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On the evening of 26th November 1703, a cyclone from the north Atlantic hammered into southern Britain at over seventy miles an hour, claiming the lives of over 8,000 people. Eyewitnesses reported seeing cows left stranded in the branches of trees and windmills ablaze from the friction of their whirling sails. For Defoe, bankrupt and just released from prison for seditious writings, the storm struck during one of his bleakest moments.
But it also furnished him with the material for his first book, and in his powerful depiction of private suffering and individual survival played out against a backdrop of public calamity we can trace the outlines of his later masterpieces such as A Journal of the Plague Year and Robinson Crusoe.
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Newly-released from prison when the Great Storm struck on the night of 26/27 November, Defoe, ever on the look-out to keep his creditors at bay, hit upon the entirely new idea of appealing, via the newspapers, for eye-witness accounts of the event. The result is a remarkable collection of first-hand accounts from across southern Britain.
Defoe began his work with a study of the 'Natural Causes and Original of Winds', a fascinating introduction to what was the current state of meteorological knowledge at the beginning of the eighteenth century. He also supplies readings of atmospheric pressure which, as Hamblyn points out, have enabled modern climate historians to re-construct the event.
The most absorbing part of the book, however, is the eye-witness accounts themselves variously describing the damage inflicted upon houses, churches, windmills, woods and ships at sea. Many of these speak to us with a powerful directness enabling us to appreciate the terrors of God-fearing people and immersing us in the realities of that Storm-struck society. Not all of the stories are of tragedy. I particularly enjoyed the tale from the village in Kent where the church spire had been blown down and the local children amused themselves by jumping over the fallen masonry so that, in the future, they could claim they had once leaped over the steeple!
There are a small number of proof-reading errors - the consequence, perhaps, of needing to meet the tercentary deadline - but these are easily outweighed by the important re-emergence of this pioneering work of journalism and classic of disaster reportage.
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