001]
3% buy
Requiem For A Dream [DVD] [2001] 4.4 out of 5 stars (122)
£3.98

Product details

  • Actors: James Van Der Beek, Selma Blair, Leo Fitzpatrick, Robert Wisdom, Maria Thayer
  • Directors: Todd Solondz
  • Writers: Todd Solondz
  • Producers: Amy Henkels, Christine Vachon, David Linde, Declan Baldwin, Michael De Luca
  • Format: Anamorphic, PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Classification: 18
  • Studio: Entertainment in Video
  • DVD Release Date: 24 Jun 2002
  • Run Time: 87 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • ASIN: B0000667L2
  • Amazon.co.uk Sales Rank: 20,876 in DVD (See Bestsellers in DVD)

Reviews

Special Features

English
Region 2


Synopsis

Director Todd Solondz (WELCOME TO THE DOLLHOUSE, HAPPINESS) presents this characteristically bleak and darkly comic drama in two distinct parts. The first story, "Fiction" stars Selma Blair as Vi, a confused university student who engages in an impulsive tryst with her Pulitzer Prize-winning professor (Robert Wisdom) after arguing with her cerebral palsy-afflicted boyfriend (Leo Fitzpatrick). The second (and longer) tale, "Non-Fiction," stars Paul Giamatti as Toby, a down-on-his-luck documentary filmmaker who turns his camera on Scooby (Mark Webber), an unmotivated teenager, and his suburban New Jersey family.
At times even more controversial and confrontational than Solondz's previous films, STORYTELLING bluntly addresses issues such as race, sex, physical impairment, education, censorship, and exploitation, while not-so-subtly referencing and parodying both AMERICAN BEAUTY and AMERICAN MOVIE (whose own Mike Schank appears in the film). Cannily aware of both his admirers and detractors, Solondz has taken the intriguing step of criticizing his own work within the creative confines of the two stories. As with HAPPINESS, the director has assembled an impressive ensemble cast that also includes John Goodman, Julie Hagerty, Franka Potente, and Lupe Ontiveros. As a counterpoint to the often-glum proceedings, a bright, airy soundtrack is provided Scottish popsters Belle & Sebastian and songwriter Nathan Larson.

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Customer Reviews

5 Reviews
5 star:
 (2)
4 star:
 (2)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
18 of 19 people found the following review helpful:
4.0 out of 5 stars "Mandingo" and "Reality TV", 27 Feb 2003
By Martin A Hogan "Marty From SF" (San Francisco, CA. (Hercules)) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)   
Although this third film by Todd Solondz is not as good as "Welcome To The Dollhouse" or "Happiness", it still smacks of satirical cynicism. Inexplicably split into two films ('Fiction', 'Non-fiction'), we are first presented with a twenty minute film about community college level 'writing', in which, a young woman has a confrontational and sexual sparring with the black, 'mandingo' teacher. It's all meant to be a comment on hypocritical racists in education. It culminates in an outrageous sex encounter that is literally 'blocked' by a large red rectangle (taboo emphasis). It's moderately entertaining.
The second part of the film is more complex. Without exposing too much of the plot, it involves (as "Happiness" did) classism, racism, sexism, oh hell, any 'ism' you could imagine. But it works. It is simply a story of an upper middle class American family with the 2.5 kids and the proper suburban parents with a perfect son, the 'imperfect' son and the 'baby'. Kudos to John Goodman and Julie Haggerdy for participating in this movie. They bring life and legitimacy to their roles. Solondz filmed this well before "reality TV" was popular, and that is the premise. While the imperfect son is being secretly filmed for a documentary, the family struggles through it's own unusually tragic existence (the youngest of the three sons is the 'Brady Bunch brat' we always thought we wanted to see as evil). Needless to say, Solondz produces many shocks and surprises along the way. The trip is wildly entertaining, but the finale may leave the viewer distraught. Not that the story is poorly conceived or arranged, but simply that the ending is horribly, terribly depressing. It still good enough to recommend. I consider that a rare accomplishment for any film-maker.
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28 of 32 people found the following review helpful:
5.0 out of 5 stars storytelling - a bleak, dischordant masterpiece, 30 Jun 2002
It's a film by Todd Solondz, who one suspects might be a little depressed given his previous film "happiness", which featured paedophilia, fetishism and a quite brilliant foreign cab driver. Despite being bleak and filled with dysfunctional people, it was simultaneously extremely funny in the darkest possible way. Sadly, Solondz is making his films at the wrong time, in almost any other year he would have received far greater recognition than he has currently received, with the main problem being that his cynical take on American values does not wash with the post September 11th mood of patriotism coursing through the hearts of every red-blooded American. So "Storytelling" finds itself in the position of being released on DVD in the UK before the US, probably for the reason mentioned. Given the heavy editing that US DVD releases receive, comparative to other countries, (as anyone who's heard about the blockbuster/swamp thing fiasco over there will know), the American audience will probably get a diluted hit of Solondz's vision of America today. Which is a shame, because while the mood may have shifted the problems Solondz targets are still the same old problems and you can't stay in denial forever.

If you've seen "Happiness" then "Storytelling" may disappoint you at first. Initially, it's not nearly as funny, exchanging humour for darkness. This mainly arises from the division of the film into two halves; fiction and non-fiction. Fiction is 20 minutes of the most bleak, uncompromising and horrible film-making I have seen. By horrible I mean that it's very difficult to watch because what you are seeing is not nice in any sense of that over-used word. It focuses on Selma Blair, a girl at college on what is presumably a creative writing course.

The film opens on her having sex with her disabled boyfriend, who then proceeds to ask her opinion on the story he has written for said class. She thinks it's fine, but when the class instructor, a black Pulitzer prize winning novelist, hears it he says that it is awful, which it is. He gets angry with her, she goes off and basically ends up having sex with the teacher. None of this is easy to watch. But that is probably Solondz's point. He subverts our opinions of what we are watching, even reversing ideas about which characters we are prejudiced towards and which we favourable towards so as not to be prejudiced. I won't give anymore away than I already have, but I have to say that I did not like it at all because it made me ask questions I didn't really want to. In some ways that makes it excellent, but no matter what you think of the opening segment, nor how much you want to stop watching it, keep on going, because the second part - non-fiction - is absolutely brilliant.

The reason Solondz includes the opening story is because it joins perfectly with the second story, and puts it in a different light. Imagine the difference between watching a film normally, or watching a film before which the director has told you a number to things to contemplate while you watch the film. It's like that in a way, because while "non-fiction" does work as a separate film, it is much more powerful in light of what has gone before it. At base level, "Non-fiction" is a riotous black-comedy. It features John Goodman, who Coens' fans will know is a comedy genius, as the father of a dysfunctional family. At one end of the family you have Scooby, a perma-stoned wannabe high-school drop out trying to come to terms with his sexuality by listening to Elton John records, in the middle there's Brady, an American football playing jock, and a the other end there's Mikey, a child genius who is inadvertently and highly amusingly uber-racist, but not because he would have to conscious of it to be so. Indeed, this is where much of the humour in non-fiction comes from; people say things they shouldn't but their innocence makes them sound funny.

Anyway, this family become the subject of a documentary by Toby Oxman, a one-time high-school sweetheart, whose life has disintegrated with his hairline. Having given up hopes of acting, he has set his heart on making a documentary on high school students. At around this point, you start asking some major questions, and "Storytelling" starts to take on new dimensions. First off the actor playing Toby Oxman is a doppelganger for the director Todd Solondz himself, linking the documentary maker with the director. Secondly in light of the first film you being to see the idea of exploitation differently. In fact, every theme you thought would have cropped up in "Fiction" crops up in "Non-fiction" and vice-versa. Even the titles could be changed, as the "fiction" written in that story is painfully autobiographical, yet treated as fiction, while the "non-fiction" documentary becomes fictional, as we begin to see how much of the lives of these real people are fantasy and lies.

I'm not going to write anymore, mainly because I don't want to spoil it, and any further probing into "non-fiction" would give the plot away inexcusably. I'll conclude by saying that once you are past the first 20 minutes the film is a joy, with many extremely funny moments, especially the scenes with John Goodman in. And if you want to you can just watch the film as a black-comedy, in which case I'd recommend that you take the option provided by the DVD of just watching the "non-fiction" segment. Equally you can watch the whole film and start to ask questions. Because like Coens films, "Storytelling" is a film that will become more and more rewarding with each view.

In any case, this film comes thoroughly recommended.

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2 of 2 people found the following review helpful:
3.0 out of 5 stars Storytelling, 10 Nov 2005
Two short films very much in the style of Solondz's previous hits, Happiness and Welcome to the Dollhouse. The first is about a creative writing class and covers issues of race, sex and disability. The second story, in which a documentary filmmaker follows a typical teenager around his home and school - is closer in tone and topic to Gus Van Sant's Elephant, but the vein of black comedy that runs through both sections of Storytelling give the movie a dark edge that is typically Solondz.
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Most Recent Customer Reviews

4.0 out of 5 stars Everyone always has a story to tell
Todd Solondz's `Welcome to the Dollhouse' showed comic/absurd promise; his masturbation scene in `Happiness' overstepped the boundary of film taste but got everyone's attention... Read more
Published 21 months ago by Jenny J.J.I.

5.0 out of 5 stars Different and disturbing
Storytelling is another highly enjoyable, if typically disturbing, work from the New York director Todd Solondz. Read more
Published on 30 Aug 2007 by Bruno

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